Originally published in 1967 Medieval Minds looks at the Middle Ages as a period with changing attitudes towards mental health and its treatment. The book argues that it was a period that that bridged the ancient with the modern, ignorance with knowledge and superstition with science. The Middle Ages spanned almost a millennium in the history of the humanities and provided the people of this period with the benefit of this knowledge. The book looks at the promise and progress which was reflected by thinkers such as Augustin and Aurelianus, Alexander of Tralles and Paul of Aegina. The book also looks at martyrs like Valentine and Dympna, and the patrons of those afflicted with illnesses such as epilepsy and insanity. Written by the psychologist Thomas Francis Graham, this book provides a distinct and unique insight into the mind of those living in the medieval period and will be of interest to academics of history and literature alike.
This is the first book in a series of four, each one tailor-made for one of the first four study units of the new curriculum. A teacher's book accompanies each student's book and offers 60 copymasters with a wide range of activities for all abilities. Clear, lively pages are designed to interest and create excitement about the past, whilst an emphasis on a learning pattern, through careful steps, should lead all students, including low achievers, to a real understanding of history.
Many readers know C. S. Lewis as the fantasy writer of the Chronicles of Narnia or the apologist of Mere Christianity. But few know how deeply Lewis was formed by medieval authors like Dante and Boethius and how he saw their worldviews' relevance to the challenges of the modern world. Here, readers will encounter Lewis the medievalist to guide them in their own journey.
A Garden of Medieval Minds The medieval period was a time of greats: great courage, great words, great light, and great darkness. The writers, philosophers, and artists of the time still touch and influence our lives today. This volume celebrates these masterpieces that merged the physical and the spiritual into meaningful, incandescent truth. Contributors: C.M. Alvarez: “Death, Grief, & Hope in Pearl” on progressing through grief as illustrated in the Gawain poet’s medieval poem Pearl. Donald W. Catchings, Jr.: “The Dream of the Crown,” a medieval inspired poem on the piercing of Christ’s brow and “Chronological Snobbery: In Reply to Contemporary Petrarchs” on valuing the past. Annie Crawford: “Hogwarts in History: The Neo-Medieval Vision of Harry Potter” on our love of the medieval and “Cosmos” on holy wonder. Alison Delong: “A Call to Lament: An Apologetic Study of the Anglo-Saxon Elegies” on comprehending struggle and responding to it. Karise Gililland: “Wearing One’s Habits: Aristotle, Aquinas, and the Making of a Virtuous Man” on the ancient and medieval views on cultivating goodness and “The Quest of the Golden Queen,” a heroic poem on the Lady and the dragon. Sandra G. Hicks: “Death and Redemption for the Modern Heart: What We Can Learn from the Anglo-Saxon Elegy” on Christ, the Warrior-King illustrated in the medieval elegy, “The Wanderer.” Alex Markos: “Christ, Our Hero at Calvary: Meaning and Metaphor in Beowulf and ‘The Dream of the Rood’” on understanding the resurrection. Korine Martinez: “An Unlikely Witness” on the perspective of the cross illustrated in The Dream of the Rood. Jacqueline Medcalf: “The Book of Kells,” a medieval influenced poem on seeing a wonder. Seth Myers: “Dante for Moderns” on serving our fellow man and “Francis of Assisi” on medieval relevance. Annie Nardone: “The Venerable Bede: Following the Medieval Christian Footpath” on preserving history and “Thomas Aquinas: Understanding Evil” on darkness and life. Cherish Nelson: “The Gravity of Sin: Truth in the Grotesque in Dante’s Inferno” on the depths of evil. Holly Ordway: “Memento Mori: A Reflection on ‘The Ruin’” on the question of progress. Ted Wright: “Hagia Sophia and the Evidential Power of Beauty: Divine Architecture as Apologetics” on truth in stone. About the Cover Our cover illustration was provided by Chilean artist, apologist, and physician Virginia De La Lastra depicting the vibrant imagery of medieval illuminations. Vigorous and verdant green life battles against the dragons symbolizing evil, while the peacocks give the promise of the hope and power of the resurrection. Fall 2020 Volume 3, Issue 3 310 pages
