Mr. Hulot is back in this wordless picture book celebrating the comical misadventures of a day at the beach! Created and played by French comic actor and filmmaker Jacques Tati, Mr. Hulot is a beloved character in France. David Merveille’s meticulously designed comic strip style illustrations capture the imagination and good nature of Mr. Hulot as he navigates the hilarity of a missing shoe, a disgruntled fisHermann, a mistaken pipe, and more. Like Merveille's earlier book, Hello, Mr. Hulot, Mr. Hulot at the Beach is a visual treat and a true delight to the observant viewer.
The French comedy character who inspired Mr. Bean, in a wordless comic strip story for children! Meet Mr. Hulot—he's always in the middle of the action! Created and played by French comic actor and filmmaker Jacques Tati, Mr. Hulot is a beloved charater in France. David Merveille’s comic strip style illustrations depict 23 captivating scenes with a page turn that builds suspense for each surprise ending. From buying a snow globe on a warm summer day—shaking it—and causing the sky to snow, to a crazy visit to the zoo where Mr. Hulot has something in common with every animal at the zoo—Merveille’s creations are a delight to the observant and curious eye.
Around the world, when people think of vacation it's the beach they want--even when long distances must be traversed, the seashore is the place to escape the rigors of modern life. How did this come to be, and what does our ongoing love affair with the beach mean? How do shore vacations differ from traditional tourism, and what does this tell us about our fears and dreams? In At the Beach, Jean-Didier Urbain offers witty and insightful answers to these questions. Urbain traces the transformation of the beach from a place of mythological threats and a demanding workplace fraught with danger to a destination for medical treatment and the pursuit of pleasure. He looks to the emergence of the modern vacation in the nineteenth century, examines representations of beachgoing in literature and the arts, and shows the transgressive side of beach culture--from nudism to hedonism to various "scandals" about costume, behavior, and sexuality that make the beach the site of social spectacle as well as leisure. Urbain's ultimate focus is the paradoxical enterprise of the residential seaside vacationer, who travels in order to stay in one place and who leaves the everyday world behind to reconstruct an idealized version of it at the shore. He argues that unlike tourists, who move from place to place, beach vacationers are not seeking to explore nature, to discover other cultures, or even to "get away from it all"; rather, they are attempting to re-create their own identities through a simplified community they can no longer find elsewhere. Blending history with social observation, Urbain presents an original, incisive, and entertaining account of this enduring ritual of escape and recreation.
At the beach, bodies converge with the elements and strange treasures come to light. Departing from the conventional association of modernism with the city, this book makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance—a stage for loosely scripted, improvisatory forms of embodiment and togetherness. The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vital elemental and creaturely connection. With an eye to the peripheries of capitalist leisure, Freed-Thall recasts familiar seaside practices—including tide-pooling, beachcombing, gambling, and sunbathing—as radical experiments in perception and sociability. Close readings of works by Marcel Proust, Virginia Woolf, Claude McKay, Samuel Beckett, Rachel Carson, and Gordon Matta-Clark, among others, explore the modernist beach as a queer refuge, a precarious commons, a scene of collective exhaustion and endurance, and a visionary threshold at the end of the world. Interweaving environmental humanities, queer and feminist theory, and cultural history, Modernism at the Beach offers new ways of understanding twentieth-century literature and its relation to ecological thought.
Reading the World’s Stories is volume 5 in the Bridges to Understanding series of annotated international youth literature bibliographies sponsored by the United States Board on Books for Young People. USBBY is the United States chapter of the International Board on Books for Young People (IBBY), a Switzerland-based nonprofit whose mission is bring books and children together. The series promotes sharing international children’s books as a way to facilitate intercultural understanding and meet new literary voices. This volume follows Children’s Books from Other Countries (1998), The World though Children’s Books (2002), Crossing Boundaries with Children’s Books (2006), and Bridges to Understanding: Envisioning the World through Children’s Books (2011) and acts as a companion book to the earlier titles. Centered around the theme of the importance of stories, the guide is a resource for discovering more recent global books that fit many reading tastes and educational needs for readers aged 0-18 years. Essays by storyteller Anne Pellowski, author Beverley Naidoo, and academic Marianne Martens offer a variety of perspectives on international youth literature. This latest installment in the series covers books published from 2010-2014 and includes English-language imports as well as translations of children’s and young adult literature first published outside of the United States. These books are supplemented by a smaller number of culturally appropriate books from the US to help fill in gaps from underrepresented countries. The organization of the guide is geographic by region and country. All of the more than 800 entries are recommended, and many of the books have won awards or achieved other recognition in their home countries. Forty children’s book experts wrote the annotations. The entries are indexed by author, translator, illustrator, title, and subject. Back matter also includes international book awards, important organizations and research collections, and a selected directory of publishers known for publishing books from other countries.
