Opera and Song Books Published in England, 1703-1726

Opera and Song Books Published in England, 1703-1726

Author: David Hunter

Publisher: OUP/The Bibliographical Society of London

Published: 1997

Total Pages: 574

ISBN-13:

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This bibliography offers descriptions of almost 200 issues of secular voice music published in England, 1703-1726, including works by Giovanni Bononcini, Henry Purcell, John Weldon, Attilio Ariosti and Richard Leveridge. 2296 song first lines are listed and indexed. The books described represent the first extended effort to issue entirely commercial printed versions of musical stage works and they are also the first song books to be printed by engraving on a systematic basis. In addition to clarifying the bibliographic history of the books through examination of 856 copies (92% of those identified), the bibliography tests and extends the standard concepts of bibliographical description. Several new descriptive features are introduced. There are over 200 illustrations of title-pages, frontispieces and musical engraving styles. By permitting access to material that is not currently widely available in print, the bibliography will be of assistance to musicians, music and theatre historians, and literary scholars, as well as to librarians and bibliographers.


The Plays and Poems of Nicholas Rowe, Volume I

The Plays and Poems of Nicholas Rowe, Volume I

Author: Stephen Bernard

Publisher: Routledge

Published: 2016-11-03

Total Pages: 371

ISBN-13: 1134981007

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Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this first volume, a general introduction by Stephen Bernard and Michael Caines introduces Rowe's works and the five volumes that comprise this set. It then presents the early plays, The Ambitious Step-Mother, Tamerlane, and The Fair Penitent along with a newly written explanatory introduction by Rebecca Bullard and John McTague which precedes the full edited text. Appendices covering dedications performance history, the related music and textual apparatus are also included. A consolidated bibliography is included with the final volume for ease of reference.


Music and Musicians on the London Stage, 1695-1705

Music and Musicians on the London Stage, 1695-1705

Author: Kathryn Lowerre

Publisher: Routledge

Published: 2017-07-05

Total Pages: 429

ISBN-13: 1351557629

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From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.


On the Publishing and Dissemination of Music, 1500-1850

On the Publishing and Dissemination of Music, 1500-1850

Author: Hans Lenneberg

Publisher: Pendragon Press

Published: 2003

Total Pages: 198

ISBN-13: 9781576470787

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Here published for the first time, is the final book written by the late Hans Lenneberg, respected scholar and longtime head of the music library at the University of Chicago. In it, the author pursues the impact of printing technologies, methods of distribution, government regulations, and evolving business practices as they affect music and musical life. Written with insight and humor, this book surveys a changing industry, century by century, pulling together information from many specialized studies and pointing out previously unnoticed trends and remaining puzzles.


The Plays and Poems of Nicholas Rowe

The Plays and Poems of Nicholas Rowe

Author: Stephen Bernard

Publisher: Routledge

Published: 2020-06-14

Total Pages: 1484

ISBN-13: 1134980728

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Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. The first three volumes arrange his plays chronologically with the first volume presenting the early plays, The Ambitious Step-Mother, Tamerlane, and The Fair Penitent; the second volume the middle plays, The Biter, Ulysses, and The Royal Convert; and the third volume his late period plays, The Tragedy of Jane Shore and The Tragedy of the Lady Jane Grey. The subsequent volumes cover his translation of Lucan’s Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, and his own original poetry — which was often composed for specific occasions. Each volume contains a newly written explanatory introduction which precedes the full edited text. Appendices covering dedications, prologues and epilogues, performance history, the related music and textual apparatus are also included. The edition comes with a consolidated bibliography for ease of reference.


Music in the British Provinces, 1690–1914

Music in the British Provinces, 1690–1914

Author: Peter Holman

Publisher: Routledge

Published: 2017-07-05

Total Pages: 428

ISBN-13: 1351557327

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The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.


Life After Death

Life After Death

Author: Peter Holman

Publisher: Boydell & Brewer

Published: 2010

Total Pages: 434

ISBN-13: 1843835746

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New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel.