A Monument to the Memory of George Eliot
A Monument to the Memory of George Eliot

Author: Constance M. Fulmer

Publisher: Routledge

Published: 2013-10-28

Total Pages: 316

ISBN-13: 1135814716

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The Autobiography is the personal journal of an independent Victorian woman who describes her day-to-day activities as a businesswoman, social reformer, scholar, and journalist; makes many insightful observations on gender issues; and provides intriguing details of her relationships with many of the leading political and literary figures of her day, particularly the novelist George Eliot, whom she admired as a writer and as a person During the journal years, 1876-1900, Simcox made many significant contributions toward improving people's lives, but she was always particularly concerned with women's issues. With her friend Mary Hamilton, she established a shirtmaking cooperative to provide employment for women, kept the accounts, and managed the enterprise. She helped establish trade unions and promote women's suffrage, served as a delegate to the Trade Union Congress, and worked closely with Emma Paterson, Annie Besant, Harriet Law, Charles Bradlaugh, and William Morris. Simcox was also the author of three books and a regular contributor to leading periodicals The Autobiography reveals Simcox's childhood, her attitudes toward men and marriage, and her relationships with her mother and her two older brothers, both noted writers. The journal provides unique insights into the mind of a remarkable 19th-century woman who worked in and left her mark on a man's world. Her book is a fascinating source of facts, observations, and opinions for scholars and readers interested in Eliot, Victorian literature, and society, gender and women's issues.

Memory and Medieval Tomb
Memory and Medieval Tomb

Author: Elizabeth Valdez Del Alamo

Publisher: Routledge

Published: 2019-01-15

Total Pages: 497

ISBN-13: 1351758039

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This title was first published in 2000: Reverent memorial for the dead was the inspiration for the production of a significant category of artworks during the Middle Ages - artworks aimed as much at the laity as at the clergy, and intended to maintain, symbolically, the presence of the dead. Memoria, the term that describes the formal, liturgical memory of the dead, also includes artworks intended to house and honour the deceased. This book explores the ways in which medieval Christians sought to memorialize the deceased: with tombs, cenotaphs, altars and other furnishings connected to a real or symbolic burial site. A dozen essays analyze strategies for commemoration from the 4th to the 15th century: the means by which human memory could be activated or manipulated through the interaction between monuments, their setting, and the visitor. Building upon from the growing body of literature on memory in the Middle Ages, the collection focuses on the tomb monument and its context as a complex to define what is to be remembered, to fix memory, and to facilitate recollection. Remembering depended upon the emotionally charged interaction between the visitor, the funerary monument, strategically placed images or inscriptions, the liturgy and its participants. Commemorative artworks may consolidate social bonds as well as individual memory, as put forth in this volume. Parallels are drawn between mnemonic devices utilized in the Middle Ages, the design of monuments and contemporary scientific research in cognitive neuropsychology. The papers were originally presented at the 1994 meetings of the College Art Association and the International Congresses of Medieval Studies at Western Michigan University, Kalamazoo, and the University of Leeds, England, in 1995.