'On the City Wall' is a short story written by Rudyard Kipling, a British author best-remembered today for his novel, 'The Jungle Book'. The story centers on Lalun, a beautiful and talented woman, who lives and entertains along the city way of Lahore, India. Visited by many men, one named Wali Dad is especially friendly. Wali Dad has had an English education and feels uncomfortably placed between the European and English worlds. As the story continues, the reader gets an introduction to a leader Khem Singh, someone who may disrupt British rule in India.
The Essential Study of the Largest Monument Still to Be Seen in Rome The City Wall of Imperial Rome: An Account of Its Architectural Development from Aurelian to Narses by Sir Ian A. Richmond was first published in 1930 and reprinted in facsimile in 1971. This scarce, essential work on the imperial fortifications of Rome has lost none of its relevance since its original publication. In this new edition, Late Antiquity specialist Torsten Cumberland Jacobsen provides current information about the state of the walls and their preservation, an updated bibliography, and an essay about Sir Richmond and his career.
The construction of urban defences was one of the hallmarks of the late Roman and late-antique periods (300–600 AD) throughout the western and eastern empire. City walls were the most significant construction projects of their time and they redefined the urban landscape. Their appearance and monumental scale, as well as the cost of labour and material, are easily comparable to projects from the High Empire; however, urban circuits provided late-antique towns with a new means of self-representation. While their final appearance and construction techniques varied greatly, the cost involved and the dramatic impact that such projects had on the urban topography of late-antique cities mark city walls as one of the most important urban initiatives of the period. To-date, research on city walls in the two halves of the empire has highlighted chronological and regional variations, enabling scholars to rethink how and why urban circuits were built and functioned in Late Antiquity. Although these developments have made a significant contribution to the understanding of late-antique city walls, studies are often concerned with one single monument/small group of monuments or a particular region, and the issues raised do not usually lead to a broader perspective, creating an artificial divide between east and west. It is this broader understanding that this book seeks to provide. The volume and its contributions arise from a conference held at the British School at Rome and the Swedish Institute of Classical Studies in Rome on June 20-21, 2018. It includes articles from world-leading experts in late-antique history and archaeology and is based around important themes that emerged at the conference, such as construction, spolia-use, late-antique architecture, culture and urbanism, empire-wide changes in Late Antiquity, and the perception of this practice by local inhabitants.
The construction of urban defences was one of the hallmarks of the late Roman and late-antique periods (300–600 AD) throughout the western and eastern empire. City walls were the most significant construction projects of their time and they redefined the urban landscape. Their appearance and monumental scale, as well as the cost of labour and material, are easily comparable to projects from the High Empire; however, urban circuits provided late-antique towns with a new means of self-representation. While their final appearance and construction techniques varied greatly, the cost involved and the dramatic impact that such projects had on the urban topography of late-antique cities mark city walls as one of the most important urban initiatives of the period. To-date, research on city walls in the two halves of the empire has highlighted chronological and regional variations, enabling scholars to rethink how and why urban circuits were built and functioned in Late Antiquity. Although these developments have made a significant contribution to the understanding of late-antique city walls, studies are often concerned with one single monument/small group of monuments or a particular region, and the issues raised do not usually lead to a broader perspective, creating an artificial divide between east and west. It is this broader understanding that this book seeks to provide. The volume and its contributions arise from a conference held at the British School at Rome and the Swedish Institute of Classical Studies in Rome on June 20-21, 2018. It includes articles from world-leading experts in late-antique history and archaeology and is based around important themes that emerged at the conference, such as construction, spolia-use, late-antique architecture, culture and urbanism, empire-wide changes in Late Antiquity, and the perception of this practice by local inhabitants.
A triumphant tale of a young woman and her difficult childhood, The Glass Castle is a remarkable memoir of resilience, redemption, and a revelatory look into a family at once deeply dysfunctional and wonderfully vibrant. Jeannette Walls was the second of four children raised by anti-institutional parents in a household of extremes.
A "longtime Berliner's ... exploration of the heterogeneous allure of this vibrant city. Delving beneath the obvious answers--Berlin's club scene, bolstered by the lack of a mandatory closing time; the artistic communities that thrive due to the relatively low (for now) cost of living--Schneider takes us on an insider's tour of this rapidly metamorphosing metropolis, where high-class soirees are held at construction sites and enterprising individuals often accomplish more without public funding--assembling a makeshift club on the banks of the Spree River--than Berlin's officials do"--Provided by publisher.
"Revolutionary love, revolutionary memory and revolutionary analysis are at work in every page written by Mumia Abu-Jamal … His writings are a wake-up call. He is a voice from our prophetic tradition, speaking to us here, now, lovingly, urgently. Black man, old-school jazz man, freedom fighter, revolutionary—his presence, his voice, his words are the writing on the wall."—Cornel West, from the foreword From the first slave writings to contemporary hip hop, the canon of African American literature offers a powerful counter-narrative to dominant notions of American culture, history and politics. Resonant with voices of prophecy and resistance, the African American literary tradition runs deep with emancipatory currents that have had an indelible impact on the United States and the world. Mumia Abu-Jamal has been one of our most important contributors to this canon for decades, writing from the confines of the U.S. prison system to give voice to those most silenced by chronic racism, impoverishment and injustice. Writing on the Wall is a selection of more than 100 previously unpublished essays that deliver Mumia Abu-Jamal's essential perspectives on community, politics, power, and the possibilities of social change in the United States. From Rosa Parks to Edward Snowden, from the Trail of Tears to Ferguson, Missouri, Abu-Jamal addresses a sweeping range of contemporary and historical issues. Written mostly during his years of solitary confinement on Death Row, these essays are a testament to Abu-Jamal's often prescient insight, and his revolutionary perspective brims with hope, encouragement and profound faith in the possibility of redemption. "Greatness meets us in this book, and not just in Mumia's personal courage and character. It's in the writing. This is art with political power, challenging institutional injustice in the U.S. while catalyzing our understanding, memory and solidarities for liberation and love. Writing on the Wall can set the nation aflame—yes, for creating new possible worlds."—Mark Lewis Taylor, Professor of Theology and Culture, Princeton Theological Seminary Mumia Abu-Jamal is an award-winning journalist and author of two best-selling books, Live From Death Row and Death Blossoms. Johanna Fernández is a Fulbright Scholar and Professor of History at Baruch College in New York City. Cornel West is a scholar, philosopher, activist and author of over a dozen books including his bestseller, Race Matters. He appears frequently in the media, and has appeared on Real Time with Bill Maher, The Colbert Report, CNN and C-Span as well as Tavis Smiley.
After losing someone she loved, artist Candy Chang painted the side of an abandoned house in her New Orleans neighborhood with chalkboard paint and stenciled the sentence, "Before I die I want to _____." Within a day of the wall's completion, it was covered in colorful chalk dreams as neighbors stopped and reflected on their lives. Since then, more than four hundred Before I Die walls have been created by people all over the world. This beautiful hardcover book is an inspiring celebration of these walls and the stories behind them. Filled with hope, fear, humor, and heartbreak, Before I Die presents an intimate portrait of the dreams within our communities and a chance to ponder life's ultimate question.