Monsieur Roscoe and his goldfish, Fry, are off on the holiday of a lifetime - and you're invited too! From the multi-award-winning, bestselling illustrator of Oi Frog! and The Lion Inside. Monsieur Roscoe is going on holiday! Join him and his goldfish, Fry, as they camp, ski and sail their way through the journey of a lifetime, making friends and learning lots of new French words along the way. A fun and colourful picture book from the bestselling illustrator of Oi Frog! and The Lion Inside, Monsieur Roscoe will make learning French exciting for the youngest children.
Turner Classic Movies presents a festival of sunshine classics—movies that capture the spirit of the most carefree season of the year—complete with behind-the-scenes stories, reviews, vacation inspiration, and a trove of photos. Summer Movies is your guide to 30 sun-drenched classics that—through beach parties, road trips, outdoor sports, summer camp, or some intangible mood that brings the heat—manage to keep summer alive year-round. Packed with production details, stories from the set, and more than 150 color and black-and-white photos, the book takes an in-depth look at films from the silent era to the present that reflect the full range of how summer has been depicted on screen, both by Hollywood and by international filmmakers. Featured titles include Moon Over Miami (1941), State Fair (1945), Key Largo (1948), Monsieur Hulot's Holiday (1953), The Seven Year Itch (1955), The Parent Trap (1961), The Endless Summer (1964), Jaws (1975), Caddyshack (1980), Dirty Dancing (1987), Do the Right Thing (1989), Moonrise Kingdom (2012), Call Me by Your Name (2017), and many more.
Monty Python's Book of Silly Walks by illustrator David Merveille features Mr. Teabag—one of John Cleese's best-loved characters from Monty Python's Flying Circus. Python fans will delight in Merveille's artistic portrayal of Mr. Teabag in his most iconic silly-walk pose as he hysterically stands in as housekeeper, soccer player, fire-ring walker, guard at the Buckingham Palace, James Bond, DaVinci's Vitruvian Man, and more! Over 40 years ago, a group of five Englishmen - and one wayward American - rewrote the rules of comedy. MONTY PYTHON'S FLYING CIRCUS, an unheralded, previously unseen half-hour show of sketches, hilarities, inanities and animations, first appeared on the BBC late one night in 1969. Its impact has been felt on the world ever since. From its humble beginnings, it blossomed into the most influential movement in modern comedy.
For nearly 40 years, David Lynch's works have enthralled, mystified, and provoked viewers. Lynch's films delve into the subjective consciousness of his characters to reveal both the depraved darkness and luminous spirituality of human nature. From his experimental shorts of the 1960s to feature films like Eraserhead, The Elephant Man, Blue Velvet, Mulholland Drive, and INLAND EMPIRE, Lynch has pushed the boundaries of cinematic storytelling. In David Lynch: Beautiful Dark, author Greg Olson explores the surreal intricacies of the director's unique visual and visceral style not only in his full-length films but also his early forays into painting and short films, as well as his television landmark, Twin Peaks. This in-depth exploration is the first full-length work to analyze the intimate symbiosis between Lynch's life experience and artistic expressions: from the small-town child to the teenage painter to the 60-year-old Internet and digital media experimenter. To fully delineate the director's life and art, Olson received unprecedented participation from Lynch, his parents, siblings, old school friends, romantic partners, children, and decades of professional colleagues, as well as on-set access to the director during the production of Twin Peaks: Fire Walk with Me. Throughout this study, Olson provides thorough analyses of the filmmaker's works as Lynch conceived, crafted, and completed them. Consequently, David Lynch: Beautiful Dark is the definitive study of one of the most influential and idiosyncratic directors of the last four decades.
