Unlike any picture book you’ve read before—the adventures of a stranger in the town of Megalopolis, told in a distinctive, beautifully illustrated foldout design For centuries, the wondrous imaginary city of Megalopolis has attracted visitors from all over the world. Then one day, a strange visitor arrives from another galaxy, and everything changes. He tours the zoo, meets the mayor at City Hall, enjoys a parade, and eventually meets a mermaid and falls in love. Readers will delight in a book which unfolds from thirty-eight pages into one giant page that is over ten feet long. Filled with scenes from the bustling town, featuring the many characters and animals that live there, the intricately detailed illustrations tempt young readers to invent their own stories, even as they follow the adventures of the friendly extraterrestrial. With its engaging story and distinctive foldout design, Megalopolis is a book that kids will want to read again and again.
The modern metropolis has been called 'the symbol of our times', and life in it epitomizes, for many, modernity itself. But what to make of inherited ideas of modernity when faced with life in Mexico City and São Paulo, two of the largest metropolises in the world? Is their fractured reality, their brutal social contrasts, and the ever-escalating violence faced by their citizens just an intensification of what Engels described in the first in-depth analysis of an industrial metropolis, nineteenth century Manchester? Or have post-industrial and neo-globalized economies given rise to new forms of urban existence in the so-called developing world? Life in the Megalopolis: Mexico City and São Paulo investigates how such questions are explored in cultural productions from these two Latin American megalopolises, the focus being on literature, film popular music, and visual arts. This book combines close readings of works with a constant reference to theoretical, anthropological and social studies of these two cities, and builds on received definitions of the concept megalopolis Life in the Megalopolis is the first book to combine urban-studies theories (particularly Lefebvre, Harvey, and de Certeau) with Benjaminian cultural analyses, and theoretical discussions with close-readings of recent cultural works in various media. It is also the first book to compare Mexico City and São Paulo.
On the day all the superheroes turned bad, a horrifying creature emerged from a giant hole in the middle of the city. No one has dared look too deeply into that abyss. Until now. What horrors lie at the other end, and what is yet to come through? Our band of ordinary citizens find themselves with answers too terrifying to comprehend as the sequel to the Kickstarter megahit Leaving Megalopolis continues! Gail Simone and J. Calafiore put their demented imaginations to the test in this gritty new reality!
In recent decades urban regions around the world have engaged in a new process of development based on the creation of new knowledge. Amidst the globalization of economic activities and the arrival of transformative technologies, knowledge has become the key driver of competitiveness and is profoundly reshaping the patterns of economic growth and activity. This book offers a comprehensive new model of the rise of a Knowledge Economy and its evolutionary development in the Megalopolis. These regions are developing new institutions and governance mechanisms to adapt, disseminate, and utilize available knowledge to promote continuing development of their Knowledge Economies. However, such developments are accompanied by increasing inequalities in incomes and in urban services. This book examines the resilience of some urban regions and their recent emergence as vibrant Knowledge Economies. It also reviews the recent renewal and growth in the Megalopolis-- stretching along the Atlantic Seaboard along the metropolitan areas of Boston, New York, Philadelphia, Baltimore and Washington DC. This book will appeal to researchers and professionals interested in urban and regional development, and to business groups interested in economic development.
The survivors of a mysterious event in the worlds greatest city wish they were only being chased by the walking dead! Instead, the worlds greatest heroes have turned into violent, rage-filled killers, and staying alive is nearly impossible. An illegal rescue attempt into the center of the quarantined city goes terribly wrong, and the rescuers attract the attention of the supers in the worst way imaginable. Also, the question is answeredwhere are all the supervillains?
“Cleverly explores the motifs of Frankenstein. . . . Fans will appreciate the intriguing perspective on a familiar theme.”—Publishers Weekly "A philosophical fable. . . . As much Faust as Frankenstein.” —Kirkus Reviews “Readers will feel right at home in this crossover world of 'wonder tales,' which has been described as 'Lewis Carroll with footnotes by Jonathan Swift.' If that description alone doesn’t get your bachelor's degree in English Lit all tingly, then you're reading the wrong list.”—Westword “An allusive and face-paced tale. Report to Megalopolis blends the lyricism of fairy tales with knife-in-the-ribs social criticism, a dash of humor, and plenty of gruesome twists.” —Edwin Battistella, Editor, Literary Ashland, and author of Sorry About That: The Language of Public Apology “Spend a day in Megalopolis with Aspern Grayling. You’ll be captivated by his story—fascinating and unflinching in its depiction of human nature and our potential for breathtaking creation and unbridled destruction. Davies has imagined a future world populated with characters who charm and compel in equal measure.” —Gene Hayworth, Director of Social Sciences, University Libraries at the University of Colorado, and Owner, Inkberry Books (Niwot, Colorado) “Impressive. . . . Report to Megalopolis creates and makes believable its imaginative world, a world that is both original and rooted in classical works of fantasy. With its lavish settings and dramatic events, it plays in a quite novel way with the old myths/fairy stories of orphans, muddled generations and incestuous couplings.” —Janet Todd, author of A Man of Genius You won’t need to have read any of the other The History of Arcadia books to become engrossed in the drama of Aspern Grayling, whose obsession with creating a new life form—in the person of ruthless adventurer Pavo Vale—could destroy his whole world. A compelling descendant of Mary Shelley’s Frankenstein, this is a tale of a man bent on conquest, and of an adversary that may yet defeat him: the ghost of the Arcadian Devindra Vale, the only woman he has ever loved. Tod Davies is the author of Snotty Saves the Day, Lily the Silent, and The Lizard Princess, the first three books in The History of Arcadia series, as well as the cooking memoirs Jam Today: A Diary of Cooking With What You’ve Got and Jam Today Too: The Revolution Will Not Be Catered. Unsurprisingly, her attitude toward literature is the same as her attitude toward cooking—it’s all about working with what you have to find new ways of looking and new ways of becoming ever more human. Originally from San Francisco, she now lives with her husband, the filmmaker Alex Cox, and their two dogs, Gray and Pearl, in the alpine valley of Colestin, Oregon.
This book follows the evolution of the very large city across the world from its origins in Ancient times to its current dominant position in both the industrialised world and the Third World. In-depth studies are devoted to the key giant cities of human history at decisive points in their growth. The case-studies include Rome, London, Saint-Petersburg, Moscow, Bangkok and Berlin. Additional studies deal with the general characteristics of the megalopolis, stressing its implications for cultural life.
Mapping the Megalopolis: Order and Disorder in Mexico City brings the humanities and the social sciences into a conversation about Mexico City in its social, political, and aesthetic manifestations. Through a shared exploration of the order and disorder that mutually constitute the city, contributing authors engage topics such as the privatization of public space, challenges to existing conceptualizations of the urban form, and variations on the flâneur and other urban actors. Mexico City is truly a city of versions, and Mapping the Megalopolis celebrates the intersection of the image of the city and the lived experience of it. Readers will find substantive entries on a great variety of Mexico City’s monumental and counter-monumental spaces, as well as some of its pivotal contemporary debates and cultural products. The volume serves both as supplemental reading on the world city or the Latin American city, and as a central text in a multidisciplinary study of Mexico City.
