Tracing the efforts of philosophers to appropriate the issues opened up by tragedy as a literary form, Dennis Schmidt makes the argument that in the struggle to come to terms with the issues raised by tragedy, new and progressive avenues for addressing the questions of ethic life have come to the fore.
Tracing the efforts of philosophers to appropriate the issues opened up by tragedy as a literary form, Dennis Schmidt makes the argument that in the struggle to come to terms with the issues raised by tragedy, new and progressive avenues for addressing the questions of ethic life have come to the fore.
Much has been written about the conditions that made possible Hitler's rise and the Nazi takeover of Germany, but when we tell the story of the National Socialist Party, should we not also speak of Julius Caesar and Pericles? Greeks, Romans, Germans argues that to fully understand the racist, violent end of the Nazi regime, we must examine its appropriation of the heroes and lessons of the ancient world. When Hitler told the assembled masses that they were a people with no past, he meant that they had no past following their humiliation in World War I of which to be proud. The Nazis' constant use of classical antiquity—in official speeches, film, state architecture, the press, and state-sponsored festivities—conferred on them the prestige and heritage of Greece and Rome that the modern German people so desperately needed. At the same time, the lessons of antiquity served as a warning: Greece and Rome fell because they were incapable of protecting the purity of their blood against mixing and infiltration. To regain their rightful place in the world, the Nazis had to make all-out war on Germany's enemies, within and without.
A gripping story of struggle and triumph in Greece in 1940s concentrating on three critical phases of Greek history: The war against the Italians and Germans; the national resistance, and the civil war that followed. Stassinopoulos fought in the heroic resistance against the fascist invaders and vividly recounts the sacrifice, honor, and successes of the Greek armed forces and the Greek guerrillas drew the admiration of the free world and kindled hope for Allied powers victory.
Why did Greek tragedy and "the tragic" come to be seen as essential to conceptions of modernity? And how has this belief affected modern understandings of Greek drama? In Genealogy of the Tragic, Joshua Billings answers these and related questions by tracing the emergence of the modern theory of the tragic, which was first developed around 1800 by thinkers associated with German Idealism. The book argues that the idea of the tragic arose in response to a new consciousness of history in the late eighteenth century, which spurred theorists to see Greek tragedy as both a unique, historically remote form and a timeless literary genre full of meaning for the present. The book offers a new interpretation of the theories of Schiller, Schelling, Hegel, Hölderlin, and others, as mediations between these historicizing and universalizing impulses, and shows the roots of their approaches in earlier discussions of Greek tragedy in Germany, France, and England. By examining eighteenth-century readings of tragedy and the interactions between idealist thinkers in detail, Genealogy of the Tragic offers the most comprehensive historical account of the tragic to date, as well as the fullest explanation of why and how the idea was used to make sense of modernity. The book argues that idealist theories remain fundamental to contemporary interpretations of Greek tragedy, and calls for a renewed engagement with philosophical questions in criticism of tragedy.
Archival materials and first-hand accounts create an insightful study of the impact of the Nazi occupation of Greece on the lives, psyches, and values of ordinary people.
Swastika over the Acropolis is a new, multi-national account which provides a new and compelling interpretation of the Greek campaign of 1941, and its place in the history of World War II. It overturns many previously accepted English-language assumptions about the fighting in Greece in April 1941 – including, for example, the impact usually ascribed to the Luftwaffe, German armour and the conduct of the Greek Army Further, Swastika over the Acropolis demonstrates that this last complete strategic victory by Nazi Germany in World War II is set against a British-Dominion campaign mounted as a withdrawal, not an attempt to ‘save’ Greece from invasion and occupation. At the same time, on the German side, the campaign revealed serious and systemic weaknesses in the planning and the conduct of large-scale operations that would play a significant role in the regime’s later defeats.
In this powerful and engaging historical narrative, decorated combat veteran and critically acclaimed author Ronald J. Drez unfolds the astounding tale of the arduous Greek Resistance against the Axis Powers in World War II. Along with Great Britain, Greece was the only country to stand against the Pact of Steel and the dreaded Nazi and Fascist regimes of Hitler and Mussolini. Although Greece technically fell to Germany in 1941, the indomitable spirit and courage of the Greek people never did. Indeed, the Nazis feared the fierce Greek Resistance fighters so much that Hitler was never able to seize control of any Greek land. In this meticulously researched volume, Drez has succeeded in shining a light into one of the most overlooked aspects in the great annals of World War II history. Packed with personal testimony and many rare photographs and illustrations, Heroes Fight Like Greeks is an indisputably important report on one of the most harrowing World War II stories. Foreword by Douglas Brinkley
An NPR Book of the Year A Crime Reads Best Crime Book of 2018 A vicious murder puts Bernie Gunther on the trail of World War 2 criminals in Greece in this riveting historical thriller in Philip Kerr's New York Times bestselling series. Munich, 1956. Bernie Gunther has a new name, a chip on his shoulder, and a dead-end career when an old friend arrives to repay a debt and encourages "Christoph Ganz" to take a job as a claims adjuster in a major German insurance company with a client in Athens, Greece. Under the cover of his new identity, Bernie begins to investigate a claim by Siegfried Witzel, a brutish former Wehrmacht soldier who served in Greece during the war. Witzel's claimed losses are large , and, even worse, they may be the stolen spoils of Greek Jews deported to Auschwitz. But when Bernie tries to confront Witzel, he finds that someone else has gotten to him first, leaving a corpse in his place. Enter Lieutenant Leventis, who recognizes in this case the highly grotesque style of a killer he investigated during the height of the war. Back then, a young Leventis suspected an S.S. officer whose connection to the German government made him untouchable. He's kept that man's name in his memory all these years, waiting for his second chance at justice... Working together, Leventis and Bernie hope to put their cases--new and old--to bed. But there's a much more sinister truth to acknowledge: A killer has returned to Athens...one who may have never left.