A "lively and engaging" history of the Middle Ages (Dallas Morning News) from the acclaimed historian William Manchester, author of The Last Lion. From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose, and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth: the dense explosion of energy that spawned some of history's greatest poets, philosophers, painters, adventurers, and reformers, as well as some of its most spectacular villains. "Manchester provides easy access to a fascinating age when our modern mentality was just being born." --Chicago Tribune
This sourcebook explores how the Middle Ages dealt with questions related to the mental life of creatures great and small. It makes accessible a wide range of key Latin texts from the fourth to the fourteenth century in fresh English translations. Specialists and non-specialists alike will find many surprising insights in this comprehensive collection of sources on the medieval philosophy of animal minds. The book’s structure follows the distinction between the different aspects of the mental. The author has organized the material in three main parts: cognition, emotions, and volition. Each part contains translations of texts by different medieval thinkers. The philosophers chosen include well-known figures like Augustine, Albert the Great, and Thomas Aquinas. The collection also profiles the work of less studied thinkers like John Blund, (Pseudo-)Peter of Spain, and Peter of Abano. In addition, among those featured are several translated here into English for the first time. Each text comes with a short introduction to the philosopher, the context, and the main arguments of the text plus a section with bibliographical information and recommendations for further reading. A general introduction to the entire volume presents the basic concepts and questions of the philosophy of animal minds and explains how the medieval discussion relates to the contemporary debate. This sourcebook is valuable for anyone interested in the history of philosophy, especially medieval philosophy of mind. It will also appeal to scholars and students from other fields, such as psychology, theology, and cultural studies.
We think with objects—we conduct our lives surrounded by external devices that help us recall information, calculate, plan, design, make decisions, articulate ideas, and organize the chaos that fills our heads. Medieval scholars learned to think with their pages in a peculiar way: drawing hundreds of tree diagrams. Lines of Thought is the first book to investigate this prevalent but poorly studied notational habit, analyzing the practice from linguistic and cognitive perspectives and studying its application across theology, philosophy, law, and medicine. These diagrams not only allow a glimpse into the thinking practices of the past but also constitute a chapter in the history of how people learned to rely on external devices—from stone to parchment to slide rules to smartphones—for recording, storing, and processing information. Beautifully illustrated throughout with previously unstudied and unedited diagrams, Lines of Thought is a historical overview of an important cognitive habit, providing a new window into the world of medieval scholars and their patterns of thinking.
"Katharine Breen challenges our understanding of how medieval authors received philosophical paradigms from antiquity in their construction and use of personification in their writings. She shows that our modern categories for this literary device (extreme realism versus extreme rhetoric, or novelistic versus allegorical characters) would've been unrecognizable to their medieval practitioners. Through new readings of key authors and works--including Prudentius's "Psychomachia," Langland's "Piers Plowman," Boethius's "Consolation of Philosophy," and Deguileville's "Pilgrimage of Human Life"--she finds that medieval writers accessed a richer, more fluid literary domain than modern critics have allowed. Breen identifies three different types of personification--Platonic, Aristotelian, and Prudentian--inherited from antiquity that both gave medieval writers a surprisingly varied spectrum with which to paint their characters, while bypassing the modern confusion of conflicting relationships between personifications and persons on the path connecting divine power and human frailty. Recalling Gregory the Great's phrase "machinae mentis" (machines of the mind), Breen demonstrates that medieval writers applied personification with utility and subtlety, much the same way that, within the category of hand-tools, an open-end wrench differs in function from a hex-key wrench or a socket wrench. It will be read by medievalists working at the crossroads of religion, philosophy, and literature, as well as scholars interested in character-making and gendered relationships among characters, readers, and texts beyond the Middle Ages"--
