Memoirs of an American Prima Donna
Author: Clara Louise Kellogg
Publisher:
Published: 1913
Total Pages: 496
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Clara Louise Kellogg
Publisher:
Published: 1913
Total Pages: 496
ISBN-13:
DOWNLOAD EBOOKAuthor: Klara Louise Kellogg
Publisher:
Published: 1978
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Clara Louise Kellogg
Publisher: Createspace Independent Publishing Platform
Published: 2016-06-30
Total Pages: 480
ISBN-13: 9781535016278
DOWNLOAD EBOOKMemoirs of an American Prima Donna by Clara Louise Kellogg. This book is a reproduction of the original book published in 1913 and may have some imperfections such as marks or hand-written notes.
Author: CLARA LOUISE. KELLOGG
Publisher:
Published: 2018
Total Pages: 0
ISBN-13: 9781033318577
DOWNLOAD EBOOKAuthor: Clara Louise Kellogg
Publisher:
Published: 2015-07-14
Total Pages: 486
ISBN-13: 9781331355359
DOWNLOAD EBOOKExcerpt from Memoirs of an American Prima Donna The name of Clara Louise Kellogg is known to the immediate generation chiefly as an echo of the past. Yet only thirty years ago it was written of her, enthusiastically but truthfully, that "no living singer needs a biography less than Miss Clara Louise Kellogg; and nowhere in the world would a biography of her be so superfluous as in America, where her name is a household word and her illustrious career is familiar in all its triumphant details to the whole people." The past to which she belongs is therefore recent; it is the past of yesterday only, thought of tenderly by our fathers and mothers, spoken of reverently as a poignant phase of their own ephemeral youth, one of their sweet lavender memories. The pity is (although this is itself part of the evanescent charm), that the singer's best creations can live but in the hearts of a people, and the fame of sound is as fugitive as life itself. A record of such creations is, however, possible and also enduring; while it is also necessary for a just estimate of the development of civilisations. As such, this record of her musical past - presented by Clara Louise Kellogg herself - will have a place in the annals of the evolution of musical art on the North American continent long after every vestige of fluttering personal reminiscence has vanished down the ages. A word of appreciation with regard to the preparation of this record is due to John Jay Whitehead, Jr., whose diligent chronological labours have materially assisted the editor. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Rachel Cowgill
Publisher: Oxford University Press
Published: 2012-06-01
Total Pages: 368
ISBN-13: 019971083X
DOWNLOAD EBOOKFemale characters assumed increasing prominence in the narratives of nineteenth- and early twentieth-century opera. And for contemporary audiences, many of these characters--and the celebrated women who played them--still define opera at its finest and most searingly affective, even if storylines leave them swooning and faded by the end of the drama. The presence and representation of women in opera has been addressed in a range of recent studies that offer valuable insights into the operatic stage as cultural space, focusing a critical lens at the text and the position and signification of female characters. Moving that lens onto the historical, The Arts of the Prima Donna in the Long Nineteenth Century sheds light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled "doomed women" onstage before an audience. Editors Rachel Cowgill and Hilary Poriss lead a cast of renowned contributors in an impressive display of current approaches to the lives, careers, and performances of female opera singers. Essential theoretical perspectives reflect several broad themes woven through the volume-cultures of celebrity surrounding the female singer; the emergence of the quasi-mythical figure of the diva; explorations of the intricate and sundry arts associated with the prima donna, and with her representation in other media; and the diversity and complexity of contemporary responses to her. The prima donna influenced compositional practices, determined musical and dramatic interpretation, and affected management decisions about the running of the opera house, content of the season, and employment of other artists--a clear demonstration that her position as "first woman" extended well beyond the boards of the operatic stage itself. The Arts of the Prima Donna in the Long Nineteenth Century is an important addition to the collections of students and researchers in opera studies, nineteenth-century music, performance and gender/sexuality studies, and cultural studies, as well as to the shelves of opera singers and enthusiasts.
Author: Jane Cooper
Publisher: FriesenPress
Published: 2017
Total Pages: 343
ISBN-13: 1525517406
DOWNLOAD EBOOKApril 4, 1915, Bertha Crawford bowed to tumultuous applause before a glittering audience at the Tsar’s Imperial Mariinsky Theatre. How had a young soprano from Ontario become a darling of the Russian capital eight months into the First World War? The Canadian Nightingale vividly resurrects the forgotten life of Bertha Crawford, a determined Canadian singer who chased the celebrity dream of her time to find unprecedented success on the opera stages of Russia and Poland. Meticulous historical research and compelling dramatic vignettes restore Crawford and her era to life. After a rollercoaster ride to fame that was ultimately derailed by broken trust, one big question remains: how was a Canadian story this fascinating left untold for more than eighty years.
Author: Douglas Heil
Publisher: McFarland
Published: 2017-02-02
Total Pages: 355
ISBN-13: 147662724X
DOWNLOAD EBOOKThree-dimensional stereoviews were wildly popular in the mid-19th century. Yet public infatuation fueled highbrow scorn, and even when they fell from favor, critics retained their disdain. Thus a dazzling body of photographic work has unjustly been buried. This book explores how compelling images were made by carefully combining subject matter, composition, lighting, tonality, blocking and depth. It draws upon the fine arts, the mass media, humanities, history, and even geology. Throughout, overlooked photographers are celebrated, such as the one who found extraordinary visual parallels within nature, anticipating Cezanne and Seurat--or the one who refused to play favorites during a bitter war and found humanity on both sides--or the one who took a favorite American glen and found menace all about. Stereographers were actually more like film directors or television producers than large format photographers: the best ones fused artistry with commercial appeal.
Author: Isabella Mitchell Cooper
Publisher:
Published: 1926
Total Pages: 1302
ISBN-13:
DOWNLOAD EBOOKAuthor: Clara Louise 1842-1916 Kellogg
Publisher: Wentworth Press
Published: 2016-08-26
Total Pages: 494
ISBN-13: 9781363433377
DOWNLOAD EBOOKThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.