Modern Noise, Fluid Genres
Modern Noise, Fluid Genres

Author: Jeremy Wallach

Publisher: Univ of Wisconsin Press

Published: 2008-12-15

Total Pages: 347

ISBN-13: 0299229033

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What happens to “local” sound when globalization exposes musicians and audiences to cultural influences from around the world? Jeremy Wallach explores this question as it plays out in the eclectic, evolving world of Indonesian music after the fall of the repressive Soeharto regime. Against the backdrop of Indonesia’s chaotic and momentous transition to democracy, Wallach takes us to recording studios, music stores, concert venues, university campuses, video shoots, and urban neighborhoods. Integrating ground-level ethnographic research with insights drawn from contemporary cultural theory, he shows that access to globally circulating music and technologies has neither extinguished nor homogenized local music-making in Indonesia. Instead, it has provided young Indonesians with creative possibilities for exploring their identity in a diverse nation undergoing dramatic changes in an increasingly interconnected world. Ultimately, he finds, the unofficial, multicultural nationalism of Indonesian popular music provides a viable alternative to the religious, ethnic, regional, and class-based extremism that continues to threaten unity and democracy in that country.

Metal Rules the Globe
Metal Rules the Globe

Author: Jeremy Wallach

Publisher: Duke University Press

Published: 2011-12-27

Total Pages: 391

ISBN-13: 0822347334

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Heavy metal might not have been the most likely popular music genre to become global, but it has. This collection brings together cultural studies and pop music accounts of metal around the world, including Indonesia, Malaysia, Singapore, Nepal, Brazil, Malta, Slovenia, China, Japan, Norway, Israel, Easter Island, and more.

Subcultures: The Basics
Subcultures: The Basics

Author: Ross Haenfler

Publisher: Routledge

Published: 2013-10-08

Total Pages: 164

ISBN-13: 1134547706

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Subcultures: The Basics is an accessible, engaging introduction to youth cultures in a global context. Blending theory and practice to examine a range of subcultural movements including hip hop in Japan, global graffiti writing crews, heavy metal in Europe and straight edge movements in the USA, this text answers the key questions posed by those new to the subject, including: What is a subculture? How do subcultures emerge, who participates and why? What is the relationship between deviance, resistance and the ‘mainstream’? How does society react to different subcultural movements? How has global media and virtual networking influenced subcultures? Is there a life ‘after’ subculture? Tracing the history and development of subcultures to the present day, with further reading and case studies throughout, this text is essential reading for all those studying youth culture in the contexts of sociology, cultural studies, media studies, anthropology and criminology.

The Voice of the Rural
The Voice of the Rural

Author: Alessandra Ciucci

Publisher: University of Chicago Press

Published: 2022-05-25

Total Pages: 241

ISBN-13: 0226818691

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"If you Google Umbria, you'll likely see picturesque rolling hills and medieval villages perched on them. But in The Voice of the Rural, ethnomusicologist Alessandra Ciucci introduces us to the Moroccan migrant workers that labor in the province's Alta Valle del Tevere region, which has been transformed by agrobusiness. These migrants working in Umbria's tobacco fields and on its construction sites have been coming to the region for decades, and while some eventually save enough money to buy some land and build a house back home, most are only able to scrape together what little they can from season to season. Marginalized in Italy and far from their homes, these men turn to Moroccan traditions of music and poetry that romanticize the Moroccan countryside they have left, l-'arubiya, or the rural. Ciucci's ethnography is a rich analysis of l-'arubiya that unpacks how these men share the music and sound of the rural to create a culture of belonging in a foreign and inhospitable nation, gathering in groups to listen to recordings of the musical style and creating community that springs from the very particular Moroccan narratives and identity depicted in the music. The poetry conjures up local images, history, and tradition, evoking a personhood that allows these men to momentarily preserve a particular form of manhood inaccessible to them in Italian culture. In Italy, these men are perceived as threatening and sexually violent. But the sound of l-'arubiya signifies a different kind of masculinity, of what it means to be a "real man", someone virtuous, generous, and strong both physically and morally. Through close fieldwork with migrant men and careful analysis of the lives they live through music, Ciucci uncovers an important social dimension of Europe's evolving migration crisis: how migrants preserve a sense of self and of home in an inhospitable country, allowing them to endure in the face of incredible hardship"--

Heavy Metal Generations
Heavy Metal Generations

Author:

Publisher: BRILL

Published: 2020-04-14

Total Pages: 153

ISBN-13: 1848881479

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This volume was first published by Inter-Disciplinary Press in 2012. Heavy Metal Generations is the fourth volume in the series of papers drawn from the 2012 Music, Metal and Politics international conference, which attracted scholars from around the globe, working within a diverse range of academic disciplines, to converge in Prague, Czech Republic, for three days of panel presentations, debate and conjecture about the past, present and future of metal music studies. The flavour of diversity, synchronicity and inter-disciplinarity that characterised the event can be gauged from the selection of chapters presented in this volume. We hope this collection contributes to the rising tide of academic work that serves to broaden and deepen heavy metal music studies’ intellectual and aesthetic grounds, critical agenda and political value by undermining old certainties and suggesting new horizons in the context of current social conditions, politics and society.

