Fairytale detective Max Hamm travels the alleys of Storybook Land to help uncover Snow White's dirty little secret and help Bo Peep find what she lost.
Someone stole Otto's birthday! To get his presents back, Otto needs to solve a slew of puzzles—but his greatest challenge comes at his journey's end. Kirkus Reviews declares this book "a snappy follow-up to Otto's Orange Day."
When Otto the Cat meets a magical genie, he knows just what to wish for: he makes the whole world orange! At first, this new, bright world seems like a lot of fun, but when his mom serves orange spinach for lunch, Otto realizes that his favorite color isn’t the best color for everything.
The Knights seek fame and fortune by entering a talent show! A battle is looming at Camelot Middle School--a battle of the bands, that is! Artie, Wayne, and Percy enter the talent show seeking fame and fortune. But only one of them plays an instrument: Percy. And he plays the tuba. Their only hope of winning is finding the long-lost "Singing Sword," the fabled instrument of awesome power. But how can Artie find time to rock when he's been assigned a new lab partner, Melody Claymore? Melody is a klutz and a goof, and she harbors a not-so-secret crush on Artie. Is Melody his worst nightmare or secretly the answer to his prayers?
Artie King and his Camelot Middle School friends, Percy and Wayne, enter the annual Dragon Duel robot tournament to earn a much-needed three hundred dollars, then must decide whether or not to cheat
In this funny new series from Eisner Award nominee Frank Cammuso, the Arthurian legend is reborn--in a funny, average-joe, middle-school boy and his pals. Artie King just wants to ease into life at Camelot Middle School. He's got new lunch buddies, Percy and Wayne, and his science teacher, Mr. Merlyn, is pretty cool. But then there's scary Principal Dagger and big bad Joe and The Horde, a bunch of brawny bullies who rule the school.
Explores various facets of creating a vibrant YA reading community such as inquiry-based learning, promoting and motivating reading, collection management, understanding multiple intelligences, accepting diverse beliefs, and acting as a change agent to name a few.
It wasn’t so long ago that the fairy tale was comfortably settled as an established and respectable part of children’s literature. Since the fairy tale has always been a mirror of its times, however, we should not be surprised that in the latter part of the twentieth century it turned dark and ambiguous; its categorical distinction between good and evil was increasingly at odds with the times. Yet whatever changes the fairy tale may have undergone, its cultural popularity has never been greater. Fairy Tales in Popular Culture sets out to show how the tale has been adapted to meet the needs of the contemporary world; how writers, film-makers, artists, and other communicators have found in its universality an ideal vehicle for speaking to the here-and-now; and how social media have created a participatory culture that has re-invented the fairy tale. A selection of recent retellings show how the tale is being recalibrated for the contemporary world, first through the word and then through the image. In addition to the introductions that precede each section, the anthology provides a selection of critical pieces that offer lively insight into various aspects of the fairy tale as popular culture.