Felicia Hemans

Felicia Hemans

Author: N. Sweet

Publisher: Springer

Published: 2016-02-02

Total Pages: 266

ISBN-13: 0230389562

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This collection of twelve specially commissioned essays, the first to focus on the work of Felicia Hemans, includes new work from important critics in the field - Isobel Armstrong, Stephen Behrendt, Gary Kelly, Susan Wolfson - as well as contributions from emerging scholars. Offering close readings of Heman's poetry, new research on her reception, and analyses of her cultural significance, the collection contributes substantially to our understanding of Hemans and to current debates about romanticism, feminism, canonization, and the relations between gender, culture, and poetry.


The Cost Book of Carey and Lea, 1825-1838

The Cost Book of Carey and Lea, 1825-1838

Author: David Kaser

Publisher: University of Pennsylvania Press

Published: 2016-11-11

Total Pages: 360

ISBN-13: 1512803146

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This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.


Women Reviewing Women in Nineteenth-Century Britain

Women Reviewing Women in Nineteenth-Century Britain

Author: Joanne Wilkes

Publisher: Routledge

Published: 2016-02-17

Total Pages: 194

ISBN-13: 1134776950

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Focusing particularly on the critical reception of Jane Austen, Charlotte Brontë and George Eliot, Joanne Wilkes offers in-depth examinations of reviews by eight female critics: Maria Jane Jewsbury, Sara Coleridge, Hannah Lawrance, Jane Williams, Julia Kavanagh, Anne Mozley, Margaret Oliphant and Mary Augusta Ward. What they wrote about women writers, and what their writings tell us about the critics' own sense of themselves as women writers, reveal the distinctive character of nineteenth-century women's contributions to literary history. Wilkes explores the different choices these critics, writing when women had to grapple with limiting assumptions about female intellectual capacities, made about how to disseminate their own writing. While several publishing in periodicals wrote anonymously, others published books, articles and reviews under their own names. Wilkes teases out the distinctiveness of nineteenth-century women's often ignored contributions to the critical reception of canonical women authors, and also devotes space to the pioneering efforts of Lawrance, Kavanagh and Williams to draw attention to the long tradition of female literary activity up to the nineteenth century. She draws on commentary by male critics of the period as well, to provide context for this important contribution to the recuperation of women's critical discourse in nineteenth-century Britain.