Lyric Encounters

Lyric Encounters

Author: Daniel Morris

Publisher: Bloomsbury Publishing USA

Published: 2013-05-23

Total Pages: 236

ISBN-13: 1441159940

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A new survey of twentieth-century U.S. poetry that places a special emphasis on poets who have put lyric poetry in dialogue with other forms of creative expression, including modern art, the novel, jazz, memoir, and letters. Contesting readings of twentieth-century American poetry as hermetic and narcissistic, Morris interprets the lyric as a scene of instruction and thus as a public-oriented genre. American poets from Robert Frost to Sherman Alexie bring aesthetics to bear on an exchange that asks readers to think carefully about the ethical demands of reading texts as a reflection of how we metaphorically "read" the world around us and the persons, places, and things in it. His survey focuses on poems that foreground scenes of conversation, teaching, and debate involving a strong-willed lyric speaker and another self, bent on resisting how the speaker imagines the world.


Citizen

Citizen

Author: Claudia Rankine

Publisher: Graywolf Press

Published: 2014-10-07

Total Pages: 165

ISBN-13: 1555973485

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* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.


Animal Encounters

Animal Encounters

Author: Susan Crane

Publisher: University of Pennsylvania Press

Published: 2012-11-29

Total Pages: 281

ISBN-13: 0812206304

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Traces of the living animal run across the entire corpus of medieval writing and reveal how pervasively animals mattered in medieval thought and practice. In fascinating scenes of cross-species encounters, a raven offers St. Cuthbert a lump of lard that waterproofs his visitors' boots for a whole year, a scholar finds inspiration for his studies in his cat's perfect focus on killing mice, and a dispossessed knight wins back his heritage only to give it up again in order to save the life of his warhorse. Readers have often taken such encounters to be merely figurative or fanciful, but Susan Crane discovers that these scenes of interaction are firmly grounded in the intimate cohabitation with animals that characterized every medieval milieu from palace to village. The animal encounters of medieval literature reveal their full meaning only when we recover the living animal's place within the written animal. The grip of a certain humanism was strong in medieval Britain, as it is today: the humanism that conceives animals in diametrical opposition to humankind. Yet medieval writing was far from univocal in this regard. Latin and vernacular works abound in other ways of thinking about animals that invite the saint, the scholar, and the knight to explore how bodies and minds interpenetrate across species lines. Crane brings these other ways of thinking to light in her readings of the beast fable, the hunting treatise, the saint's life, the bestiary, and other genres. Her substantial contribution to the field of animal studies investigates how animals and people interact in culture making, how conceiving the animal is integral to conceiving the human, and how cross-species encounters transform both their animal and their human participants.


Greek Lyric of the Archaic and Classical Periods

Greek Lyric of the Archaic and Classical Periods

Author: David Fearn

Publisher: BRILL

Published: 2020-01-20

Total Pages: 119

ISBN-13: 9004424377

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What is distinctive about Greek lyric poetry? How should we conceptualize it in relation to broader categories such as literature / song / music / rhetoric / history? What critical tools might we use to analyse it? How do we, should we, can we relate to its intensities of expression, its modes of address, its uses of myth and imagery, its attitudes to materiality, its sense of its own time, and its contextualizations? These are questions that this discussion seeks to investigate, exploring and analysing a range of influential methodologies that have shaped the recent history of the field.


Lyric Generations

Lyric Generations

Author: G. Gabrielle Starr

Publisher: JHU Press

Published: 2015-11

Total Pages: 311

ISBN-13: 1421418223

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Eighteenth-century British literary history was long characterized by two central and seemingly discrete movements—the emergence of the novel and the development of Romantic lyric poetry. In fact, recent scholarship reveals that these genres are inextricably bound: constructions of interiority developed in novels changed ideas about what literature could mean and do, encouraging the new focus on private experience and self-perception developed in lyric poetry. In Lyric Generations, Gabrielle Starr rejects the genealogy of lyric poetry in which Romantic poets are thought to have built solely and directly upon the works of Chaucer, Spenser, Shakespeare, and Milton. She argues instead that novelists such as Richardson, Haywood, Behn, and others, while drawing upon earlier lyric conventions, ushered in a new language of self-expression and community which profoundly affected the aesthetic goals of lyric poets. Examining the works of Cowper, Smith, Wordsworth, Coleridge, and Keats in light of their competitive dialogue with the novel, Starr advances a literary history that considers formal characteristics as products of historical change. In a world increasingly defined by prose, poets adapted the new forms, characters, and moral themes of the novel in order to reinvigorate poetic practice. "Refreshingly, this impressive study of poetic form does not read the eighteenth century as a slow road to Romanticism, but fleshes out the period with surprising and important new detail."—Times Literary Supplement G. Gabrielle Starr is the Seryl Kushner Dean of the College of Arts and Science and a professor of English at New York University. She is the author of Feeling Beauty: The Neuroscience of Aesthetic Experience.


