Soon to be a Netflix series starring Octavia Spencer, On Her Own Ground is the first full-scale biography of “one of the great success stories of American history” (The Philadelphia Inquirer), Madam C.J. Walker—the legendary African American entrepreneur and philanthropist—by her great-great-granddaughter, A’Lelia Bundles. The daughter of formerly enslaved parents, Sarah Breedlove—who would become known as Madam C. J. Walker—was orphaned at seven, married at fourteen, and widowed at twenty. She spent the better part of the next two decades laboring as a washerwoman for $1.50 a week. Then—with the discovery of a revolutionary hair care formula for black women—everything changed. By her death in 1919, Walker managed to overcome astonishing odds: building a storied beauty empire from the ground up, amassing wealth unprecedented among black women, and devoting her life to philanthropy and social activism. Along the way, she formed friendships with great early-twentieth-century political figures such as Ida B. Wells, Mary McLeod Bethune, W.E.B. Du Bois, and Booker T. Washington.
Madam C. J. Walker was beloved within her community for her philanthropy and establishing the local YMCA, but she couldn't have done that if she wasn't the first female self-made millionaire and one of the most successful African American business owners ever. Born Sarah Breedlove, she was the first person born free in her family. She married Charles Joseph Walker and became known as Madam C. J. Walker, the name she would later use on her haircare products. After talking with her brothers, who were barbers, she realized that African American women didn't know how to properly care for their hair. This inspired her to start her own line of hair care products to do things like reduce dandruff, grow longer hair, smooth hair, or prevent baldness. Her company employed thousands of door-to-door saleswomen from all over the United States and the Caribbean. She supported the African American community by establishing the first YMCA in Indianapolis, funding scholarships for the Tuckegee Institute, and becoming a patron of the Harlem renaissance.
"[An] exhaustively detailed account of the life of Madam C.J. Walker." Booklist, Starred Review Madam C. J. Walker—reputed to be America’s first self-made woman millionaire—has long been celebrated for her rags-to-riches story. Born to former slaves in the Louisiana Delta in the aftermath of the Civil War, married at fourteen, and widowed at twenty, Walker spent the first decades of her life as a laundress, laboring in conditions that paralleled the lives of countless poor and working-class African American women. By the time of her death in 1919, however, Walker had refashioned herself into one of the most famous African American figures in the nation: the owner and president of a hair-care empire and a philanthropist wealthy enough to own a country estate near the Rockefellers in the prestigious New York town of Irvington-on-Hudson. In this biography, Erica Ball places this remarkable and largely forgotten life story in the context of Walker’s times. Ball analyzes Walker’s remarkable acts of self-fashioning, and explores the ways that Walker (and the Walker brand) enabled a new generation of African Americans to bridge the gap between a nineteenth-century agrarian past and a twentieth-century future as urban-dwelling consumers.
As they watched construction of the block-long flatiron building brick by brick throughout 1927, African American residents of Indianapolis could scarcely contain their pride. This new headquarters of the Madam C.J. Walker Manufacturing Company, with its terra-cotta trimmed facade, was to be more than corporate offices and a factory for what then was one of America's most successful black businesses. In fact, it was designed as "a city within a city," with an African Art Deco theater, ballroom, restaurant, drugstore, beauty salon, beauty school, and medical offices. Generations of African American families met for Sunday dinner at the Coffee Pot, enjoyed first-run movies and live performances in the Walker Theatre, and hosted dances in the Casino. Today, this National Historic Landmark is an arts center anchoring the Indiana Avenue Cultural District.
Madam C.J. Walker, the first woman - black or white - to become a self-made millionaire, started out as a laundress with few prospects. Originally named Sarah Breedlove, she was the first in her formerly enslaved family to be born free. Poor for most of her life, Walker invented a line of hair-care products when she was 37 years old. Eleven years later, she owned and operated her own thriving business, the Madam C. J. Walker Manufacturing Company. She trained thousands of consultants - almost all of them women - who purchased her products for resale to their customers throughout the United States, Central America, and the Caribbean. Through her work, Walker created a legacy of pride and do-it-yourself spirit that still resonates today. Read about this remarkable woman and her legacy in ""Madam C.J. Walker: Entrepreneur"".
From the world of Good Night Stories for Rebel Girls comes a story based on the life of Madam C.J. Walker, America’s first female self-made millionaire. Sarah is the first person in her family who wasn’t born into slavery in Delta, Louisiana. But being free doesn’t mean that Sarah doesn’t have to work. She cooks, she cleans, she picks cotton, she does laundry, and she babysits. And when she works, she wraps up her hair. One day, Sarah’s hair starts to fall out! It’s itchy, crunchy, patchy, and won’t grow. Instead of giving up, Sarah searches for the right products. And then she invents something better than any shampoo or hair oil she’s used before. Her hair grows and grows! That’s when she decides to rebrand herself as “Madam C. J. Walker,” and begins her business empire. Madam C. J. Walker Builds a Business is the story of a leader in the hair care industry, but it’s also an inspiring tale about the importance of empowering women to become economically independent. This historical fiction chapter book includes additional text on Madam C. J. Walker’s lasting legacy, as well as educational activities designed to encourage entrepreneurship. About the Rebel Girls Chapter Book Series Meet extraordinary real-life heroines in the Good Night Stories for Rebel Girls chapter book series! Introducing stories based on the lives of extraordinary women in global history, each stunningly designed chapter book features beautiful illustrations from a female artist as well as bonus activities in the backmatter to encourage kids to explore the various fields in which each of these women thrived. The perfect gift to inspire any young reader!
