This volume of previously uncollected work represents the final legacy of one of the great and truly American writers of our time. It includes five of Raymond Carver's early stories (including the first one he ever published), a fragment of an unpublished novel, poems that have previously appeared only in small-press editions, and all of his uncollected nonfiction. Included here as well is Carver's last essay, "Friendship" about a London reunion with Richard Ford and Tobias Wolff. Arranged chronologically, this book affords an intimate and comprehensive thirty-year vision of a great writer in the process of becoming himself.
This volume of previously uncollected work represents the final legacy of one of the great and truly American writers of our time. It includes five of Raymond Carver's early stories (including the first one he ever published), a fragment of an unpublished novel, poems that have previously appeared only in small-press editions, and all of his uncollected nonfiction. Included here as well is Carver's last essay, "Friendship" about a London reunion with Richard Ford and Tobias Wolff. Arranged chronologically, this book affords an intimate and comprehensive thirty-year vision of a great writer in the process of becoming himself.
The complete uncollected fiction and nonfiction, including the five posthumously discovered “last” stories, published here in book form for the first time—from “one of the great short story writers of our time—of any time” (The Philadelphia Inquirer). Call If You Need Me includes all of the prose previously collected in No Heroics, Please, four essays from Fires, and those five marvelous stories that range over the period of Carver’s mature writing and give his devoted readers a final glimpse of the great writer at work. The pure pleasure of Carver’s writing is everywhere in his work, here no less than in those stories that have already entered the canon of modern literature.
A rich collection of poems from not only “one of the great short story writers of our time” (The Philadelphia Inquirer), but one of America’s most large-hearted and affecting poets. Like Raymond Carver’s stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy. This complete edition brings together all the poems of Carver’s five previous books, from Fires to the posthumously published No Heroics, Please. It also contains bibliographical and textual notes on individual poems; a chronology of Carver’s life and work; and a moving introduction by Carver’s widow, the poet Tess Gallagher.
Raymond Carver's fiction is widely known for its careful documentation of lower-middle-class North America in the 1970s and 80s. Building upon the realist understanding of Carver's work, Raymond Carver's Chronotope uses a central concept of Bakhtin's novelistics to formulate a new context for understanding the celebrated author's minimalist fiction. G. P. Lainsbury describes the critical reception of Carver's work and stakes out his own intellectual and imaginative territory by arguing that Carver's fiction can be understood as diffuse, fragmentary, and randomly ordered. Offering a fresh analysis of Carver's body of work, this book offers an extensive meditation on this major figure in postmodern U.S. fiction.
Taking in novelists from all over the globe, from the beginning of the century to the present day, this is the most comprehensive survey of the leading lights of twentieth century fiction. Superb breadth of coverage and over 800 entries by an international team of contributors ensures that this fascinating and wide-ranging work of reference will be invaluable to anyone with an interest in modern fiction. Authors included range from Joseph Conrad to Albert Camus and Franz Kafka to Chinua Achebe. Who's Who of Twentieth Century Novelists gives a superb insight into the richness and diversity of the twentieth century novel.
This early work by Louis Tracy was originally published in 1916 and we are now republishing it as part of our WWI Centenary Series. 'The Day of Wrath: A Story of 1914' is a novel about the horrors of the first year of the Great War. The New York Times Book Review published this critique of the work: "The Human mind is so constituted that it becomes deadened by the weight of numbers, needing the personal, the individual, to awaken its liveliest sympathies. We read with pity and horror of the sufferings of a nation; but that they may be brought really home to us, become really vivid and forceful, they must be embodied in some person or small group of persons. And it is something of this embodiment which Mr. Tracy has achieved in his latest book, The Day of Wrath. We have all read of burned villages, murdered noncombatants, tortured women-all the horror and agony undergone by heroic Belgium in the cruel days of August and September, 1914. Mr. Tracy takes a little company of six people, two of them English, the others Belgium, and shows us what happens to them during that awful time." This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
