"Like his bass, the lows are low and the style upfront."--Financial Times "An exhilarating journey."--Mojo A frank and fascinating account of a geezer's life in the music business. Jah Wobble begins by offering the most authentic insider's account of the beginning of punk rock yet. He covers the celebrated ups of his career along with the downs, both personally and professionally. Throughout the book Wobble tells it like he sees it. Jah Wobble is one of the founding members of Public Image Limited (PiL) along with John Lydon. He is a bassist, singer, composer, poet, and music journalist.
"Novelistic, perfectly plotted and quite possibly the best pop-star autobiography yet written." - The Wall Street Journal Jimmy Webb’s words have been sung to his music by a rich and deep roster of pop artists, including Glen Campbell, Art Garfunkel, Frank Sinatra, Donna Summer and Linda Ronstadt. He’s the only artist ever to win Grammy Awards for music, lyrics, and orchestration, and his chart-topping career has, so far, lasted fifty years, most recently with a Kanye West rap hit and a new classical nocturne. Now, in his first memoir, Webb delivers a snapshot of his life from 1955 to 1970, from simple and sere Oklahoma to fast and fantastical Los Angeles, from the crucible of his family to the top of his longed-for profession. Webb was a preacher’s son whose father climbed off a tractor to receive his epiphany, and Jimmy, barely out of his teen age years, sank down into the driver’s seat of a Cobra to speed to Las Vegas to meet with Elvis. Classics such as “Up, Up and Away”, “By the Time I Get to Phoenix”, “Wichita Lineman”, “Galveston”, “The Worst that Could Happen”, “All I Know”, and “MacArthur Park” were all recorded by some of the most important voices in pop before Webb’s twenty-fifth birthday: he thought it was easy. The sixties were a supernova, and Webb was at their center, whipsawed from the proverbial humble beginnings into a moneyed and manic international world of beautiful women, drugs, cars and planes. That stew almost took him down—but Webb survived, his passion for music and work among his lifelines. The Cake and The Rain is a surprising and unusual book: Webb’s talent as a writer and storyteller is here on every page. His book is rich with a sense of time and place, and with the voices of characters, vanished and living, famous and not, but all intimately involved with him in his youth, when life seemed nothing more than a party and Webb the eternal guest of honor.
Brian Johnson’s memoir from growing up in a small town to starting his own band to ultimately replacing Bon Scott, the lead singer of one of the world biggest rock acts, AC/DC. They would record their first album together, the iconic Back in Black, which would become the biggest selling rock album of all time. Brian Johnson was born to a steelworker and WWII veteran father and an Italian mother, growing up in New Castle Upon Tyne, England, a working-class town. He was musically inclined and sang with the church choir. By the early ’70s he performed with the glam rock band Geordie, and they had a couple hits, but it was tough going. So tough that by 1976, they disbanded and Brian turned to a blue-collar life. Then 1980 changed everything. Bon Scott, the lead singer and lyricist of the Australian rock band AC/DC died at 33. The band auditioned singers, among them Johnson, whom Scott himself had seen perform and raved about. Within days, Johnson was in a studio with the band, working with founding members Angus and Malcolm Young, Cliff Williams, and Phil Rudd, along with producer Mutt Lange. When the album, Back in Black, was released in July—a mere three months after Johnson had joined the band—it exploded, going on to sell 50 million copies worldwide, and triggering a years-long worldwide tour. It has been declared “the biggest selling hard rock album ever made” and “the best-selling heavy-metal album in history.” The band toured the world for a full year to support the album, changing the face of rock music—and Brian Johnson’s life—forever.
The incredible true story of a rock legend. . . Lemmy’s name was synonymous with notorious excess: his blood would have killed another human being. This is the story of the heaviest drinking, oversexed speed freak in the music business. Updated after Lemmy’s untimely death in 2016, White Line Fever offers a sometimes hilarious, often outrageous, highly entertaining ride with the frontman of (what was) the loudest rock band in history. Motörhead stand firm as conquerors of the rock world, their history spanned an incredible forty years and while the Motörhead line-up saw many changes, Lemmy was always the soul of the machine. In the words of drummer Mikkey Dee, ‘Lemmy was Motörhead.’ From playing with local bands in Wales, his early career with the Rocking Vicars, backstage touring with Hendrix, and his time with Hawkwind to creating speed metal and forming the legendary band Motörhead, this is the truly epic finale, and tribute, to Lemmy from those who loved him best.
Written in his own unmistakable voice, this is a frank and fascinating account of a geezer's life in the music business. Jah Wobble begins by offering the most authentic insider's account of the beginning of punk rock yet written, but there's much more to him than that. His is an eventful life, as the celebrated ups - PiL's The Metal Box, 90s hit Visions Of You with Sinead O'Connor - are balanced by major downs - chronic alcoholism and marital breakdown. It begins with an East End childhood in a London barely recovered from the War and ends with Wobble finally turning his back on London that no longer feels like home. Through the book Wobble tell it like he sees it: his opinions of the great and good from Malcolm Mclaren to Peter Gabriel to Brian Eno to Iain Sinclair are refreshingly disrespectful. Oh and if you ever wondered how got his name, the answer is here: his teenage pal Sid Vicious gave it to him when he drunkenly slurred Wobble's real name, John Wardle.
A Sunday Times Book of the Year ‘A memoir as soulful, wryly witty, and lyrical as it is candid and courageous’ – Booklist, starred review ‘Impressive, candid and vivid’ The Times ‘Beautifully written’ Sunday Times Sally Field is one of the most celebrated, beloved and enduring actors of our time, and now she tells her story for the first time in this intimate and haunting literary memoir. In her own words, she writes about a challenging and lonely childhood, the craft that helped her find her voice, and a powerful emotional legacy that shaped her journey as a daughter and a mother. Sally Field has an infectious charm that has captivated audiences for more than five decades, beginning with her first television role at the age of 17. From Gidget’s sweet-faced ‘girl next door’ to the dazzling complexity of Sybil to the Academy Award-winning ferocity and depth of her role in Norma Rae and Mary Todd Lincoln, Field has stunned audiences time and time again with her artistic range and emotional acuity. Yet there is one character who always remained hidden: the shy and anxious little girl within. With raw honesty and the fresh, pitch-perfect prose of a natural-born writer, and with all the humility and authenticity her fans have come to expect, Field brings readers behind the scenes for not only the highs and lows of her star-studded early career in Hollywood, but deep into the truth of her lifelong relationships including, most importantly, her complicated love for her own mother. Powerful and unforgettable, In Pieces is an inspiring and important account of life as a woman in the second half of the twentieth century.
Written in his own unmistakable voice and with a new afterword by the author, this is the frank and fascinating memoir by arguably the greatest bass player of his generation. Beginning with an East End childhood in a London barely recovered from the War, he takes us on a journey through the beginnings of punk and post-punk as a founding member of Public Image Limited, an illustrious forty-year solo career which has seen collaborations musical greats such as U2, Brian Eno and CAN and a Mercury Music Prize nomination through to the present day still playing to sell out audiences. Along the way we hear how Wobble navigated chronic alcoholism and marital breakdown and has emerged as a national treasure. If you ever wondered how got his name, the answer is here: his teenage pal Sid Vicious gave it to him when he drunkenly slurred Wobble's real name, John Wardle.
Blake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.