“I am a woman that came from the cotton fields of the South; I was promoted from there to the wash-tub; then I was promoted to the cook kitchen, and from there I promoted myself into the business of manufacturing hair goods and preparations.” --Madam C. J. Walker, National Negro Business League Convention, 1912 Now, from a writer acclaimed for her novels and the memoir Crossed Over, a remarkable biography of a truly heroic figure. Madam C. J. Walker created a cosmetics empire and became known as the first female self-made millionaire in this nation’s history, a noted philanthropist and champion of women’s rights and economic freedom. These achievements seem nothing less than miraculous given that she was born, in 1867, to former slaves in a hamlet on the Mississippi River. How she came to live on another river, the Hudson, in a Westchester County mansion, and in a New York City town house, is at once inspirational and mysterious, because for all that is known about the famous entrepreneur, much that occurred before her magnificent transformation—years that trace a circuitous route across the country—remains obscure. By breathing life into scattered clues and dry facts, and with a deep understanding of the times and places through which Madam Walker moved, Beverly Lowry tells a story that stretches from the antebellum South to the Harlem Renaissance and bridges nearly a century of our history in her search for the distant truths of a woman who defied all odds and redefined conventional expectations. “Wherever there was one colored person, whether it was a city, a town, or a puddle by the railroad tracks, everybody knew her name.” --Violet Davis Reynolds, Stenographer, Madam C. J. Walker Co
One of Literary Hub’s Favorite Books of the Year “Seethingly assured…like all the best horror, [Follow Me to Ground] is an impressive balancing act between judicious withholding and unnerving reveals.” —The Guardian A “legitimately frightening” (The New York Times Book Review) debut novel about an otherworldly young woman, her father, and her lover that culminates in a shocking moment of betrayal. “You’ve never encountered a father-daughter story like Rainsford’s slim debut” (Entertainment Weekly). Ada and her father, touched by the power to heal illness, live on the edge of a village where they help sick locals—or “Cures”—by cracking open their damaged bodies or temporarily burying them in the reviving, dangerous Ground nearby. Ada, a being both more and less than human, is mostly uninterested in the Cures, until she meets a man named Samson—and they quickly strike up an affair. Soon, Ada is torn between her old way of life and new possibilities with her lover, and eventually she comes to a decision that will forever change Samson, the town, and the Ground itself. “Visceral in its descriptions…this unworldly story is a well-crafted and eerie exploration of desire…beautifully intoxicating” (Shelf Awareness). In Ada, award-winning author Sue Rainsford has created an utterly bewitching heroine, one who challenges conventional ideas of womanhood and the secrets of the body. “A triumph of imagination and myth-bending…equal parts beauty and horror [Follow Me to Ground is] unlike anything you will read this year” (Téa Obreht).
INSTANT NEW YORK TIMES BESTSELLER! In I’m Telling the Truth, but I’m Lying Bassey Ikpi explores her life—as a Nigerian-American immigrant, a black woman, a slam poet, a mother, a daughter, an artist—through the lens of her mental health and diagnosis of bipolar II and anxiety. Her remarkable memoir in essays implodes our preconceptions of the mind and normalcy as Bassey bares her own truths and lies for us all to behold with radical honesty and brutal intimacy. A The Root Favorite Books of the Year • A Good Housekeeping Best 60 Books of the Year • A YNaija 10 Notable Books of the Year • A GOOP 10 New Favorite Books • A Cup of Jo 5 Big Books of Fall • A Bitch Magazine Most Anticipated Books of 2019 • A Bustle 21 New Memoirs That Will Inspire, Motivate, and Captivate You • A Publishers Weekly Spring Preview Selection • An Electric Lit 48 Books by Women and Nonbinary Authors of Color to Read in 2019 • A Bookish Best Nonfiction of Summer Selection "We will not think or talk about mental health or normalcy the same after reading this momentous art object moonlighting as a colossal collection of essays.” —Kiese Laymon, author of Heavy From her early childhood in Nigeria through her adolescence in Oklahoma, Bassey Ikpi lived with a tumult of emotions, cycling between extreme euphoria and deep depression—sometimes within the course of a single day. By the time she was in her early twenties, Bassey was a spoken word artist and traveling with HBO's Def Poetry Jam, channeling her life into art. But beneath the façade of the confident performer, Bassey's mental health was in a precipitous decline, culminating in a breakdown that resulted in hospitalization and a diagnosis of Bipolar II. In I'm Telling the Truth, But I'm Lying, Bassey Ikpi breaks open our understanding of mental health by giving us intimate access to her own. Exploring shame, confusion, medication, and family in the process, Bassey looks at how mental health impacts every aspect of our lives—how we appear to others, and more importantly to ourselves—and challenges our preconception about what it means to be "normal." Viscerally raw and honest, the result is an exploration of the stories we tell ourselves to make sense of who we are—and the ways, as honest as we try to be, each of these stories can also be a lie.
