'A superb, haunting, clotted mad masterpiece.'- John Banville, The Observer This unique cultural history attempts to go beyond the tourist clich of Prague as the 'golden city' to bring out all the mystery, ambiguity, gloom, lethargy and hidden fascination of the city on the Vltava. Ripellino slips into the style of melodrama and ghost stories, the anecdotes of the enchanted traveller and the outlandish bad taste of beer-teller tales to bring out the sorcery of the Bohemian capital in a mixture of fact and fiction.
For readers of VE Schwab and The Witcher, science and magic clash in atmospheric gaslight-era Prague. In the quiet streets of Prague all manner of otherworldly creatures lurk in the shadows. Unbeknownst to its citizens, their only hope against the tide of predators are the dauntless lamplighters - a secret elite of monster hunters whose light staves off the darkness each night. Domek Myska leads a life teeming with fraught encounters with the worst kind of evil: pijavica, bloodthirsty and soulless vampiric creatures. Despite this, Domek find solace in his moments spent in the company of his friend, the clever and beautiful Lady Ora Fischer - a widow with secrets of her own. When Domek finds himself stalked by the spirit of the White Lady - a ghost who haunts the baroque halls of Prague castle – he stumbles across the sentient essence of a will-o'-the-wisp captured in a mysterious container. Now, as it's bearer, Domek wields its power, but the wisp, known for leading travellers to their deaths, will not be so easily controlled. After discovering a conspiracy amongst the pijavice that could see them unleash terror on the daylight world, Domek finds himself in a race against those who aim to twist alchemical science for their own dangerous gain.
An intriguing portrait of Holy Roman Emperor Rudolf II, heir to the Habsburg empire, focuses on the thirty-six-year reign and the extraordinary mathematicians, alchemists, artists, astronomers, and philosophers who made up his court--including Johannes Kepler, Tycho Brahe, Francis Bacon, and others--and made Prague the artistic and scientific center of Europe. 25,000 first printing.
A New York Times bestseller. Once a city of enormous wealth and culture, in its day Prague was home to emperors, alchemists, astronomers. When music student Sarah Weston finds herself with a summer job at Prague Castle cataloging Beethoven's manuscripts, she has no idea how dangerous her life is about to become. Prague is a threshold, Sarah is warned, and it is steeped in blood. It's not long after Sarah arrives that things start to go wrong. Her mentor, who was working at the castle, is thought to have committed suicide. Then Sarah begins to discover cryptic notes from him; could they be warnings? Following the clues about Beethoven's "Immortal Beloved", Sarah gets into more trouble than she could have reasonably expected. Arrests, sex and a touch of alchemy take Sarah on an exciting and occasionally dangerous trip. Along the way she catches the attention of a four-hundred-year-old dwarf, the handsome Prince Max, and a powerful U.S. senator with secrets she will do anything to hide. City of Dark Magic could be called a rom-com paranormal suspense novel, or it could simply be called one of the most entertaining novels of the year. Magnus Flyte is a pseudonym for the writing duo of Meg Howrey and Christina Lynch. Meg Howrey is the author of the novels The Cranes Dance and Blind Sight and her non-fiction has been published in Vogue. She lives in Los Angeles. Christina Lynch is a television writer and former Milan correspondent for W Magazine. She lives near Sequoia National Park in California. textpublishing.com.au 'This deliciously madcap novel has it all: murder in Prague, time travel, a misanthropic Beethoven, tantric sex, and a dwarf with attitude. I salute you, Magnus Flyte!' Conan O'Brien 'A comical, rollicking and sexy thriller.' Huffington Post 'The most wickedly enchanting novel I've ever read and also the funniest. A Champagne magnum of intrigue and wit, this book sparkles from beginning to end.' Anne Fortier, bestselling author of Juliet
The Magic Lantern is one of those rare books that capture history in the making, written by an author who was witness to some of the most remarkable moments that marked the collapse of Communism in Eastern Europe. Timothy Garton Ash was there in Warsaw, on 4 June, when the communist government was humiliated by Solidarity in the first semi-free elections since the Second World War. He was there in Budapest, twelve days later, when Imre Nagy - thirty-one years after his execution - was finally given his proper funeral. He was there in Berlin, as the Wall opened. And most remarkable of all, he was there in Prague, in the back rooms of the Magic Lantern theatre, with Václav Havel and the members of Civic Forum, as they made their 'Velvet Revolution'.
Prague is the magic capital of Europe. Since the days of Emperor Rudolf II, 'devotee of the stars and cultivator of the spagyric art', who in the late 1500s summoned alchemists and magicians from all over the world to his castle on Hradcany hill, it has been a place of mystery and intrigue. Wars, revolutions, floods, the imposition of Soviet communism, or even the depredations of the tourist boom after the 'Velvet Revolution' of 1989, could not destroy the unique atmosphere of this beautiful, proud and melancholy city on the Vltava. John Banville traces Prague's often tragic history and portrays the people who made it, the emperors and princes, geniuses and charlatans, heroes and scoundrels, and paints a portrait of the Prague of today, revelling in its newfound freedoms, eager to join the European Community and at the same time suspicious of what many Praguers see as yet another totalitarian takeover. He writes of his first visit to the city, in the depths of the Cold War, when he engaged in a spot of art smuggling, and of subsequent trips there, of the people he met, the friends he made, the places he came to know.
Prague is at the core of everything both wonderful and terrible in Western history, but few people truly understand this city's unique culture. In Prague in Black and Gold, Peter Demetz strips away sentimentalities and distortions and shows how Czechs, Germans, Italians, and Jews have lived and worked together for over a thousand years.
The first book in the New York Times bestselling epic fantasy trilogy by award-winning author Laini Taylor Around the world, black handprints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky. In a dark and dusty shop, a devil's supply of human teeth grown dangerously low. And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherworldly war. Meet Karou. She fills her sketchbooks with monsters that may or may not be real; she's prone to disappearing on mysterious "errands"; she speaks many languages--not all of them human; and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she's about to find out. When one of the strangers--beautiful, haunted Akiva--fixes his fire-colored eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?
This volume offers new perspectives on a crucial figure of nineteenth-century cultural history – the flâneur. Recent writing on the flâneur has given little sustained attention to the widespread adaptation of the flâneur outside Paris, let alone outside France and indeed Europe, whether in the form of historic antecedents, modern sequels, or contemporary echoes. Yet it is clear that the allure of the flâneur’s persona has led to its translation and adoption far beyond Parisian boulevards and passages, and this in different media and literary genres. This volume maps some of the flâneur’s travels and transpositions. How far the flâneur is dependent on Paris as a milieu is opened up for questioning: for all the international dispersal of this idea and model, in some sense Paris is always present, if only as a reference to kick against or replace. When modern flâneurs step out in foreign cities, how much of a Parisian ethos clings to them, however they might claim independence? Cities which provide counterpoints to Paris discussed here are Amsterdam, Brussels, Dublin, Le Havre, London, Madrid, New York, Prague, and St Petersburg. This internationalised view also reconsiders the nature of the flâneur, and revises stereotypes based on Walter Benjamin’s account of Baudelaire. Another key feature is the chapters which analyse the flâneur in terms of visual representations, whether graphic illustration, streetscapes, urban design, cinema, or album covers (related to musical examples from the 1950s to the present).