Text and Territory

Text and Territory

Author: Sylvia Tomasch

Publisher: University of Pennsylvania Press

Published: 2016-11-11

Total Pages: 340

ISBN-13: 1512808016

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Twelve literary scholars and historians investigate the ways in which space and place are politically, religiously, and culturally inflected. Exploring medieval texts as diverse as Icelandic sagas, Ptolemy's Geography, and Mandeville's Travels, the contributors illustrate the intimate connection between geographical conceptions and the mastery of land, the assertion of doctrine, and the performance of sexuality.


The End of the Mind

The End of the Mind

Author: DeSales Harrison

Publisher: Routledge

Published: 2005-02-10

Total Pages: 294

ISBN-13: 1135878587

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This book seeks to include among accounts of modern lyric poetry a theory of the poem's relation to the unintelligible. DeSales Harrison draws a distinction between sites of unintelligibility and sights of difficulty; while much has been said about modernist difficulty, little has been said about the attention that poets give to phenomena that by definition arrest, impede, obscure, damage, or destroy the capacity for intelligible representation.


Placing Poetry

Placing Poetry

Author: Ian Davidson

Publisher: Rodopi

Published: 2013

Total Pages: 323

ISBN-13: 9401208859

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The essays in this volume present a thorough re-evaluation of the idea of place for the twenty-first century, linking across theoretical interests in space and spatialisation and in motion and mobility. ‘Placing’ becomes an active process that happens in different parts of the world, and there is work here from the countries of the United Kingdom, from Ireland, the USA, Australia and mainland Europe. Placing also happens in different contexts, in the Production of visual images, in translation, in performance and in poetry that is both ‘there’ and ‘here’. The range of poets under consideration matches the breadth of the range of the Contributors. International in scope, and drawn from a variety of practices and processes, their combination in a single volume leads to unusual connections and new readings of their work.


Encounters with God in Medieval and Early Modern English Poetry

Encounters with God in Medieval and Early Modern English Poetry

Author: Charlotte Clutterbuck

Publisher: Routledge

Published: 2017-07-05

Total Pages: 238

ISBN-13: 1351940333

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Engaging with four English poems or groups of poems-the anonymous medieval Crucifixion lyrics; William Langland's Piers Plowman, John Donne's Divine Poems, and John Milton's Paradise Lost-this book examines the nature of poetic encounter with God. At the same time, the author makes original contributions to the discussion of critical dilemmas in the study of each poem or group of poems. The main linguistic focus of this book is on the nature of dialogue with God in religious poetry, an area much neglected by grammarians and often overlooked in studies of literary style. It constitutes an important contribution to our understanding of the relationship between literature and theology.


Routledge Handbook of Medicine and Poetry

Routledge Handbook of Medicine and Poetry

Author: Alan Bleakley

Publisher: Taylor & Francis

Published: 2024-05-02

Total Pages: 493

ISBN-13: 1040019757

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The Routledge Handbook of Medicine and Poetry draws on an international selection of authors to ask what the cultures of poetry and medicine may gain from reciprocal critical engagement. The volume celebrates interdisciplinary inquiry, critique, and creative expansion with an emphasis upon amplifying provocative and marginalized voices. This carefully curated collection offers both historical context and future thinking from clinicians, poets, artists, humanities scholars, social scientists, and bio-scientists who collectively inquire into the nature of relationships between medicine and poetry. Importantly, these can be both productive and unproductive. How, for example, do poet-doctors reconcile the outwardly antithetical approaches of bio-scientific medicine and poetry in their daily work, where typically the former draws on technical language and associated thinking and the latter on metaphors? How does non-narrative lyrical poetry engage with narrative-based medicine? How do poets writing about medicine identify as patients? Central to the volume is the critical investigation of the consequences of varieties of medical pedagogy for clinical practice. Presenting a vision of how poetic thinking might form a medical ontology this thought-provoking book affords an essential resource for scholars and practitioners from across medicine, health and social care, medical education, the medical and health humanities, and literary studies.