A priori knowledge and justification have long played a prominent part in epistemology and the theory of meaning. This text offers a variety of approaches to the a priori, examining its role in different areas of philosophical enquiry.
The topics of a priori knowledge and a priori justification have long played a prominent part in epistemology and the theory of meaning. Recently there has been a surge of interest in the proper explication of these notions. These newly commissioned essays, by a distinguished, international group of philosophers, will have a substantial influence on later work in this area. They discuss the relations of the a priori to meaning, justification, definition and ontology; they consider the role of the notion in Leibniz, Kant, Frege and Wittgenstein; and they address its role in recent discussions in the philosophy of mind. Particular attention is also paid to the a priori in logic, science and mathematics. The authors exhibit a wide variety of approaches, some remaining sceptical of the notion itself, some proposing that it receive a non-factualist treatment, and others proposing novel ways of explicating and defending it. The editors' Introduction provides a helpful route into the issues.
This book deals with questions about the nature of a priori knowledge and its relation to empirical knowledge. Until the twentieth century, it was more or less taken for granted that there was such a thing as a priori knowledge, that is, knowledge whose source is in reason and reflection rather than sensory experience. With a few notable exceptions, philosophers believed that mathematics, logic and philosophy were all a priori. Although the seeds of doubt were planted earlier on, by the early twentieth century, philosophers were widely skeptical of the idea that there was any nontrivial existence of a priori knowledge. By the mid to late twentieth century, it became fashionable to doubt the existence of any kind of a priori knowledge at all. Since many think that philosophy is an a priori discipline if it is any kind of discipline at all, the questions about a priori knowledge are fundamental to our understanding of philosophy itself.
For centuries philosophers have attached much importance to a priori knowledge, but recent work in epistemology and experimental philosophy has questioned this. Leading philosophers discuss explanations of the a priori, challenges to its existence, the status of intuition, and the justification of belief—topics at the centre of current debate.
The past twenty-five years have seen a major renewal of interest in the topic of a priori knowledge. In the sixteen essays collected here, which span this entire period, philosopher Albert Casullo documents the complex set of issues motivating the renewed interest, identifies the central epistemological questions, and provides the leading ideas of a unified response to them. Throughout the essays, Casullo offers a systematic treatment of the concept of a priori knowledge, the existence of a priori knowledge, and the relationship between a priori knowledge and the related concepts of necessary truth and analytic truth. The essays fall into three categories: six published prior to his A Priori Justification (OUP, 2003), four published after the book, and four previously unpublished papers. The first six essays provide the background and introduction to a number of the major themes of the book: the articulation and defense of the minimal conception of a priori justification, an exposition of the limitations of the traditional arguments both for and against a priori knowledge, and the relevance of empirical investigation to providing supporting evidence for the claim that there are nonexperiential sources of justification. The remaining four published essays explore diverse themes that were introduced in Casullo's previous book but not developed in detail: epistemic overdetermination, the relationship between a priori knowledge and necessary truth, testimony and a priori knowledge, and the bearing of socio-historical accounts of knowledge on the a priori. The four previously unpublished essays address issues that have either emerged or taken on more prominence in the literature on the a priori since the publication of Casullo's previous book: the evidential status of intuitions, the nature of modal knowledge, and challenges to the cogency or the significance of the a priori-a posteriori distinction.
Many philosophers are again examining the traditional topic of a priori knowledge, or knowledge that does not depend on sensory experience. This volume collects the most important recent essays on the subject by well-known thinkers such as A.J. Ayer, W.V. Quine, Barry Stroud, C.I. Lewis, Hilary Putnam, Roderick M. Chisholm, Saul A. Kripke, Albert Casullo, R.G. Swinburne, and Philip Kitcher. Including an introduction by the editor and an extensive bibliography, this book provides philosophers and students with an in-depth look at contemporary investigations into the nature of a priori knowledge.
This collection presents twenty-seven new essays in Japanese aesthetics by leading experts in the field. Beginning with an extended foreword by the renowned scholar and artist Stephen Addiss and a comprehensive introduction that surveys the history of Japanese aesthetics and the ways in which it is similar to and different from Western aesthetics, this groundbreaking work brings together a large variety of disciplinary perspectives—including philosophy, literature, and cultural politics—to shed light on the artistic and aesthetic traditions of Japan and the central themes in Japanese art and aesthetics. Contributors explore topics from the philosophical groundings for Japanese aesthetics and the Japanese aesthetics of imperfection and insufficiency to the Japanese love of and respect for nature and the paradoxical ability of Japanese art and culture to absorb enormous amounts of foreign influence and yet maintain its own unique identity. New Essays in Japanese Aesthetics will appeal not only to a wide range of humanities scholars but also to graduate and undergraduate students of Japanese aesthetics, art, philosophy, literature, culture, and civilization. Masterfully articulating the contributors’ Japanese-aesthetical concerns and their application to Japanese arts (including literature, theater, film, drawing, painting, calligraphy, ceramics, crafts, music, fashion, comics, cooking, packaging, gardening, landscape architecture, flower arrangement, the martial arts, and the tea ceremony), these engaging and penetrating essays will also appealto nonacademic professionals and general audiences. This seminal work will be essential reading for anyone interested in gaining a deeper understanding of Japanese aesthetics.