Six weeks after Hurricane Katrina, an emotionally battered Chanse returns to a New Orleans that is a battered shell of its former vibrant self to try to pull together the shattered pieces of his life. But on arriving, he discovers that his last client before the storm was murdered shortly after she hired him to find her long missing father—and Chanse is drawn into the Verlaine family's deadly web of lies and secrets as he tries to find his client's killer against the backdrop of unbelievable destruction. The third Chanse MacLeod mystery, and winner of the Lambda Literary Award.
When Chanse MacLeod is hired to find out who is blackmailing a high profile movie star couple living in the French Quarter, he soon realizes it isn't just on a movie-set where things are make believe. Against the backdrop of a rebuilding New Orleans, Chanse races to find out the truth about his treacherous clients and to clear his own name.
A simple blackmail case goes south when Chanse finds the murdered body of his muscleboy client in what appears to be a hate crime. But neither Chanse nor the police are convinced it was a hate crime, despite the frenzy being whipped up in the city by a charismatic but attention-seeking gay rights activist. The trail leads to a call boy ring, blackmail of wealthy Uptown closet cases, and it's not long before Chanse's investigation has put not only his life at risk, but that of everyone he cares about! The first Chanse Macleod mystery.
Chanse MacLeod is hired to find out who is trying to undermine a new nightclub opening in the French Quarter—but when the nightclub's publicist is murdered, the prime suspect in his boyfriend, Paul—who has a sordid past he carefully hid from Chanse. And when Paul jumps bail, it's up to Chanse to clear his boyfriend and find him, before it's too late. The second Chanse Macleod mystery.
The Sheehans are referred to as "Louisiana's Kennedys," a powerful political dynasty with connections in Baton Rouge and Washington. When Warren Sheehan is shot to death in his Garden District mansion, Chanse races to sort out the truth from the many lies surrounding the great family as another hurricane puts New Orleans squarely in its cross hairs.
When neither the cops nor their insurance company believes a wealthy gay couple’s valuable art collection was stolen, they hire Chanse MacLeod to track down the thieves and the missing art. Chanse isn’t entirely sure he believes the couple, either—especially when it turns out some of the art may have been forgeries. The trail of the art leads him to a new gallery on Julia Street in the Arts District opened by a couple new to town that seem to have no past. When one of them turns up dead and the other vanishes, it’s now up to Chanse to find not only the missing art, but a ruthless murderer who will kill anyone who gets in the way.
In The Gay Male Sleuth in Print and Film (2005), scholar Drewey Wayne Gunn examined the history of gay detectives beginning with the first recognized gay novel, The Heart in Exile, which appeared in 1953. In the years since the original edition's publication, hundreds of novels and short stories in this sub-genre have been produced, and Gunn has unearthed many additional representations previously unrecorded. In this new edition, Gunn provides an overview of milestones in the development of gay detectives over the last several decades. Also included in this volume is an annotated list of novels, short stories, plays, graphic novels, comic strips, films, and television series with gay detectives, gay sleuths of secondary importance, and non-sleuthing gay policemen. The most complete listing available--including the only listing of early gay pulp novels, present-day male-to-male romances, and erotic films--this new edition brings the work up to date with publications missed in the first edition, particularly cross-genre mysteries, early pulps, and some hard-to-find volumes. The Gay Male Sleuth in Print and Film: A History and Annotated Bibliography lists all printed works in English (including translations) presently known to include gay detectives (such as amateur sleuths, police detectives, private investigators, and investigative reporters), from the 1929 play Rope until the present day. It includes all films in English, subtitled or dubbed, from the screen version of Rope in 1948 and the launch of the independent film Spy on the Fly in 1966 through the end of 2011. Complete with two appendices--a bibliography of sources and a list of Lambda Literary Awards--and indexes of titles, detectives, and actors, this extensively revised and updated reference will prove invaluable to mystery collectors, researchers, aficionados of the subgenre, and those devoted to GLBTQ studies.
“I shall always be in his shadow, unable to live up to the standard he set at Spindrift, hoping that someday Carlo might love me the way he loved his lost Timothy…” The memory of Timothy haunts every corner of Spindrift, the beautiful mansion on the Atlantic shore. His face was flawless, his body breathtaking perfection. Everyone who saw him loved him, desired him, wanted him—whether they first laid eyes on him in a magazine ad, on a billboard, or on a box of underwear. No one ever forgot him, once they had passed through his orbit. They remember his wit, intelligence, and sense of style. He was the perfect match for wealthy Carlo Romaniello. Spindrift was the perfect backdrop for the glamorous couple, and the unforgettable, fabulous parties they hosted there. But then tragedy took Timothy, and darkness descended on the beautiful house on the beach. Carlo closed the house, and its secrets remained hidden within. When Carlo reopens the house as a home for himself and his new young husband, those old secrets begin to creep out into the light. And those secrets might just prove deadly for his new spouse, a young man who has to compete with the memory of the unforgettable Timothy…
Blackmail in the Big Easy turns to cold-blooded murder in this debut cozy mystery perfect for fans of Jane K. Cleland. When the mysterious letter arrives by courier, Valerie Cooper doesn’t know what to make of it. She’s become the beneficiary of her late husband’s estranged uncle’s will—a man she never knew—and inherited a majority partnership in the family’s company, New Orleans Fine Antiques. Valerie knows nothing about antiques, but she decides to learn the business and become an active partner. She’s also got her hands full fending off Collette, a woman who wants to sell the huge old house in the Irish Channel neighborhood Valerie and her husband painstakingly renovated. Valerie isn’t interested in selling—but when her best friend Lauren, drags her to a costume party for the women’s Mardi Gras club, the Krewe of Athena, she stumbles over Collette’s body, a jeweled dagger sticking out of her chest. In a rush of panic, Valerie recognizes the dagger from her shop—and before she knows it, she’s become murder suspect number one. Egged on by Lauren, she starts digging into Collette’s business dealings, and the deeper she digs, the dirtier it gets. Now all fingers are pointing at Valerie. In a desperate bid to clear her name, Valerie frantically tries to find who could have gotten hold of the dagger. But among a cadre of guests in full costume, it could be impossible to find the thief—and unmask the real killer.
It begins as a simple missing persons case—a young MMA fighter's mother has mysteriously disappeared. But as New Orleans private eye Chanse MacLeod starts digging around, he discovers that she is the leader of a group fighting the powerful Archdiocese of New Orleans over the closing of two churches. As the trail leads from corrupt church officials to powerful real estate developers to the world of cage fighting, Chanse soon realizes there are a lot of powerful people who want to make sure she stays gone—and don't have a problem with getting rid of a pesky gay private eye.
