Fana the jungle girl lives in a hidden valley in Africa concealed by a strange green mist of mystical and magickal powers. She is the protector of ancient knowledge and the abundant wildlife of her beloved land. Art and story by comic cult favorite, F. Newton Burcham.
Bernard Krigstein began his career as an unremarkable journeyman cartoonist during the 1940s and finished it as a respected fine artist and illustrator ― but comics historians know him for his explosively creative 1950s, during which he applied all the craft, intelligence and ambition of a burgeoning “serious” artist to his comics work, with results that remain stunning to this day. Krigstein’s legend rests mostly on the 30 or so stories he created for the EC Comics, but dozens of stories drawn for other, lesser publishers such as Rae Herman, Hillman, and Atlas (which would become Marvel) showcase his skills and radical reinterpretation of the comics page, in particular his groundbreaking slicing and dicing of time lapses through a series of narrow, nearly animated panels. Greg Sadowski, who has previously written and designed a Harvey Award-winning biography of Krigstein, has assembled the very best of Krigstein’s comics work, starting with his earliest creative rumblings, through his glory days at EC, to his final, even more brilliantly radical stories for Atlas Comics ― running through every genre popular at the time, be it horror, science fiction, war, western, or romance (but no super-heroes).
JUNGLE COMICS #100The main character associated with the title is Kaanga. He appeared in every issue of Jungle Comics. When Kaanga was a child his parents died in the jungle and he was raised by apes. The reader never gets to know his real name or his ancestry, but the jungle is where Kaanga feels most at home. In the first issue Kaanga meets his mate Ann, who is a Jane clone, after he rescues her from a white slave trader named Bill Blackton. Ann then joins Kaanga in his jungle existence. After nearly ten years Kaanga was given his own title in Spring, 1949. This ran for 20 issues until the Summer of 1954. One of the reasons for the series demise was the formation of The Comics Code Authority, a self-regulatory body that was formed because of moral concerns about the contents of many of the comics of the time. As much of Fiction House's material involved images of scantily clad women they withdrew from the market. You can enjoy again - or for the first time - JUNGLE COMICS #100 with this public domain reprint from GOLDEN AGE REPRINTS. Check out the full line - new titles every week! The classic comic reprints from GOLDEN AGE REPRINTS and UP History and Hobby are reproduced from actual comics, and sometimes reflect the imperfection of books that are decades old. These books are constantly updated with the best version available - if you are EVER unhappy with the experience or quality of a book, return the book to us to exchange for another title or the upgrade as new files become available. For our complete classic comics library catalog contact [email protected] OR VISIT OUR WEB STORE AT www.goldenagereprints.com
Dynamite proudly presents Frank Cho's Jungle Girl! Overseen by co-writer and artist Frank Cho and infused with everything Cho fans want to see -- beautiful women, thrilling adventures, and, of course, dinosaurs -- Jungle Girl also features Co-writer Doug Murray (Red Sonja: Queen of the Frozen Wastes, The 'Nam) who's along for the ride, as is series artist Adriano Batista (New Battlestar Galactica: Zarek, Red Sonja) as they bring the Jungle Girl to life! This Complete Omnibus features all three "Seasons" of the Jungle Girl series, collected for the first time in one book! Jana the Jungle Girl lives in a strange land - a land filled with dinosaurs, prehistoric men, and much, much more! When a group of intruders finds themselves in need, Jana races to save them, kicking off a chain of events that, with each new chapter, reveals more clues about the nature of Jana, and of the island itself!
Essential Comics Values! From the authoritative stuff at Comics Buyer's Guide, the world's longest running magazine about comics, Comic Book Price Guide is the only guide on the market to give you extensive coverage of more than 150,000 comics from the Golden Age of the 1930s to current releases. In addition to the thousands of comic books from such publishers as Marvel, DC, Dark Horse, and Image, this collector-friendly reference includes listings for comic books from independent publishers, underground publishers, and more! This indispensable guide features: • Alphabetical organization by comic book title • Thousands of detailed photos • An exclusive photo grading guide to help you determine your comics' conditions accurately • Current values for more than 150,000 comics Comic Book Price Guide is the reliable reference for collectors, dealers, and anyone passionate about comic books!
2023 Ray and Pat Browne Best Single Work by One or More Authors in Popular and American Culture, Popular and American Culture Association (PACA) / Popular Culture Association (PCA) 2023 Ray and Pat Browne Best Edited Reference/Primary Source Work in Popular Culture Award (Honorable Mention), Popular and American Culture Association (PACA) / Popular Culture Association (PCA) 2023 Peter C. Rollins Book Award, Southwest Texas Popular Culture and American Culture Associations (SWPACA) A revisionist history of women's pivotal roles as creators of and characters in comic books. The history of comics has centered almost exclusively on men. Comics historians largely describe the medium as one built by men telling tales about male protagonists, neglecting the many ways in which women fought for legitimacy on the page and in publishers’ studios. Despite this male-dominated focus, women played vital roles in the early history of comics. The story of how comic books were born and how they evolved changes dramatically when women like June Tarpé Mills and Lily Renée are placed at the center rather than at the margins of this history, and when characters such as the Black Cat, Patsy Walker, and Señorita Rio are analyzed. Comic Book Women offers a feminist history of the golden age of comics, revising our understanding of how numerous genres emerged and upending narratives of how male auteurs built their careers. Considering issues of race, gender, and sexuality, the authors examine crime, horror, jungle, romance, science fiction, superhero, and Western comics to unpack the cultural and industrial consequences of how women were represented across a wide range of titles by publishers like DC, Timely, Fiction House, and others. This revisionist history reclaims the forgotten work done by women in the comics industry and reinserts female creators and characters into the canon of comics history.
This book started when a two-year old climbed on the Steinway piano bench and started her unique musical life. At aged five, the dream to become the only Filipino/Asian nightclub entertainer in America was born, although there were a couple of Korean ladies who tried but quit lacking the resilience and inner strength to stay. Gale persisted and became the only Filipino/Asian entertainer in America. She made it amidst insurmountable odds, like endless time away from family, living in cockroach-infested hotel rooms, eating one free meal a day so she could send her salary home, excruciating wrist and back pain, plus the lonely hours of rehearsing before showtime. A private person, she lives for God, daily believing impossible dreams can come true.