A contemporary book of garage poetry. Inspired by traffic lights, malls, fields, and radios. Honest, funny, insightful, and bullshit enlightening. Turn off your television and read a microfilm.
Do you want to pick up a light saber whenever you hear John Williams' Star Wars theme? Get the urge to ride into the desert and face down steely-eyed desperados to the refrain of Ennio Morricone's The Good, the Bad and the Ugly? Does Hans Zimmer's Pirates of the Caribbean score have you talking like Jack Sparrow? From the Westerns of the 1960s to current blockbusters, composers for both film and television have faced new challenges--evermore elaborate sound design, temp tracks, test audiences and working with companies that invest in film score recordings all have led to creative sparks, as well as frustrations. Drawing on interviews with more than 40 notable composers, this book gives an in-depth analysis of the industry and reveals the creative process behind such artists as Klaus Badelt, Mychael Danna, Abel Korzeniowski, Walter Murch, Rachel Portman, Alan Silvestri, Randy Thom and others.
Mother Jones is an award-winning national magazine widely respected for its groundbreaking investigative reporting and coverage of sustainability and environmental issues.
The Soundtrack Album: Listening to Media offers the first sustained exploration of the soundtrack album as a distinctive form of media. Soundtrack albums have been part of our media and musical landscape for decades, enduring across formats from vinyl and 8-tracks to streaming playlists. This book makes the case that soundtrack albums are more than promotional tools for films, television shows, or video games— they are complex media texts that reward a detailed analysis. The collection’s contributors explore a diverse range of soundtrack albums, from Super Fly to Stranger Things, revealing how these albums change our understanding of the music and film industries and the audio-visual relationships that drive them. An excellent resource for students of Music, Media Studies, and Film/Screen Media courses, The Soundtrack Album offers interdisciplinary perspectives and opens new areas for exploration in music and media studies.
Introduction to the Counseling Profession is a comprehensive overview of the history and foundational concepts of counseling, offering the most current and relevant breadth of coverage available. Students will gain insight into the myriad issues that surround not only the process of counseling and its many populations but also the personal dynamics that have an impact on this process. The contributed-author format provides state-of-the-art information from experts in their respective fields while maintaining a consistent structure and message. This edition has been brought in line with the 2009 Council for the Accreditation of Counseling and Related Educational Programs (CACREP) standards and includes chapters on each of the CACREP specializations. Topics rarely treated in other introductory texts are addressed, such as research and writing in counseling, technology and counseling, and self-care and growth. This edition includes new pedagogical features such as sidebars and more case studies to expand on key topics, as well as new chapters on: Cross-Cultural Counseling Self-Care and Self-Growth Individual Counseling Diagnosis and Treatment Planning Addictions Counseling Student Affairs and College Counseling A collection of supplemental resources are available online to benefit both instructors and students. Instructors will find PowerPoint slides and test banks to aid in conducting their courses, and students can access chapter summaries, exercises, and other tools to supplement their review of the material in the text. These materials can be accessed at http://www.routledgementalhealth.com/cw/Capuzzi
An anthology of 62 stories from around the non-Euro-American world providing new definitions of cultural diversity and commonality and an invaluable tool for teachers responding to the growing need for multicultural literature. Over the past two decades, sweeping political changes and burgeoning new technologies have resulted in communities being increasingly defined in global as well as regional and national terms. Although the intellectual terra nova of world cultures remains largely uncharted, this anthology of sixty-two stories from around the non-Euro-American world provides what Elisabeth Young-Bruehl calls "an introductory map to the great wealth of literary works now being produced in, at once, the particular settings of the writers' experiences and the global setting." Young-Bruehl finds that while the cultural diversity the stories exemplify is amazing, so too is the similarity in thematic terms of the concerns that this diversity presents. Thus she organized Global Cultures thematically to highlight and clarify how these worldwide cultures both converge and diverge. A comprehensive general introduction outlines forces behind the transnational approach to literary study and chapter introductions contextualize each story. Stories from India, Cuba, South Africa, and Uruguay are connected by the theme of exile and immigration; tales from Nigeria, Guatemala, Cameroon, and Egypt share a theme of political violence and civil uprisings; works from Taiwan, Chile, Jamaica, and Syria describe commonalities of women facing effects of modernization, prejudice, war, and immigration. Global Cultures contributes to the fast-growing body of contemporary short fictions newly available in English and is an invaluable resource to meet the need for multicultural literature.
The greatest albums of all time . . . and how they happened. Organised chronologically and spanning seven decades, The MOJO Collection presents an authoritative and engaging guide to the history of the pop album via hundreds of long-playing masterpieces, from the much-loved to the little known. From The Beatles to The Verve, from Duke Ellington to King Tubby and from Peggy Lee to Sly Stone, hundreds of albums are covered in detail with chart histories, full track and personnel listings and further listening suggestions. There's also exhaustive coverage of the soundtrack and hit collections that every home should have. Like all collections, there are records you listen to constantly, albums you've forgotten, albums you hardly play, albums you love guiltily and albums you thought you were alone in treasuring, proving The MOJO Collection to be an essential purchase for those who love and live music.