With passion, wit, and good common sense, the celebrated poet Mary Oliver tells of the basic ways a poem is built-meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, Oliver imparts an extraordinary amount of information in a remarkably short space. "Stunning" (Los Angeles Times). Index.
Heartbreak feels like breaking bones. Only there's no cast for it - you're forced to create one for yourself. For days, months ... It was the first thing I thought of when I woke up. Then one day, It was the second.
The "World" in Robert Lee Brewer's Solving the World's Problems is a slippery world ... where chaos always hovers near, where we are (and should be) "splashing around in dark puddles." And one feels a bit dizzy reading these poems because (while always clear, always full of meaning) they come at reality slantwise so that nothing is quite the same and the reader comes away with a new way of looking at the ordinary objects and events of life. The poems are brim-full of surprises and delights, twists in the language, double-meanings of words, leaps of thought and imagination, interesting line-breaks. There are love and relationship poems, dream poems, poems of life in the modern world. And always the sense (as he writes) of "pulling the world closer to me/leaves falling to the ground/ birds flying south." I read these once, twice with great enjoyment. I will go back to them often. -Patricia Fargnoli, former Poet Laureate of New Hampshire and author of Then, Something
From Pakistani poet and Instagram darling Noor Unnahar comes a journal that encourages writers to explore their inner poet, through a variety of evocative and thought-provoking prompts, using Noor's captivating voice as a guide. This journal is where pop poetry and creative inspiration meet. With more than 100 writing prompts influenced by Noor's handwritten poetry and enchanting collages, this journal allows writers to explore their writing style and funnel it into meaningful, cathartic, provocative poetry.
Beginning with basic terminology and techniques, Mayes shows how focusing on one aspect of a poem can help you to better understand, appreciate, and enjoy the reading and writing experience.
New York Times Bestselling Author of Solito "Every line resonates with a wind that crosses oceans."—Jamaal May "Zamora's work is real life turned into myth and myth made real life." —Glappitnova Javier Zamora was nine years old when he traveled unaccompanied 4,000 miles, across multiple borders, from El Salvador to the United States to be reunited with his parents. This dramatic and hope-filled poetry debut humanizes the highly charged and polarizing rhetoric of border-crossing; assesses borderland politics, race, and immigration on a profoundly personal level; and simultaneously remembers and imagines a birth country that's been left behind. Through an unflinching gaze, plainspoken diction, and a combination of Spanish and English, Unaccompanied crosses rugged terrain where families are lost and reunited, coyotes lead migrants astray, and "the thin white man let us drink from a hose / while pointing his shotgun." From "Let Me Try Again": He knew we weren't Mexican. He must've remembered his family coming over the border, or the border coming over them, because he drove us to the border and told us next time, rest at least five days, don't trust anyone calling themselves coyotes, bring more tortillas, sardines, Alhambra. He knew we would try again. And again—like everyone does. Javier Zamora was born in El Salvador and immigrated to the United States at the age of nine. He earned a BA at UC-Berkeley, an MFA at New York University, and is a 2016–2018 Wallace Stegner Fellow at Stanford University.
Deborah Bacharach's very contemporary book of poetry uses references to biblical stories in order to illuminate the relationships between men and women, their difficulties and complications. It's a bold book of loss and survival, betrayal and love, a book about work and about humanity. Abraham and Sarah are here, as well as Lot and his wife, Hagar, Potiphar, and others. Modern-day lovers are here too, along with struggles and satisfactions that are universal.
In AFTER I STOP LYING, women confront the mundane and strive for the sacred. One lonely student reaches out to touch a statue of Jesus. A new mother sees, for the first time, the beauty in the overhead lights of a grocery store. A sexual adventurer claims her dance with Apollo. Bacharach takes on pivotal moments in a woman's life-trying to conceive, leaving a child at day care, considering breast cancer-and does so with honesty, clarity, and intensity.
WRITING POETRY is intended to be an all-purpose poetry writing textbook, a fount of inspiration and informtion on the writing process, a solid first step for beginners, and a source of ideas for writers and teachers at all levels. Taken from the Greek word meaning making something up, poetry gos beyond the simple act of creation to inspire. In this textbook, the core structure of the genre is dissected so the intangible may be a little more understood. WRITING POETRY is an appreciative study of an allusive art.