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Michigan's Drive-In Theaters

Author: Harry Skrdla

Publisher: Arcadia Publishing

Published: 2014

Total Pages: 128

ISBN-13: 146711233X

Few American phenomena are more evocative of time, place, and culture than the drive-in theater. From its origins in the Great Depression, through its peak in the 1950s and 1960s and ultimately its slow demise in the 1980s, the drive-in holds a unique place in the country's collective past. Michigan's drive-ins were a reflection of this time and place, ranging from tiny rural 200-car "ozoners" to sprawling 2,500-car behemoths that were masterpieces of showmanship, boasting not only movies and food, but playgrounds, pony rides, merry-go-rounds, and even roving window washers.

The Ford-Wyoming Drive-In: Cars, Candy & Canoodling in the Motor City

Author: Karen Dybis

Publisher: Arcadia Publishing

Published: 2014-08-26

Total Pages: 152

ISBN-13: 1625850808

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Shortly after World War II, three Dearborn brothers bought a vacant parcel to build a drive-in theater. Local groups opposed them, fearing such a place would elicit "immoral behavior." But the Clark family persevered to see its movie palace become a Metro Detroit mainstay, hosting celebrities, rock stars and a never-ending line of families with kids in footie pajamas. A handshake transferred ownership to movie magnate Charles Shafer and his business partner, Bill Clark, who expanded the theater to a massive nine screens. But blockbusters and hordes of teens couldn't mitigate the effects of Detroit's decline, auto company bankruptcies and Michigan's economic malaise. Despite it all, the mighty Ford-Wyoming kept the movies showing, bringing a bit of Hollywood glamour to the gritty Motor City.

Drive-in Theaters

Author: Kerry Segrave

Publisher: McFarland

Published: 2012-01-25

Total Pages: 296

ISBN-13: 0786491701

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A primarily American institution (though it appeared in other countries such as Japan and Italy), the drive-in theater now sits on the verge of extinction. During its heyday, drive-ins could be found in communities both large and small. Some of the larger theaters held up to 3,000 cars and were often filled to capacity on weekends. The history of the drive-in from its beginnings in the 1930s through its heyday in the 1940s and 1950s to its gradual demise in modern-day America is thoroughly documented here: the patent battles, community concerns with morality (on-screen and off), technological advances (audio systems, screens, etc.), audiences, and the drive-in's place in the motion picture industry.

Remembering Flint, Michigan

Author: Gary Flinn

Publisher: Arcadia Publishing

Published: 2010-10-04

Total Pages: 201

ISBN-13: 1614236461

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Remembering Flint, Michigan puts the pedal to the metal for a fast-paced journey through the Vehicle City's halcyon days. Few cities have as complex and fascinating a history as that of Flint, Michigan. Sit back and enjoy a drive through the good old days - the people, the places, and the cars that have been a part of the city's long road into modernity. Join local history columnist Gary Flinn as he examines the contributions of oft-overlooked David Buick, the inventive and invaluable Flint auto pioneer who lacked the business savvy to become an auto legend. Travel back to the original Kewpee Burger and wash it down with an old Vernor's Ginger Ale before catching a show at Capitol Theatre. Take a front-row seat as Keith Moon, drummer of rock icons The Who, celebrates his 21st birthday at the local Holiday Inn and creates the blueprint for rock roll excess with his legendary hotel stay. Fast-forward a few years and flip open a copy of the Flint Voice, the alternative newspaper published by controversial filmmaker and Flint native Michael Moore. Come along for the journey and time travel through Flint--the Vehicle City. This fast-paced and electrifying look at the rich history of Flint compiles and updates articles from the beloved Uncommon Sense alternative press as well as previously unpublished histories, archival photographs, advertisements, and images. A must read for fans of fast lives, faster cars, and huge dreams, fasten your seat belt because Remembering Flint, Michigan is a wild ride!

The Haunted Stage

Author: Marvin Carlson

Publisher: University of Michigan Press

Published: 2003

Total Pages: 218

ISBN-13: 9780472089376

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Uncovers the ways in which the spectator's memory informs theatrical reception

Oddball Michigan

Author: Jerome Pohlen

Publisher: Chicago Review Press

Published: 2014-05-01

Total Pages: 354

ISBN-13: 1613748930

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There’s more to Michigan than beautiful forests, shuttered factories, and miles and miles of stunning shoreline. Armed with this offbeat travel guide, you’ll soon discover the strange underbelly of the Great Lakes State. Michigan has monuments to fluoridation, snurfing, the designer of the Jefferson nickel, and the once-famous Mr. Chicken, as well as festivals honoring tulips, Christmas pickles, and a 38-acre fungus. It’s where you’ll find the World’s Largest Lugnut, the Nun Doll Museum, Joe’s Gizzard City, the Teenie-Weenie Pickle Barrel Cottage, Howdy Doody, and Thomas Edison’s last breath. The state also has its share of weird history—it’s where Harry Houdini perished on Halloween night in 1926, where skater Tanya Harding’s posse whacked Nancy Kerrigan, and where the Kellogg brothers invented popular breakfast cereals and less-popular yogurt enemas. Along with humorous histories and witty observations, Oddball Michigan provides addresses, websites, hours, fees, and driving directions for each of its 450 entries.

The Moviegoing Experience, 1968-2001

Author: Richard W. Haines

Publisher: McFarland

Published: 2010-06-28

Total Pages: 286

ISBN-13: 9780786480746

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The experience of going to the movies, be it a single screen theater, twin, multiplex or drive-in, is affected by many different factors that have shifted over the years. Just as movies emerged from silent to talking, black and white to color, there has invariably been change in the way movies are made, copied, distributed and viewed. This change in the moviegoing experience, for better or for worse, is worth studying. This work examines the American moviegoing experience from 1968 to 2001--the way in which movies are made and regulated (including the demise of the Production Code and the emergence of the ratings system) as well as changes in lighting, cinematography and coloring techniques. The projection practices of the past and present, during and after the presence of the Projectionists Union, and the advent of the "platter," which allowed for automated projection, are discussed. How home video and cable affected the content of films after the eighties and the history of computerized special effects leading to the development of digital cinema projection are included. The work also covers the changing types of venues over the last third of a century and other aspects that affect, positively or negatively, the entire moviegoing experience.