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Excerpt from Monism as Connecting Religion and Science: The Confession of Faith of a Man of Science The following lecture on Monism is an informal address delivered extemporaneously on October 9, 1892, at Altenburg, on the seventy-fifth anniversary of the "Naturforschende Gesellschaft des Osterlandes." The immediate occasion of it was a previous address delivered by Professor Schlesinger of Vienna on "Scientific Articles of Faith." This philosophical discourse contained, with reference to the weightiest and most important problems of scientific investigation, much that was indisputable; but it also contained some assertions that challenged immediate rejoinder and a statement of the opposite view. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Examining the complex intersections between art and scientific approaches to the natural world, Biocentrism and Modernism reveals another side to the development of Modernism. While many historians have framed this movement as being mechanistic and "against" nature, the essays in this collection illuminate the role that nature-centric ideologies played in late-nineteenth to mid-twentieth-century Modernism. The essays in Biocentrism and Modernism contend that it is no accident that Modernism arose at the same time as the field of modern biology. From nineteenth-century discoveries, to the emergence of the current environmentalist movement during the 1960s, artists, architects, and urban planners have responded to currents in the scientific world. Sections of the volume treat both philosophic worldviews and their applications in theory, historiography, and urban design. This collection also features specific case studies of individual artists, including Raymond Duchamp-Villon, Paul Klee, Wassily Kandinsky, and Jackson Pollock.