Hardcore, Punk, and Other Junk
Hardcore, Punk, and Other Junk

Author: Eric James Abbey

Publisher: Lexington Books

Published: 2014-03-25

Total Pages: 230

ISBN-13: 0739176064

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Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music, edited by Eric James Abbey and Colin Helb,is a collection of writings on music that is considered aggressive throughout the world. From local underground bands in Detroit, Michigan to bands in Puerto Rico or across Europe, this book demonstrates the importance of aggressive music in our society. While other volumes seek to denigrate or put down this type of music, Hardcore, Punk, and Other Junk forces the audience to re-read and re-listen to it. This category of music includes all forms that could be considered offensive and/or move the audience to become aggressive in some way. The politics and values of punk are discussed alongside the emerging popularity of metal and extreme hardcore music. Hardcore, Punk, and Other Junk is an important contribution to the newest discussions on aggressive music throughout the world.

Mysticism, Ritual and Religion in Drone Metal
Mysticism, Ritual and Religion in Drone Metal

Author: Owen Coggins

Publisher: Bloomsbury Publishing

Published: 2018-01-25

Total Pages: 225

ISBN-13: 1350025119

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This is the first extensive scholarly study of drone metal music and its religious associations, drawing on five years of ethnographic participant observation from more than 300 performances and 74 interviews, plus surveys, analyses of sound recordings, artwork, and extensive online discourse about music. Owen Coggins shows that while many drone metal listeners identify as non-religious, their ways of engaging with and talking about drone metal are richly informed by mysticism, ritual and religion. He explores why language relating to mysticism and spiritual experience is so prevalent in drone metal culture and in discussion of musical experiences and practices of the genre. The author develops the work of Michel de Certeau to provide an empirically grounded theory of mysticism in popular culture. He argues that the marginality of the genre culture, together with the extremely abstract sound produces a focus on the listeners' engagement with sound, and that this in turn creates a space for the open-ended exploration of religiosity in extreme states of bodily consciousness.

Repossessing Shanland
Repossessing Shanland

Author: Jane M. Ferguson

Publisher: University of Wisconsin Pres

Published: 2021-08-17

Total Pages: 320

ISBN-13: 0299333000

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The Shan have been fighting since 1958 for the autonomous state in Southeast Asia they were promised. Jane M. Ferguson articulates Shanland as an ongoing project of resistance, resilience, and accommodation within Thailand and Myanmar, showing how the Shan have forged a homeland and identity during great upheaval.

Forsaken Causes
Forsaken Causes

Author: Ryan Wolfson-Ford

Publisher: University of Wisconsin Pres

Published: 2024

Total Pages: 308

ISBN-13: 0299348601

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In the wake of anticolonial struggles and amid the two world wars, twentieth-century Southeast Asia churned with new political, cultural, and intellectual realities. Liberal democracies flourished briefly, only to be discarded for dictatorships and other authoritarian regimes as the disorder and inefficiencies inherent to democracy appeared unequal to postcolonial and Cold War challenges. Uniquely within the region, Laos maintained a stable democracy until 1975, surviving wars, coups, and revolutions. But Lao history during this period has often been flattened, subsumed within the tug-of-war between the global superpowers and their puppets. Forsaken Causes offers a groundbreaking intellectual history of the Royal Lao Government (RLG) from 1945 to 1975. In Ryan Wolfson-Ford's account, the Lao people emerge as not merely pawns of the superpowers but agents in their own right, with the Lao elite wielding particular influence over the nation's trajectory. Their prevailing ideologies--liberal democracy and anticommunism--were not imposed from outside, but rather established by Lao themselves in the fight against French colonialism. These ideologies were rooted in Lao culture, which prized its traditional monarchy, Buddhist faith, French learning, and nationalist conception of a Lao race. Against histories that have dismissed Lao elites as instruments of foreign powers, Wolfson-Ford shows that the RLG charted its own course, guided by complex motivations, rationales, and beliefs. During this time Lao enjoyed unprecedented democratic freedoms, many of which have not been seen since the government fell to communist takeover in 1975. By recentering the Lao in their own history, Wolfson-Ford restores our understanding of this robust but often forgotten liberal democracy, recovers lost voices, and broadens our understanding of postcolonial and Cold War Southeast Asia as a whole.