Once Upon a Time in Papunya

Once Upon a Time in Papunya

Author: Vivien Johnson

Publisher: UNSW Press

Published: 2010

Total Pages: 354

ISBN-13: 1742240135

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Astronomical auction prices in the late 1990s first drew many peoples attention to the phenomenon of the early Papunya boards, the thousand small painted panels created at the remote Northern Territory Aboriginal settlement of Papunya in 1971-72.


Indigenous Archives

Indigenous Archives

Author: Darren Jorgensen

Publisher: Apollo Books

Published: 2017

Total Pages: 476

ISBN-13: 9781742589220

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The archive is a source of power. It takes control of the past, deciding which voices will be heard and which won't, how they will be heard and for what purposes. Indigenous archivists were at work well before the European Enlightenment arrived and began its own archiving. Sometimes at odds, other times not, these two ways of ordering the world have each learned from, and engaged with, the other. Colonialism has been a struggle over archives and its processes as much as anything else.The eighteen essays by twenty authors investigate different aspects of this struggle in Australia, from traditional Indigenous archives and their developments in recent times to the deconstruction of European archives by contemporary artists as acts of cultural empowerment. It also examines the use of archives developed for other reasons, such as the use of rainfall records to interpret early Papunya paintings. Indigenous Archives is the first overview of archival research in the production and understanding of Indigenous culture. Wide-ranging in its scope, it reveals the lively state of research into Indigenous histories and culture in Australia.


Rattling Spears

Rattling Spears

Author: Ian McLean

Publisher: Reaktion Books

Published: 2016-06-15

Total Pages: 303

ISBN-13: 1780236239

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Large, bold, and colorful, indigenous Australian art—sometimes known as Aboriginal art—has made an indelible impression on the contemporary art scene. But it is controversial, dividing the artists, purveyors, and collectors from those who smell a scam. Whether the artists are victims or victors, there is no denying the impact of their work in the media, on art collectors and the art world at large, and on our global imagination. How did Australian art become the most successful indigenous form in the world? How did its artists escape the ethnographic and souvenir markets to become players in an art market to which they had historically been denied access? Beautifully illustrated, this full stunning account not only offers a comprehensive introduction to this rich artistic tradition, but also makes us question everything we have been taught about contemporary art.


Everywhen

Everywhen

Author: Henry F. Skerritt

Publisher: Yale University Press

Published: 2016-01-01

Total Pages: 230

ISBN-13: 0300214707

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"This publication accompanies the exhibition Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museums, Cambridge, Massachusetts, February 5 through September 18, 2016."


Indigenous Intellectual Property

Indigenous Intellectual Property

Author: Matthew Rimmer

Publisher: Edward Elgar Publishing

Published: 2015-12-18

Total Pages: 753

ISBN-13: 1781955905

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Taking an interdisciplinary approach unmatched by any other book on this topic, this thoughtful Handbook considers the international struggle to provide for proper and just protection of Indigenous intellectual property (IP). In light of the United Nations Declaration on the Rights of Indigenous Peoples 2007, expert contributors assess the legal and policy controversies over Indigenous knowledge in the fields of international law, copyright law, trademark law, patent law, trade secrets law, and cultural heritage. The overarching discussion examines national developments in Indigenous IP in the United States, Canada, South Africa, the European Union, Australia, New Zealand, and Indonesia. The Handbook provides a comprehensive overview of the historical origins of conflict over Indigenous knowledge, and examines new challenges to Indigenous IP from emerging developments in information technology, biotechnology, and climate change. Practitioners and scholars in the field of IP will learn a great deal from this Handbook about the issues and challenges that surround just protection of a variety of forms of IP for Indigenous communities.


Double Desire

Double Desire

Author: Ian McLean

Publisher: Cambridge Scholars Publishing

Published: 2014-11-19

Total Pages: 380

ISBN-13: 1443871338

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Double Desire challenges the tendency by critics to perpetuate an aesthetic apartheid between Indigenous and Western art. The double desire explored in this book is that of the divided but also amplified attractions that occur between cultural traditions in places where both indigenous and colonial legacies are strong. The result, it is argued, produces imaginative transcultural practices that resist the assimilation or acculturation of Indigenous perspectives into the dominant Western mod...


Remote Freedoms

Remote Freedoms

Author: Sarah E. Holcombe

Publisher: Stanford University Press

Published: 2018-07-10

Total Pages: 463

ISBN-13: 1503606481

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What does it mean to be a "rights-holder" and how does it come about? Remote Freedoms explores the contradictions and tensions of localized human rights work in very remote Indigenous communities. Based on field research with Anangu of Central Australia, this book investigates how universal human rights are understood, practiced, negotiated, and challenged in concert and in conflict with Indigenous rights. Moving between communities, government, regional NGOs, and international UN forums, Sarah E. Holcombe addresses how the notion of rights plays out within the distinctive and ambivalent sociopolitical context of Australia, and focusing specifically on Indigenous women and their experiences of violence. Can the secular modern rights-bearer accommodate the ideals of the relational, spiritual Anangu person? Engaging in a translation of the Universal Declaration of Human Rights into the local Pintupi-Luritja vernacular and observing various Indigenous interactions with law enforcement and domestic violence outreach programs, Holcombe offers new insights into our understanding of how the global rights discourse is circulated and understood within Indigenous cultures. She reveals how, in the postcolonial Australian context, human rights are double-edged: they enforce assimilation to a neoliberal social order at the same time that they empower and enfranchise the Indigenous citizen as a political actor. Remote Freedoms writes Australia's Indigenous peoples into the international debate on localizing rights in multicultural terms.


Handbook of Research on Creativity

Handbook of Research on Creativity

Author: Kerry Thomas

Publisher: Edward Elgar Publishing

Published: 2013-11-29

Total Pages: 584

ISBN-13: 0857939815

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Containing cutting-edge research the Handbook of Research on Creativity will strongly appeal to academics and advanced students in cultural studies, creative industries, art history and theory, experimental music and performance studies, digital and ne


The Making of Indigenous Australian Contemporary Art

The Making of Indigenous Australian Contemporary Art

Author: Marie Geissler

Publisher: Cambridge Scholars Publishing

Published: 2021-01-06

Total Pages: 228

ISBN-13: 1527564274

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This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.