Misrule and Reversals

Misrule and Reversals

Author: Rozaliya Yaneva

Publisher: Herbert Utz Verlag

Published: 2013-10-30

Total Pages: 294

ISBN-13: 383164313X

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How do Christopher Marlowe’s plays relate to interpretations of carnival as being either a beneficial repression inspired by anxiety or a deliberate expression of resistance towards all that is established and permanent? Where can one place carnival in his dramatic works? Renaissance drama invited a consideration of various forms of collective life and while great religious festivities of the Catholic calendar were affected by Reformation efforts to control festivity and detach it from religious worship, festive energies on Marlowe`s stage seem to have persisted. This book views Doctor Faustus, Tamburlaine the Great, The Jew of Malta and Edward the Second through concepts of irreverence, clowning, the high and the low in culture, degradation, laughter and feasting while viewing the plays’ worlds in terms of misrule, inversion and reversal. Who are the clowns in the plays, is the time for revelries restricted and how do the principle of the grotesque and the forces of debasement work are some of the intriguing questions to be pursued.


Geoparsing Early Modern English Drama

Geoparsing Early Modern English Drama

Author: M. Matei-Chesnoiu

Publisher: Springer

Published: 2015-12-05

Total Pages: 336

ISBN-13: 1137469412

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Geo-spatial identity and early Modern European drama come together in this study of how cultural or political attachments are actively mediated through space. Matei-Chesnoiu traces the modulated representations of rivers, seas, mountains, and islands in sixteenth-century plays by Shakespeare, Jasper Fisher, Thomas May, and others.


The Road to Mobocracy

The Road to Mobocracy

Author: Paul A. Gilje

Publisher: UNC Press Books

Published: 2014-06-30

Total Pages: 334

ISBN-13: 1469608634

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The Road to Mobocracy is the first major study of public disorder in New York City from the Revolutionary period through the Jacksonian era. During that time, the mob lost its traditional, institutional role as corporate safety valve and social corrective, tolerated by public officials. It became autonomous, a violent menace to individual and public good expressing the discordant urges and fears of a pluralistic society. Indeed, it tested the premises of democratic government. Paul Gilje relates the practices of New York mobs to their American and European roots and uses both historical and anthropological methods to show how those mobs adapted to local conditions. He questions many of the traditional assumptions about the nature of the mob and scrutinizes explanations of its transformation: among them, the loss of a single-interest society, industrialization and changes in the workforce, increased immigration, and the rise of sub-classes in American society. Gilje's findings can be extended to other cities. The lucid narrative incorporates meticulous and exhaustive archival research that unearths hundreds of New York City disturbances -- about the Revolution, bawdy-houses, theaters, dogs and hogs, politics, elections, ethnic conflict, labor actions, religion. Illustrations recreate the turbulent atmosphere of the city; maps, graphs, and tables define the spacial and statistical dimensions of its ferment. The book is a major contribution to our understanding of social change in the early Republic as well as to the history of early New York, urban studies, and rioting.


Utopia, Carnival, and Commonwealth in Renaissance England

Utopia, Carnival, and Commonwealth in Renaissance England

Author: Christopher Kendrick

Publisher: University of Toronto Press

Published: 2004-01-01

Total Pages: 400

ISBN-13: 9780802089366

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With the emergence of utopia as a cultural genre in the sixteenth century, a dual understanding of alternative societies, as either political or literary, took shape. In Utopia, Carnival, and Commonwealth in Renaissance England, Christopher Kendrick argues that the chief cultural-discursive conditions of this development are to be found in the practice of carnivalesque satire and in the attempt to construct a valid commonwealth ideology. Meanwhile, the enabling social-political condition of the new utopian writing is the existence of a social class of smallholders whose unevenly developed character prevents it from attaining political power equivalent to its social weight. In a detailed reading of Thomas More's Utopia, Kendrick argues that the uncanny dislocations, the incongruities and blank spots often remarked upon in Book II's description of Utopian society, amount to a way of discovering uneven development, and that the appeal of Utopian communism stems from its answering the desire of the smallholding class (in which are to be numbered European humanists) for unity and power. Subsequent chapters on Rabelais, Nashe, Marlowe, Bacon, Shakespeare, and others show how the utopian form engages with its two chief discursive preconditions, carnival and commonwealth ideologies, while reflecting the history of uneven development and the smallholding class. Utopia, Carnival, and Commonwealth in Renaissance England makes a novel case for the social and cultural significance of Renaissance utopian writing, and of the modern utopia in general.


