Defining male envy as "the hostility males feel for other males," the author explores how envy, while a taboo topic in everyday life, has (from the Romantic period onward) been given a thorough treatment by literature and looks at what that treatment reveals about the role of envy in competition, warfare, and civilization. Discussing works ranging from Ivanhoe to The Shining he looks at envy as a coded subtext inherent in a vast range of human conflict. Annotation copyrighted by Book News, Inc., Portland, OR
A princess isn’t supposed to fall for an evil sorceress. But in this “bewitching and fascinating” (Tamora Pierce) retelling of “Sleeping Beauty,” true love is more than a simple fairy tale. “Walter’s spellbinding debut is for all the queer girls and women who’ve been told to keep their gifts hidden and for those yearning to defy gravity.”—O: The Oprah Magazine Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love’s kiss. You’ve heard this before, haven’t you? The handsome prince. The happily ever after. Utter nonsense. Let me tell you, no one in Briar actually cares about what happens to its princesses. Not the way they care about their jewels and elaborate parties and charm-granting elixirs. I thought I didn’t care, either. Until I met her. Princess Aurora. The last heir to Briar’s throne. Kind. Gracious. The future queen her realm needs. One who isn’t bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. Humiliated and shamed by the same nobles who pay me to bottle hexes and then brand me a monster. Aurora says I should be proud of my gifts. That she . . . cares for me. Even though a power like mine was responsible for her curse. But with less than a year until that curse will kill her, any future I might see with Aurora is swiftly disintegrating—and she can’t stand to kiss yet another insipid prince. I want to help her. If my power began her curse, perhaps it’s what can lift it. Perhaps together we could forge a new world. Nonsense again. Because we all know how this story ends, don’t we? Aurora is the beautiful princess. And I— I am the villain. Book One of the Malice Duology
An overview of Frederick Seidel's best and most famous poetry from the past five decades, showing the evolution of a master poet’s craft Frederick Seidel has been hailed as "the poet of a new contemporary form" (Dan Chiasson, The New York Review of Books) and "the most frightening American poet ever" (Calvin Bedient, Boston Review). The poems in Frederick Seidel Selected Poems span more than five decades and provide readers with some of Seidel's most powerful work. Frederick Seidel is, in the words of the critic Adam Kirsch, "the best American poet writing today."
Wish you weren't here . . . When Jill wakes up in a hospital bed with her leg in a cast, the last six weeks of her life are a complete blank. All she has been told is that she was involved in a fatal accident while on a school trip in Italy and had to be jetted home to receive intensive care. Care that involves a lawyer. And a press team. Because maybe the accident . . . wasn't just an accident. With no memory of what happened or what she did, can Jill prove her innocence? And can she really be sure that she isn't the one to blame?
