Night thoughts, on life, death, and immortality. With the life of the author; and notes, critical and explanatory
Author: Edward Young
Publisher:
Published: 1801
Total Pages: 434
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Edward Young
Publisher:
Published: 1801
Total Pages: 434
ISBN-13:
DOWNLOAD EBOOKAuthor: Edward Young
Publisher:
Published: 1804
Total Pages: 444
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1884
Total Pages: 404
ISBN-13:
DOWNLOAD EBOOKAuthor: Edward Young
Publisher:
Published: 1851
Total Pages: 522
ISBN-13:
DOWNLOAD EBOOKAuthor: Edward Young
Publisher:
Published: 1798
Total Pages: 420
ISBN-13:
DOWNLOAD EBOOKAuthor: Newberry Library
Publisher:
Published: 1920
Total Pages: 220
ISBN-13:
DOWNLOAD EBOOKAuthor: Edward Young
Publisher: Good Press
Published: 2023-10-04
Total Pages: 327
ISBN-13:
DOWNLOAD EBOOKEdward Young's 'Night Thoughts' is a poetic meditation on life, death, and the human condition. Written in blank verse, the book is divided into nine separate 'nights,' each exploring different philosophical themes. With its contemplative tone and rich imagery, 'Night Thoughts' is a prime example of 18th-century English literature, often compared to the works of Romantic poets like William Wordsworth and Samuel Taylor Coleridge. Young's use of allegory and symbolism adds depth to the text, inviting readers to reflect on their own mortality and the transient nature of existence. Young's personal experiences with loss and grief likely influenced the emotional depth of the poetry, making 'Night Thoughts' a powerful and moving work. I highly recommend this book to readers interested in poetry, philosophy, and the exploration of the human spirit. Young's 'Night Thoughts' offers a profound and unforgettable journey through the complexities of life and death.
Author: Newberry Library
Publisher:
Published: 1918
Total Pages: 320
ISBN-13:
DOWNLOAD EBOOKAuthor: Naomi Billingsley
Publisher: Bloomsbury Publishing
Published: 2018-05-10
Total Pages: 349
ISBN-13: 1838609652
DOWNLOAD EBOOKWilliam Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived.