New Directions for Clarinet

New Directions for Clarinet

Author: Phillip Rehfeldt

Publisher: Scarecrow Press

Published: 1994-01-01

Total Pages: 212

ISBN-13: 1461664225

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Phillip Rehfeldt has assembled here techniques of dealing with clarinet performances as they have evolved since 1950. He catalogs contemporary practices that differ from those formerly standardized, provides perspective on performance capabilities and limitations, and includes suggestions for performance based on his own experience. The new edition has been completely rewritten, corrected where necessary, and updated. Rehfeldt has added the complete list of William O. Smith's clarinet compositions and recordings to the previous listing of his early multiphonic fingerings. The new edition also includes an appendix containing Eric Mandat's quarter-tone fingerings; a second, extensive music bibliography, the "International Update"; and an updated and annotated bibliography of music literature.


Notes for Clarinetists

Notes for Clarinetists

Author: Albert R. Rice

Publisher: Oxford University Press

Published: 2017

Total Pages: 300

ISBN-13: 0190205202

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Notes for Clarinetists: A Guide to the Repertoire offers historic and analytical information concerning thirty major works for solo clarinet, clarinet and piano, and clarinet and orchestra. This information will enhance performance and be useful in preparing and presenting concerts, and recitals.


New Directions in Music

New Directions in Music

Author: David Cope

Publisher: William C. Brown

Published: 1989

Total Pages: 464

ISBN-13:

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"...Fifth edition...contains a new chapter, Automated and cybernetic music, to cover very recent advances in computer-centered artificial intelligence and music. Another new chapter, The new conservatism, recounts attempts at returning to tonality and suggests a cyclic nature to the past thirty to fifty years in contemporary music..."--preface.


Paul Harris: The Clarinet

Paul Harris: The Clarinet

Author: Paul Harris

Publisher: Faber Music Ltd

Published: 2022-09-09

Total Pages: 233

ISBN-13: 0571592163

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The full eBook version of Paul Harris: The Clarinet in fixed-layout format. Paul Harris: The Clarinet is the seminal guide to every facet of clarinet playing. In this comprehensive companion, acclaimed author Paul Harris shares his unique insights towards gaining mastery of the instrument, inspiring both students (from intermediate level) and professionals alike to develop an individual clarinet personality. In-depth, clear and universally relevant, The Clarinet is Paul Harris's complete philosophy of playing, equipping clarinettists with innovative ways to overcome the instrument's technical, musical and practical challenges and ultimately, enhance the enjoyment of their art. Chapter by chapter Harris reveals how each aspect of playing is interdependent, from posture and preparing to play to the science of sound production. Practical exercises target each area, covering breathing, embouchure, articulation and finger-work, and sit alongside a plethora of excerpts from the clarinet canon. An all-encompassing approach, Harris discloses his expert advice on stylistic performance through to instrument maintenance, supported by diagrams and illustrations. Including a unique map of clarinet dynasties, recordings and repertoire timings, The Clarinet leads the player on a path of limitless learning, from practice to performance. "This book is nothing short of essential reading for anyone learning the clarinet... when reading, you can easily imagine being in a lesson with a great teacher... This is the 'ultimate companion', and the level of detail matches this description." Paul Saunders, Music Teacher Magazine, July 2022


The Clarinet

The Clarinet

Author: Eric Hoeprich

Publisher: Yale University Press

Published: 2008-01-01

Total Pages: 426

ISBN-13: 9780300102826

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The clarinet has a long and rich history as a solo, orchestral, and chamber musical instrument. In this broad-ranging account Eric Hoeprich, a performer, teacher, and expert on historical clarinets, explores its development, repertoire, and performance history. Looking at the antecedents of the clarinet, as well as such related instruments as the chalumeau, basset horn, alto clarinet, and bass clarinet, Hoeprich explains the use and development of the instrument in the Baroque age. The period from the late 1700s to Beethoven's early years is shown to have fostered ever wider distribution and use of the instrument, and a repertoire of increasing richness. The first half of the nineteenth century, a golden age for the clarinet, brought innovation in construction and great virtuosity in performance, while the following century and a half produced a surge in new works from many composers. The author also devotes a chapter to the role of the clarinet in bands, folk music, and jazz.


The Teaching of Instrumental Music

The Teaching of Instrumental Music

Author: Richard J. Colwell

Publisher: Taylor & Francis

Published: 2024-11-14

Total Pages: 880

ISBN-13: 1040153534

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The Teaching of Instrumental Music, Sixth Edition, introduces music education majors to basic instrumental pedagogy for the instruments and ensembles commonly found in the elementary and secondary curricula. It focuses on the core competencies required for teacher certification in instrumental music, with the pervasive philosophy to assist teachers as they develop an instrumental music program based on understanding and respecting all types of music. Parts I and II focus on essential issues for a successful instrumental program, presenting first the history and foundations, followed by effective strategies in administrative tasks and classroom teaching. Parts III, IV, and V are devoted to the skills and techniques of woodwind, brass and percussion, and string instruments. In all, The Teaching of Instrumental Music is the complete reference for the beginning instrumental teacher, commonly retained in a student’s professional library for its unique and comprehensive coverage. This Sixth Edition includes: Streamlined language and improved layout throughout, making this edition more concise and accessible to students. Updated content throughout, including insights from current research for curriculum development, coverage of current law and policy changes that impact the classroom, contemporary motivational strategies, and more information on the history of African-American and all-female music ensembles. Updated references, photos, lists of artists, and online resources.


Making and Adjusting Single Reeds

Making and Adjusting Single Reeds

Author: Phillip Rehfeldt

Publisher: Phillip Rehfeldt/MillCreekPublishing

Published: 1991

Total Pages: 32

ISBN-13: 0933251025

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Subjects include breaking-in cutting reeds from tubes, cane equipment, miscellaneous "ideas and suggestions," sources for cane and equipment, bibliography.


Cooking with Csound, Part 1

Cooking with Csound, Part 1

Author: Andrew Horner

Publisher: A-R Editions, Inc.

Published: 2002-01-01

Total Pages: 225

ISBN-13: 0895795078

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Cooking with Csound offers a fresh approach to using the software to create effectivesounds. This book contains a collection of software synthesis designs for the woodwindand brass instruments, which you can bake into compositional curries, casseroles andsouffles in your computer. Whether you are a composer, researcher, student or hobbyist,the ready-to-use designs found in this volume will provide you with a rich set of sounds. The designs are in the Csound software synthesis language, which is available free on theweb. The book includes a tutorial for those new to Csound, and a wide variety of effectsfor customizing the instrument designs. A chapter on pitch representation also allowsreaders to use customized tunings and scalesIncludes a CD-ROM


Nominal and Noumenal: Two Cycles of Works for Chamber Ensemble and Electronics

Nominal and Noumenal: Two Cycles of Works for Chamber Ensemble and Electronics

Author: Alexander Sigman

Publisher: Stanford University

Published: 2010

Total Pages: 244

ISBN-13:

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The Nominal (2006-2007) and Noumenal (2007-2009) cycles, scored for fourteen performers, electronics, and video projection constitute my DMA Final Project. Each cycle consists of five pieces of varying instrumentation and duration. The total duration of the two cycles when presented continuously is ca. 80 minutes. Nominal and Noumenal may be performed separately, or as a single conjoined "meta-work." Alternatively, each of the contained pieces may be performed autonomously. To date, 9 of the 10 works have been performed and/or recorded individually.