Saving the world isn't going very well for Elf Girl and Raven Boy. They've left Fright Forest and crossed a huge plain to the worryingly named Monster Mountains, where they find a sign telling them to Turn Back. They really shouldn't have ignored it! It's not the strange wailing noises they hear in the dark, or the gigantic yeti who wants to eat them for breakfast that they find alarming, so much as the crazy wizard, Jeremy, who seems intent on adding Elf Girl and Raven Boy, not to mention Rat, to his collection of all too life-like stone statues.
In the four seas and eight wastelands, the Mystic Maiden offered up the secret arts of the Mountain and Sea Realm, the Seven Domains of the Nine Prefectures, and the Nine Tripod Commerce. When this cauldron reached ten percent completion, the rain of blood would rain down upon the deities and devils. The River Diagram appeared, as did Luo Shu. The human world was in turmoil. It was rumored that these nine cauldrons were the ones that had gained the world. However, he did not know that the treasures of the nine cauldrons were all in the Mountain Sea Secret Art that was drawn on the cauldron. After that, the nine cauldrons sank into the Luo River, disappearing without a trace. The five paths of the world, the Wonder Gate, the Illusion Dao, the Mountain Sect, the Sea Sect, the Scripture Pavilion, and the five sects' heirs, each had their own secret treasures, all for the sake of obtaining the Mountain Sea secret arts within the nine cauldrons. This fight lasted for thousands of years ...
The stunning mountains of Virginia offer spectacular views and endless outdoor activities, yet they also hold secrets. A nineteenth-century cache of gold is buried in the hills. Nine-foot giants once walked the ridges, pre-Columbian explorers built homes on isolated mountaintops and a ghost town lies deep in the Jefferson National Forest. The mountains conceal canines that walk upright, black panthers and a resurgent mountain lion population. The hide-and-seek champion of the world, Bigfoot, lurks in the dark hollows, phantom dogs pace the back roads and aggressive monkeys swing through the trees. UFOs crisscross the skies, and ghosts haunt the caverns below. Join Denver Michaels, local author and explorer of the unexplained, as he explores these mysteries and many more.
After Dylan Maples's terrifying adventure in Alberta, the holiday his "parental units" plan in British Columbia's Rocky Mountains seems like a dream. Swimming, hiking, and loafing around are welcome distractions from vivid memories of his narrow escape from "The Reptile," the frightening criminal who pursued him and his friends through the badlands. But Dylan soon discovers that he is heading into an area teeming with legends of real-life monsters, among them the sea serpent Ogopogo and the awesome sasquatch. In fact, more mysterious creatures are said to exist in BC than in any other place in the world.... Dylan tries not to take it all too seriously. But when he arrives in the resort town of Harrison Hot Springs and meets his eccentric uncle, Walter Middy, he is pulled right into the heart of the sasquatch mystery. Before you can say, "I see a monster!", Dylan, Walter, and their new friend Alice are deep in the wilderness, on the trail of the deadly beast.
The essays in this book, written by poets, novelists, mountain-climbers and academics from all over the world, evoke the representation of mountains in the English-speaking world as artists, writers, philosophers or mountain-climbers have represented them from the sixteenth to the twenty-first centuries. From the Alps to the Pyrenees, from Mount Fuji to Mount Shasta, from the Himalayas to the Scottish Highlands, from Ikere in Nigeria to Devil's Tower in the United States, from Uluru in Australia to the most northern mountain of the Arctic, the shapes of the world speak the same language and tell the world its own story. This interdisciplinary book, weaving together mountaineering, literature, philosophy, painting, cinema, ecology, history, palaeontology, geography, geopolitics, toponymy, law, religion and myth, invites people to an innovative reading of mountains: it reveals the close relationship existing between the shapes of the world and all forms of writing and, at the same time, it shows how the representations of the imagination may be instrumental in protecting the natural world. The story told by the landscape inscribes a broken line in the shapes of the world, tearing the landscape like a fragile page whenever historical and political events (wars, mining or deforestation) leave scars in the landscape; but writers' and artists' representations of mountains constitute a path to awareness as they are not only a painting of beauty, but an image of our link to nature and a warning as well. For centuries the image of the mountain has conveyed a symbolism telling the story of human thought, and this book shows to what extent literature and art play an essential part in our awareness of nature.
