While individual essays reveal literary discoveries of self and forgings of identity by women rising to the opportunities and challenges of drastically altered Jewish social realities, a significant number also show the sad decline of women writers upon whom silence was reimposed. Several chapters consider how Jewish women were depicted by male writers from the Middle Ages through the mid-nineteenth century.
This is an indispensable resource about the role of Jewish women from post-biblical times to the twentieth century. Unique in its approach, it is structured so that each chapter, which is divided into three parts, covers a specific period and geographical area. The first section of the book contains an overview, explaining how historical events affected Jews in general and Jewish women in particular. This is followed by a section of biographical entries of women of the period whose lives are set in their economic, familial, and cultural backgrounds. The third and last part of each chapter, "The World of Jewish Women," is organized by topic and covers women's activities and interests and how Jewish laws concerning women developed and changed. This comprehensive work is an easy-to-use sourcebook, synopsizing rich and diverse resources. By examining history and analyzing the dynamics of Jewish law and custom, it illuminates the circumstances of Jewish women's lives and traces the changes that have occurred throughout the centuries. It casts a new and clear light on Jewish women as individuals and sets women firmly within the context of their own cultural and historical periods. The book contains illustrations, boxed text, extensive endnotes, and indices that list each woman by name. It is ideal for women's groups and study groups as well as students and scholars.
The first and only comprehensive collection of writings by Elizabeth Garver Jordan, the groundbreaking journalist, suffragist, and editor whose fearless reporting on women preceded the #MeToo movement and popularized the true-crime genre A Penguin Classic The Case of Lizzie Borden and Other Writings is the first to collect Garver Jordan’s fiction and journalism, much of which has been out of print for over a century. Jordan began her career as a reporter, making her name as one of few women journalists to cover the Lizzie Borden murder trial for the New York World in 1893. Jordan’s distinctive, narrative-driven coverage of the Borden and other high-profile murder cases brought her national visibility, and she turned increasingly to fiction writing. Drawing on her experiences as a true-crime reporter and newspaper editor, she published detective novels and short story collections such as Tales of the City Room that explored the fine line between women’s criminality and crimes against women. Employing popular genre conventions as a means of dealing with women’s issues, Jordan exposed gendered abuse in the workplace and the prevalence of sexual violence. The Case of Lizzie Borden and Other Writings encourages readers to draw a historical trajectory from Jordan’s pioneering literary activism to the writings of contemporary journalists and novelists whose work continues to fuel discussions of gender, feminism, and crime, raising questions about who gets to tell women’s stories, especially in the wake of the #MeToo movement.
The rise of the novel and of the ideal nuclear family was no mere coincidence, argues Susan C. Greenfield in this fascinating look at the construction of modern maternity. The rise of the novel and of the ideal nuclear family was no mere coincidence, argues Susan C. Greenfield in this fascinating look at the construction of modern maternity. Many historians maintain that the eighteenth century witnessed the idealization of the caring, loving mother. Here Greenfield charts how the newly emerging novels of the period, in their increasing feminization, responded to and helped shape that image, often infusing it with more nuance and flexibility. By the end of the eighteenth century, she notes, novels by women about missing mothers and their suffering daughters abounded. Even as the political implications of the novels vary, the books uniformly insist on the tenacity of the mother-daughter bond despite the mother's absence. Exploring the historically contingent assumptions about maternal care that informed writers during this period, Greenfield argues that women's novels helped construct the story of mother love and loss that psychoanalysis would soon inherit.
