There are lots of things this beastly brother does to annoy his younger brother. After all, there are games that involve poison ivy and hide-and-shriek! But beastly or not, this big brother is not as mean and tough as he seems. Laura Leuck's frolicking rhyme about a sibling relationship is matched perfectly with Scott Nash's awfully fun illustrations.
Amber's life as Luna is a facade of perfection marred by her husband Nash's cruel infidelity and abuse. Trapped by family expectations and a pack that reveres her tyrant mate, Amber endures in silence, her spirit and health shattering under the weight of his betrayal. When a national celebration exposes Nash's latest affair and a shocking betrayal from her closest friend costs Amber her unborn child, her world implodes. Desperate and alone, she contemplates the unthinkable, only to be saved by the most unexpected ally—Everett, Nash's estranged twin brother. As Amber grapples with the shadows of her past and the pressure from a family that values power over compassion, Everett stands as a beacon of hope, challenging his brother's reign of terror. With Everett's unwavering support, she embarks on a harrowing journey to reclaim her strength and rise as the Luna she was destined to be. But will her heart allow her to fall for the one man she should fear above all others—her twin brother's mate? However, a few weeks later, Aria found out she was pregnant... This book is still ongoing, with more chapters available for early access on AlphaNovel.
COULD SHE COPE WITH THE SAVAGE FAMILY? Louisa didn’t want to marry the boring Frank, and she definitely didn’t want to live with her stepmother. Luckily, after completing her training, Louisa found what sounded like a pleasant and challenging nursing job—in Norway! She was delighted. She enjoyed her job, even though her patient, Claudia Savage, did cause some problems. Of course, the situation wasn’t helped by the cold, uncooperative attitude of Claudia’s brother Simon. She couldn’t understand why he was so disagreeable….
Sherrilyn Kenyon's most highly-anticipated novel in the New York Times bestselling Dark-Hunter series since Acheron is here—the unforgettable story of Styxx, Acheron's twin brother and one of the most powerful beings on earth Just when you thought doomsday was over . . . Centuries ago Acheron saved the human race by imprisoning an ancient evil bent on absolute destruction. Now that evil has been unleashed and it is out for revenge. As the twin to Acheron, Styxx hasn't always been on his brother's side. They've spent more centuries going at each other's throats than protecting their backs. Now Styxx has a chance to prove his loyalty to his brother, but only if he's willing to trade his life and future for Acheron's. The Atlantean goddess of Wrath and Misery, Bethany was born to right wrongs. But it was never a task she relished. Until now. She owes Acheron a debt that she vows to repay, no matter what it takes. He will join their fellow gods in hell and nothing is going to stop her. But things are never what they seem, and Acheron is no longer the last of his line. Styxx and Acheron must put aside their past and learn to trust each other or more will suffer. Yet it's hard to risk your own life for someone who once tried to take yours, even when it's your own twin, and when loyalties are skewed and no one can be trusted, not even yourself, how do you find a way back from the darkness that wants to consume the entire world? One that wants to start by devouring your very soul?
Good evening. I'm Inspector Carter. Take my case. This must be Charles Haversham! I'm sorry, this must've given you all a damn shock. After benefitting from a large and sudden inheritance, the inept and accident-prone Cornley Polytechnic Drama Society embark on producing an ambitious 1920s murder mystery. They are delighted that neither casting issues nor technical hitches currently stand in their way. However, hilarious disaster ensues and the cast start to crack under the pressure, but can they get the production back on track before the final curtain falls? The Play That Goes Wrong is a farcical murder mystery, a play within a play, conceived and performed by award-winning company Mischief. It was first published as a one-act play and is published in this new edition as a two-act play.
This title was first published in 2000: "Comedy" and "humour" are not words most associate with the Victorian period, yet their culture was rife with laughter and irony. The 12 essays in this volume reanimate this "comic spirit" by exploring the humour in its social context. While previous studies of humour in the period focus on the age's own ongoing interest in the old distinction in comic theory between wit and humour, this volume aims to show how inadequate this distinction is in accounting for the many types of Victorian comic representation. The essays turn from linguistic or psychological analyses of humour towards the social production of humour and the cultural dynamics which underlie it.