The Pleasure Principle

The Pleasure Principle

Author: Michael Bronski

Publisher: Macmillan

Published: 2000-02-23

Total Pages: 362

ISBN-13: 9780312252878

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A brilliant and thought-provoking examination of the complicated relationship between gay and mainstream culture--and a finalist for the 1998 Lambda Literary Award and the Randy Shilts Award.


Pathos in Late-Medieval Religious Drama and Art

Pathos in Late-Medieval Religious Drama and Art

Author: Gabriella Mazzon

Publisher: BRILL

Published: 2018-05-23

Total Pages: 326

ISBN-13: 9004355588

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Pathos as Communicative Strategy in Late-Medieval Religious Drama and Art explores the strategies employed to trigger emotional responses in late-medieval dramatic texts from several Western European traditions, and juxtaposes these texts with artistic productions from the same areas, with an emphasis on Britain. The aim is to unravel the mechanisms through which pathos was produced and employed, mainly through the representation of pain and suffering, with mainly religious, but also political aims. The novelty of the book resides in its specific linguistic perspective, which highlights the recurrent use of words, structures and dialogic patterns in drama to reinforce messages on the salvific value of suffering, in synergy with visual messages produced in the same cultural milieu.


Shakespeare and Happiness

Shakespeare and Happiness

Author: Kathleen French

Publisher: Routledge

Published: 2022-02-27

Total Pages: 168

ISBN-13: 1000541592

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Shakespeare and Happiness is a study of attitudes to happiness in the early modern period and in Shakespeare’s plays. It considers the conflicting influences of religion and Aristotelian philosophy in shaping attitudes to the possibility of attaining happiness. By being the first book to focus specifically on the representation of happiness in Shakespeare’s plays, it contributes to feminist approaches to Shakespeare by foregrounding the important role of women in showing the right way to live and achieve happiness. timely criticism, as it considers Shakespeare in the current context of the #MeToo movement providing new insights to studies of the emotions by approaching them from the perspective of research conducted by positive psychologists. This book takes an interdisciplinary approach that combines methodologies from literature, psychology philosophy, religion and history, emphasizing the richness and complexity of Shakespeare’s exploration of the nature of happiness.


Inconsistencies in Greek and Roman Religion, Volume 2: Transition and Reversal in Myth and Ritual

Inconsistencies in Greek and Roman Religion, Volume 2: Transition and Reversal in Myth and Ritual

Author: Henk Versnel

Publisher: BRILL

Published: 2015-09-01

Total Pages: 371

ISBN-13: 9004296735

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This is the second of a two-volume collection of studies on inconsistencies in Greek and Roman religion. Their common aim is to argue for the historical relevance of various types of ambiguity and dissonance. While the first volume focused on the central paradoxes in ancient henotheism, the present one discusses the ambiguities in myth and ritual of transition and reversal. After an introduction to the history of the myth and ritual debate (with a focus on New Year festivals and initiation) in the first chapter, the second and third chapters discuss myth and ritual of reversal—Kronos and the Kronia, and Saturnus and the Saturnalia respectively; the fourth treats two women's festivals—that of Bona Dea and the Thesmophoria; the fifth investigates the initiatory aspects of Apollo and Mars. In the background is the basic conviction that the three approaches to religion known as 'substantivistic', functionalist and cultural-symbolic respectively, need not be mutually exclusive.


The Oxford Handbook of Christmas

The Oxford Handbook of Christmas

Author: Timothy Larsen

Publisher: Oxford Handbooks

Published: 2020

Total Pages: 657

ISBN-13: 0198831463

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"The origins of Christmas lie in an Egyptian festival on 6 January, which spread to much of the Christian world as a celebration of the birth and/or baptism of Christ and known as the Epiphany or Theophany. The church at Rome did not adopt this festival but later instituted a celebration of the nativity of Christ on 25 December, which gradually supplanted its observance on 6 January in other churches, leaving this latter occasion as a commemoration of Christ's baptism alone, or of the visit of the Magi in those churches like Rome that had not observed that date previously. This essay traces that evolution and examines the merits of the two competing scholarly theories that have sought to explain the original choice of these particular dates"--