Instilled in interdisciplinary cross-cultural perspectives of mythical, socio-economic, literary, pedagogic and psychoanalytic representations, two archetypal, creative inheritance laws interact as ‘twins’: Eros (fusion/containment/safety) and Thanatos (division/separation/risk). Hypothesising these ‘twin’ laws as matrilineal (Eros) and patrilineal (Thanatos), this book explores why cross-cultural forms, including gender traits, are not fixed but are instead influenced by earlier flexible matrilineal forms. Through a study of ‘twins’ on macro and micro levels, Elizabeth Brodersen argues that a psychological ‘twin’ dilemma is implicit in inheritance laws and offers a unique forum to show how each law competes for primacy as the ‘first’ and ‘other’. Chapters begin by looking at ‘twins’ in creation myths and the historical background to the laws of inheritance, as well as literary representations. The book then moves on to the developmental structures imbued in twin research and educational systems to explore how past cultural forms have been re-defined to fit a modern landscape and the subsequent movement away from the importance of patrilineal primogeniture. Laws of Inheritance will be of key value to academics, researchers and postgraduate students in the fields of psychoanalysis, psychotherapy, archetypal theory, cross-cultural depth psychology, cultural anthropology, sociology, gender studies and twin research. The book will also be of interest to practicing psychoanalysts and psychotherapists.
The greatest American Jewish author of the nineteenth century, Emma Lazarus was a celebrated poet and humanitarian activist. This edition is a broad collection of her writings, including her essays, previously unpublished poems, her innovative late work, and, in its entirety, her most important book, Songs of a Semite (1882). Her best known poem, “The New Colossus” (the 1883 Statue of Liberty poem that made Lazarus a national icon), is also here, along with a selection of cultural documents that help contextualize her work in relation to contemporary debates about Jewish history, the Russian pogroms of the 1880s, the creation of a Jewish homeland in Palestine, immigration, and antisemitism.
In The Ellis Island Snow Globe, Erica Rand, author of the smart and entertaining book Barbie’s Queer Accessories, takes readers on an unconventional tour of Ellis Island, the migration station turned heritage museum, and its neighbor, the Statue of Liberty. By pausing to reflect on what is and is not on display at these two iconic national monuments, Rand focuses attention on whose heritage is honored and whose obscured. She also reveals the shifting connections between sex, money, material products, and ideas of the nation in everything from the ostensible father-mother-child configuration on an Ellis Island golf ball purchased at the gift shop to the multi-million dollar July 4, 1986 Liberty Weekend extravaganza celebrating the Statue’s centennial just days after the Supreme Court’s un-Libertylike decision upholding the antisodomy laws challenged in Bowers v. Hardwick. Rand notes that portrayals of the Statue of Liberty as a beacon for immigrants tend to suppress the Statue’s connections to people brought to this country by force. She examines what happened to migrants at Ellis Island whose bodies did not match the gender suggested by the clothing they wore. In light of contemporary ideas about safety and security, she examines the “Decide an Immigrant’s Fate” program, which has visitors to Ellis Island act as a 1910 board of inspectors hearing the appeal of an immigrant about to be excluded from the country. Rand is a witty, insightful, and open-minded tour guide, able to synthesize numerous diverse ideas—about tourism, immigration history, sexuality, race, ethnicity, commodity culture, and global capitalism—and to candidly convey her delight in her Ellis Island snow globe. And pen. And lighter. And back scratcher. And golf ball. And glittery pink key chain.
Contrary to the declarations of some anthropologists, matriarchies do exist. Peggy Reeves Sanday first went to West Sumatra in 1981, intrigued by reports that the matrilineal Minangkabau--one of the largest ethnic groups in Indonesia--label their society a matriarchy. Numbering some four million in West Sumatra, the Minangkabau are known in Indonesia for their literary flair, business acumen, and egalitarian, democratic relationships between men and women. Sanday uses her repeated visits to West Sumatra in the closing decades of the twentieth century as the basis for a new definition of matriarchy. From the vantage point of daily life in villages, especially one where she developed close personal ties, Sanday's narrative is centered on how the Minangkabau conceive of their world and think humans should behave, along with the practices and rituals they claim uphold their matriarchate. Women at the Center leaves the reader with a solid sense of the respect for women that permeates Minangkabau culture, and gives new life to the concept of matriarchy.
