It was, Kirk thought, like standing in a gully, watching a boulder teeter precariously above you. It might fall at any minute, crushing your life out instantly beneath its weight. Your only possible defenses are your brain and voice—but how do you argue with a boulder which neither sees nor hears?
Picturing home examines the depiction of domestic life in British feature films made and released in the 1940s. It explores how pictorial representations of home onscreen in this period re-imagined modes of address that had been used during the interwar years to promote ideas about domestic modernity. Picturing home provides a close analysis of domestic life as constructed in eight films, contextualising them in relation to a broader, offscreen culture surrounding the suburban home, including magazines, advertisements, furniture catalogues and displays at the Daily Mail Ideal Home Exhibition. In doing so, it offers a new reading of British 1940s films, which demonstrates how they trod a delicate path balancing prewar and postwar, traditional and modern, private and public concerns.
An energetic and exhilarating account of the Victorian entertainment industry, its extraordinary success and enduring impact The Victorians invented mass entertainment. As the nineteenth century’s growing industrialized class acquired the funds and the free time to pursue leisure activities, their every whim was satisfied by entrepreneurs building new venues for popular amusement. Contrary to their reputation as dour, buttoned-up prudes, the Victorians reveled in these newly created ‘palaces of pleasure’. In this vivid, captivating book, Lee Jackson charts the rise of well-known institutions such as gin palaces, music halls, seaside resorts and football clubs, as well as the more peculiar attractions of the pleasure garden and international exposition, ranging from parachuting monkeys and human zoos to theme park thrill rides. He explores how vibrant mass entertainment came to dominate leisure time and how the attempts of religious groups and secular improvers to curb ‘immorality’ in the pub, variety theater and dance hall faltered in the face of commercial success. The Victorians’ unbounded love of leisure created a nationally significant and influential economic force: the modern entertainment industry.
Though left uncompleted, “Kubla Khan” is one of the most famous examples of Romantic era poetry. In it, Samuel Coleridge provides a stunning and detailed example of the power of the poet’s imagination through his whimsical description of Xanadu, the capital city of Kublai Khan’s empire. Samuel Coleridge penned “Kubla Khan” after waking up from an opium-induced dream in which he experienced and imagined the realities of the great Mongol ruler’s capital city. Coleridge began writing what he remembered of his dream immediately upon waking from it, and intended to write two to three hundred lines. However, Coleridge was interrupted soon after and, his memory of the dream dimming, was ultimately unable to complete the poem. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
The Improbable Voyage is the astonishing account of TRistan Jones' 2,307 mile voyage across Europe in Outward Leg. Continuing his round-the-world journey, Tristan traveled from the North Sea to the Black Sea via the rivers Rhine and Danube. Tristan welcomed each difficulty as a challenge to be met and overcome. Battling ice and cold, life-threatening rapids and narrow defiles, German bureaucrats and Romanian frontier police, Tristan made his way through eight countries and emerged triumphant, if battered, bruised and penniless, at the Black Sea. Tristan gives us a vivid glimpse of the quality of life along Europe's oldest water routes and behind the Iron Curtain.