"The delicacy of language and skillful use of detail are consistently outstanding in this slim, exquisite volume of meticulously rendered stories." --Publishers Weekly"An extremely illuminating collection. Each story is compelling--spare in style but rich in emotion. Taken as a whole, these stories give considerable insight into the Japanese psyche, both male and female." --Booklist
Jane Austen and Critical Theory is a collection of new essays that addresses the absence of critical theory in Austen studies—an absence that has limited the reach of Austen criticism. The collection brings together innovative scholars who ask new and challenging questions about the efficacy of Austen’s work. This volume confronts mythical understandings of Austen as "Dear Aunt Jane," the early twentieth-century legacy of Austen as a cultural salve, and the persistent habit of reading her works for advice or instruction. The authors pursue a diversity of methods, encourage us to build new kinds of relationships to Austen and her writings, and demonstrate how these relationships might generate new ideas and possibilities—ideas and possibilities that promise to expand the ways in which we deploy Austen. The book specifically reminds us of the vital importance of Austen and her fiction for central concerns of the humanities, including the place of the individual within civil society, the potential for new identities and communities, the urgency to address racial and sexual oppression, and the need to imagine more just futures. Chapter 4 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
This book is an appreciation of selected authors who make extensive use of humor in English detective/crime fiction. Works using humor as an amelioration of the serious have their heyday in the Golden Age of crime writing but they belong also to a long tradition. There is an identifiable lineage of humorous writing in crime fiction that ranges from mild wit to outright farce, burlesque, even slapstick. A mix of entertainment with instruction is a tradition in English letters. English crime fiction writers of the era circa 1913 to 1940 were raised in the mainstream literary tradition but turned their skills to detective fiction. And they are the humorists of the genre. This book is not an exhaustive study but an introduction into the best produced by the most capable and enjoyable authors. What the humorists seek is to surprise the reader by overturning their expectations using a repertoire of stylistic conceits and motifs (recurring incidents, devices, references). Humor has a liberating effect but is concerned too with "comic contrast" through ugliness and caricature. In crime fiction one effect is intellectual pleasure at solving (or attempting to solve) a puzzle. Another is entertainment but with serious undertones.
Walter Murdoch, a popular broadcaster and public speaker, was one of Australias bestselling twentieth-century authors. He published weekly essays in The Argus and other newspapers and his books sold in their tens of thousands.
'Walkabout' was one of the most popular magazines in mid-twentieth century Australia, educating local and international readers about the Australian landscape, its peoples and industry. It featured many of the most interesting writers, natural scientists and commentators. This book investigates 'Walkabout’ magazine's pivotal role in Australian cultural history.
What lies at the foundation of our moral beliefs? If we dig down far enough do we find that our moral values have no ground at all to stand on, and so are apt to collapse upon serious philosophical investigation? This book seeks to answer these and related questions by positing an indubitable foundation for our moral beliefs – they arise from the phenomenon of ‘primary recognition’, and are fundamentally shaped by ‘basic moral certainties’. Drawing on philosophers such as Ludwig Wittgenstein and Knud Ejler Løgstrup, this book draws together insights from both Analytic and Continental philosophy to provide a convincing new picture of our moral foundations. And it does so in a way that eschews moral conservativism and opens the way for a rich understanding of the variety and particularity of our human moral systems, while also keeping a significant place for those moral beliefs that occur universally, across cultures.
