The Roots of Texas Music

The Roots of Texas Music

Author: Lawrence Clayton

Publisher: Texas A&M University Press

Published: 2005-09-09

Total Pages: 252

ISBN-13: 9781585444922

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The music of Texas and the American Southwest is as diverse and distinctive as the many different groups who have lived in the region over the past several centuries,” writes Gary Hartman in his introduction to this refreshingly different look at various genres of Texas music. Roots of Texas Music celebrates the diverse sources of the music of the Lone Star State by gathering chapters by specialists on each of them—specialists whose views may not have dominated the perception of Texas music to date. Editor Lawrence Clayton conceived this project as one that would not simply repeat the common wisdom about Texas music traditions, but rather would offer new perspectives. He therefore called on contributors whose work had been well-grounded but not necessarily widely published. The result is a lively, captivating, and original look at the musical traditions of Texas Germans and Czechs, black Creoles and Chicanos, and blues and gospel singers. Hartman’s introduction places these repertoires within the larger picture of one of the most fertile musical seedbeds the nation knows. The diverse genres included in the anthology also provide an introduction to the classes, cultures, races, and ethnic groups of Texas and highlight the ways in which the state’s musical wealth has influenced the listening habits of the nation.


Romancing the Folk

Romancing the Folk

Author: Benjamin Filene

Publisher: UNC Press Books

Published: 2000

Total Pages: 344

ISBN-13: 9780807848623

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In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied fo


Transatlantic Roots Music

Transatlantic Roots Music

Author: Jill Terry

Publisher: Univ. Press of Mississippi

Published: 2012-07-02

Total Pages: 195

ISBN-13: 1496834933

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This book presents a collection of essays on the debates about origins, authenticity, and identity in folk and blues music. The essays had their origins in an international conference on the Transatlantic routes of American roots music, out of which emerged common themes and questions of origins and authenticity in folk music, black and white, American and British. The central theme is musical influences, but issues of identity—national, local, and racial—are also recurring subjects. The extent to which these identities were invented, imagined, or constructed by the performers, or by those who recorded their work for posterity, is also a prominent concern and questions of racial identity are particularly central. The book features a new essay on the blues by Paul Oliver alongside an essay on Oliver's seminal blues scholarship. There are also several essays on British blues and the links between performers and styles in the United States and Britain and new essays on critical figures such as Alan Lomax and Woody Guthrie. This volume uniquely offers perspectives from both sides of the Atlantic on the connections and interplay of influences in roots music and the debates about these subjects drawing on the work of eminent established scholars and emerging young academics who are already making a contribution to the field. Throughout, the contributors offer the most recent scholarship available on key issues.


Tampa Bay Music Roots

Tampa Bay Music Roots

Author: Charlie Souza

Publisher: Arcadia Publishing

Published: 2020-03-02

Total Pages: 174

ISBN-13: 143966921X

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When the Peerless Quartet wrote "Way Down On Tampa Bay" in 1914, Tampa Bay's musical roots started growing. Tampa Bay is where Ray Charles created his first song, Hank Ballard wrote and recorded "The Twist," and the Rolling Stones cranked out their hit "Satisfaction." Stephen Stills attended both Plant High School and Admiral Farragut Academy, and Jim Morrison studied at St. Petersburg Junior College. Ella Fitzgerald kicked off her career on the storied Central Avenue in Ybor City. Savatage, Stranger, Diamond Grey, the Outlaws, Bleeding Hearts, Blackkout, the Arena Twins, Tampa Red, and Cheeky Monkey are all artists who have made a huge impact both locally and nationally. From its rock 'n' roll boom in the 1960s to the birth of death metal in the 1980s . . . Tampa Bay has had a rich musical history!


Music Is History

Music Is History

Author: Questlove

Publisher: Abrams

Published: 2021-10-19

Total Pages: 353

ISBN-13: 1647001846

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New York Times bestselling Music Is History combines Questlove’s deep musical expertise with his curiosity about history, examining America over the past fifty years—now in paperback Focusing on the years 1971 to the present, Questlove finds the hidden connections in the American tapes, whether investigating how the blaxploitation era reshaped Black identity or considering the way disco took an assembly-line approach to Black genius. And these critical inquiries are complemented by his own memories as a music fan and the way his appetite for pop culture taught him about America. A history of the last half-century and an intimate conversation with one of music’s most influential and original voices, Music Is History is a singular look at contemporary America.


