Renaissance Earwitnesses examines how maintaining masculinity on the early modern stage is intimately tied to 'earwitnessing,' or a sense of 'judicious listening' in his reading of plays by Marlowe, Shakespeare, Cary, and Jonson.
The beginning of global commerce in the early modern period had an enormous impact on European culture, changing the very way people perceived the world around them. Merchants and Marvels assembles essays by leading scholars of cultural history, art history, and the history of science and technology to show how ideas about the representation of nature, in both art and science, underwent a profound transformation between the age of the Renaissance and the early 1700s.
DIVLong before the invention of printing, let alone the availability of a daily newspaper, people desired to be informed. In the pre-industrial era news was gathered and shared through conversation and gossip, civic ceremony, celebration, sermons, and proclamations. The age of print brought pamphlets, edicts, ballads, journals, and the first news-sheets, expanding the news community from local to worldwide. This groundbreaking book tracks the history of news in ten countries over the course of four centuries. It evaluates the unexpected variety of ways in which information was transmitted in the premodern world as well as the impact of expanding news media on contemporary events and the lives of an ever-more-informed public. Andrew Pettegree investigates who controlled the news and who reported it; the use of news as a tool of political protest and religious reform; issues of privacy and titillation; the persistent need for news to be current and journalists trustworthy; and people’s changed sense of themselves as they experienced newly opened windows on the world. By the close of the eighteenth century, Pettegree concludes, transmission of news had become so efficient and widespread that European citizens—now aware of wars, revolutions, crime, disasters, scandals, and other events—were poised to emerge as actors in the great events unfolding around them./div
This study commences with a simple question: how did Russia matter to England in the age of William Shakespeare? In order to answer the question, the author studies stories of Lapland survival, diplomatic envoys, merchant transactions, and plays for the public theaters of London. At the heart of every chapter, Shakespeare and his contemporaries are seen questioning the status of writing in English, what it can and cannot accomplish under the influence of humanism, capitalism, and early modern science. The phrase 'Writing Russia' stands for the way these English writers attempted to advance themselves by conjuring up versions of Russian life. Each man wrote out of a joint-stock arrangement, and each man's relative success and failure tells us much about the way Russia mattered to England.
Many books have been written about the success of the West, analyzing why Europe was able to pull ahead of the rest of the world by the end of the Middle Ages. The most common explanations cite the West’s superior geography, commerce, and technology. Completely overlooked is the fact that faith in reason, rooted in Christianity’s commitment to rational theology, made all these developments possible. Simply put, the conventional wisdom that Western success depended upon overcoming religious barriers to progress is utter nonsense.In The Victory of Reason, Rodney Stark advances a revolutionary, controversial, and long overdue idea: that Christianity and its related institutions are, in fact, directly responsible for the most significant intellectual, political, scientific, and economic breakthroughs of the past millennium. In Stark’s view, what has propelled the West is not the tension between secular and nonsecular society, nor the pitting of science and the humanities against religious belief. Christian theology, Stark asserts, is the very font of reason: While the world’s other great belief systems emphasized mystery, obedience, or introspection, Christianity alone embraced logic and reason as the path toward enlightenment, freedom, and progress. That is what made all the difference.In explaining the West’s dominance, Stark convincingly debunks long-accepted “truths.” For instance, by contending that capitalism thrived centuries before there was a Protestant work ethic–or even Protestants–he counters the notion that the Protestant work ethic was responsible for kicking capitalism into overdrive. In the fifth century, Stark notes, Saint Augustine celebrated theological and material progress and the institution of “exuberant invention.” By contrast, long before Augustine, Aristotle had condemned commercial trade as “inconsistent with human virtue”–which helps further underscore that Augustine’s times were not the Dark Ages but the incubator for the West’s future glories. This is a sweeping, multifaceted survey that takes readers from the Old World to the New, from the past to the present, overturning along the way not only centuries of prejudiced scholarship but the antireligious bias of our own time. The Victory of Reason proves that what we most admire about our world–scientific progress, democratic rule, free commerce–is largely due to Christianity, through which we are all inheritors of this grand tradition.
Capturing the Pícaro in Words discusses the framing of the transient marginals of early modern Madrid in the literary pícaro. It compares the perceptions of constables, shopkeepers, and criminals, to those of mass-produced literary representations, and argues that the literary representations "displaced" the pícaro, assigning the marginals different places in the literary texts in order to centralise the problem of urban vagrancy. The texts "spanished" the pícaro, thus establishing the image of a culturally homogenous group; and lastly, "silenced" the pícaro, under-representing the power marginals in the city derived from their knowledge of the information flows in the city.
In 1598 a man - branded the Calabrian Charlatan by his Spanish opponents - appeared in Venice claiming to be King Sebastian, the Portuguese monarch who disappeared in battle some twenty years before. Over the next five years Venetians, Spaniards, and Portuguese wrangled over the true character and identity of the man. Was he a lunatic? Was he an impostor? Was he a messianic king? Eric Olsen uses this strange event to explore Portuguese millenarianism and how a group of Portuguese rebels sought to exploit it to free their nation from Spain.