Learn the basics of recorder while playing the best patriotic melodies of America. New notes and important concepts such as rhythm, ties and dynamics are gradually introduced, and attractive illustrations make learning fun. With a unique and easy-to-use approach that unites the experience of patriotic music with that of learning a musical instrument, this book is perfect for anyone new to the recorder as well as those just looking for easy-to-play patriotic melodies.
Learn the basics of recorder while playing the best patriotic melodies of America. New notes and important concepts such as rhythm, ties and dynamics are gradually introduced, and attractive illustrations make learning fun. With a unique and easy-to-use approach that unites the experience of patriotic music with that of learning a musical instrument, this book is perfect for anyone new to the recorder as well as those just looking for easy-to-play patriotic melodies.
Learn the basics of recorder while playing the world's most-loved classical melodies. New notes and important concepts such as rhythm, ties and dynamics are gradually introduced, and attractive illustrations make learning fun. With a unique and easy-to-use approach that unites the experience of classical music with that of learning a musical instrument, this book is perfect for anyone new to the recorder as well as those just looking for easy-to-play classical melodies.
(Instrumental Folio). If you've been playing recorder for a little while, you are probably eager to learn some familiar songs. This book includes a wide variety of favorite songs, from pop hits and movie themes to classical melodies and folk songs. Includes: All You Need Is Love (The Beatles) * Believer (Imagine Dragons) * Carnival of Venice * Evermore (from Beauty and the Beast ) * Fly Me to the Moon (In Other Words) (Frank Sinatra) * God Bless America (Irving Berlin) * Hello (Adele) * I Will Always Love You (Whitney Houston) * Just Give Me a Reason (Pink) * Let It Go (from Frozen )* Moon River (Henry Manccini) * Perfect (Ed Sheeran) * Roar (Katy Perry) * Shake It Off (Taylor Swift) * Uptown Funk (Bruno Mars) * and more.
Introduce your students to the rich history of African-American music with "A Celebration of Black History through Music"from spirituals to hip-hop. Featuring some of the most important musicians of each style of music covered, "A Celebration of Black History through Music" highlights how the roots of African-American music can be traced from the slave songs of the 1700s through hip-hop music of the 1970s and 80s, and demonstrates how this music has influenced and shaped the music of the world. Words alone will not do justice to any of the music described in this book. An enhanced CD containing audio examples of the featured music styles is included to allow your students to hear the music in the lessons. In addition, a discography, reproducible worksheets, extension activities, and a complete PowerPoint presentation are all included for use with your class.
Finally, a recorder book with appeal to kids that focuses on fundamentals taught through songs that young people love to play. Author Larry E. Newman (The Recorder Fun Book) created this book to be used as a first year beginning method or as a second year review and continuing book for the progressing intermediate student. The book is crammed with tons of musical examples, scales, arpeggios, songs, solos, duets and trios plus dozens of fun, kid-centered illustrations. There are play-a-long mp3s available to help motivate students and make playing fun. This book makes a great follow-up to The Recorder Fun Book since the first part of the book provides lots of review and the remainder of the book introduces new notes and concepts. With more than one-hundred pages, this book has it all.
Six favorite Strawberry Shortcake songs, arranged for easy recorder. Features big, easy-to-read notes, an introduction to playing the recorder, and clear, simple instructions for reading music. Titles: A Berry Happy Birthday * Jammin' * Springtime * I Love Berries * The Cookie Song * Straw-buh-buh-buh-buh-berry Shortcake.
“A masterpiece” (The Guardian) from the Nobel Prize–winning writer, an oral history of children’s experiences in World War II across Russia NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.” Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich’s collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded—a trauma that would change the course of the Russian nation. Collectively, this symphony of children’s stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals. Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. Praise for Last Witnesses “There is a special sort of clear-eyed humility to [Alexievich’s] reporting.”—The Guardian “A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. They are the first and last witnesses.”—The New Republic “A profound triumph.”—The Big Issue “[Alexievich] excavates and briefly gives prominence to demolished lives and eradicated communities. . . . It is impossible not to turn the page, impossible not to wonder whom we next might meet, impossible not to think differently about children caught in conflict.”—The Washington Post