Ralph Peer and the Making of Popular Roots Music (Enhanced Edition)

Ralph Peer and the Making of Popular Roots Music (Enhanced Edition)

Author: Barry Mazor

Publisher: Chicago Review Press

Published: 2015-04-01

Total Pages: 320

ISBN-13: 1613733887

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This is the first biography of Ralph Peer, the adventurous—even revolutionary—A&R man and music publisher who saw the universal power locked in regional roots music and tapped it, changing the breadth and flavor of popular music around the world. It is the story of the life and fifty-year career, from the age of cylinder recordings to the stereo era, of the man who pioneered the recording, marketing, and publishing of blues, jazz, country, gospel, and Latin music. The book tracks Peer’s role in such breakthrough events as the recording of Mamie Smith’s “Crazy Blues” (the record that sparked the blues craze), the first country recording sessions with Fiddlin’ John Carson, his discovery of Jimmie Rodgers and the Carter Family at the famed Bristol sessions, the popularizing of Latin American music during World War II, and the postwar transformation of music on the airwaves that set the stage for the dominance of R&B, country, and rock ‘n’ roll. But this is also the story of a man from humble midwestern beginnings who went on to build the world’s largest independent music publishing firm, fostering the global reach of music that had previously been specialized, localized, and marginalized. Ralph Peer redefined the ways promising songs and performers were identified, encouraged, and promoted, rethought how far regional music might travel, and changed our very notions of what pop music can be. This enhanced e-book includes 49 of the greatest songs Ralph Peer was involved with, from groundbreaking numbers that changed the history of recorded music to revelatory obscurities, all linked to the text so that the reader can hear the music while reading about it.


Roots of the Revival

Roots of the Revival

Author: Ronald D Cohen

Publisher: University of Illinois Press

Published: 2014-09-15

Total Pages: 217

ISBN-13: 0252096428

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In Roots of the Revival: American and British Folk Music in the 1950s, Ronald D. Cohen and Rachel Clare Donaldson present a transatlantic history of folk's midcentury resurgence that juxtaposes the related but distinct revivals that took place in the United States and Great Britain. After setting the stage with the work of music collectors in the nineteenth century, the authors explore the so-called recovery of folk music practices and performers by Alan Lomax and others, including journeys to and within the British Isles that allowed artists and folk music advocates to absorb native forms and facilitate the music's transatlantic exchange. Cohen and Donaldson place the musical and cultural connections of the twin revivals within the decade's social and musical milieu and grapple with the performers' leftist political agendas and artistic challenges, including the fierce debates over "authenticity" in practice and repertoire that erupted when artists like Harry Belafonte and the Kingston Trio carried folk into the popular music mainstream. From work songs to skiffle, from the Weavers in Greenwich Village to Burl Ives on the BBC, Roots of the Revival offers a frank and wide-ranging consideration of a time, a movement, and a transformative period in American and British pop culture.


The Beatles: Music Roots (PVG)

The Beatles: Music Roots (PVG)

Author: Wise Publications

Publisher: Wise Publications

Published: 2011-03-30

Total Pages: 145

ISBN-13: 1783239816

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The Beatles: Music Roots delves into the influences behind the Fab Four’s early hits, analysing and teaching you to play the songs that Lennon and McCartney learned, played and loved. Each song is arranged for piano, voice and guitar, accompanied with extensive notes on its history and recording. Through these songs we uncover the story of British post-war youth demanding a musical revolution and finding through American Soul, R&B and Rock ‘n’ Roll. The Beatles would revolutionise popular music, but they first learned their craft from the dazzling electric guitar of Les Paul and the soulful struggles of Ray Charles; the anarchistic rock of Little Richard and harmonious hope of The Miracles. All of these artists played their part in The Beatles phenomenon. This book explains why. The songlist: The World Is Waiting For The Sunrise [Les Paul & Mary Ford] That’s Alright [Elvis Presley] My Bonnie [Ray Charles] Freight Train [The Chas McDevitt Skiffle Group ft. Nancy Whiskey] Cumberland Gap [Lonnie Donegan] Last Train To San Fernando [Duncan & The Blue Grass Boys] Be-Bop-A-Lula [Gene Vincent & His Bluecaps] That’s When Your Heartaches Begin [Elvis Presley] Lawdy Miss Clawdy [Lloyd price] Bye Bye Love [The Everly Brothers] Ain’t It A Shame [Fats Domino] Lucille [Little Richard] That’ll Be The Day [Buddy Holly & The Crickets] Honey Don’t [Carl Perkins] Twenty Flight Rock [Eddie Cochran] Baby It’s You [the Shirellles] Anna [Arthur Alexander] Chains [The Cookies] Till There Was You [Barbara Cook & Robert Preston] You Really Got A Hold On Me [The Miracles]


Roots, Rock, Reggae

Roots, Rock, Reggae

Author: Chuck Foster

Publisher: Billboard Books

Published: 1999

Total Pages: 366

ISBN-13:

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Told in the voices of reggae's major participants, these authoritative accounts chart the history, characteristics, and broad appeal of the music that originated in Jamaica, but has spread like wildfire throughout the world over the years to rise up in Africa and South America as well as England and America.


Banjo Roots and Branches

Banjo Roots and Branches

Author: Robert B Winans

Publisher: University of Illinois Press

Published: 2018-08-15

Total Pages: 490

ISBN-13: 0252050649

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The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados. Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans.