The Taming of the Shrew
Author: William Shakespeare
Publisher:
Published: 1904
Total Pages: 124
ISBN-13:
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Author: William Shakespeare
Publisher:
Published: 1904
Total Pages: 124
ISBN-13:
DOWNLOAD EBOOKAuthor: Alexander Leggatt
Publisher: Psychology Press
Published: 2005
Total Pages: 296
ISBN-13: 9780415352680
DOWNLOAD EBOOKThis study removes some of the critical puzzles that Shakespeare's comedies of love have posed in the past. The author shows that what distinguishes the comedies is not their similarity but their variety.
Author: William Shakespeare
Publisher: Oxford University Press, USA
Published: 1998
Total Pages: 276
ISBN-13: 9780192838803
DOWNLOAD EBOOKCast size: large.
Author: William Shakespeare
Publisher: CreateSpace
Published: 2012-03-16
Total Pages: 200
ISBN-13: 9781475052077
DOWNLOAD EBOOKLove's Labour's Lost has been called one of Shakespeare's funniest early plays--but if you aren't laughing as you read it, then you aren't alone. Let's face it..if you don't understand Shakespeare, then you are not alone. If you have struggled in the past reading Shakespeare, then BookCaps can help you out. This book is a modern translation of Love's Labour's Lost. The original text is also presented in the book, along with a comparable version of the modern text. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month. Visit BookCaps.com to find out more.
Author: William Shakespeare
Publisher:
Published: 1881
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOKAuthor: Kurt Kreiler
Publisher: Junius Verlag
Published: 2011-09-30
Total Pages: 291
ISBN-13: 3862180212
DOWNLOAD EBOOKA new Roland Emmerich film - Anonymous - was released in October 2011. The seventeenth Earl of Oxford (1550-1604), says Emmerich, wrote the Shakespearian works. How could such a postulation come about and where does this doubt as to William Shaksper's authorship come from? (No offence is intended by calling the actor from Stratford-upon-Avon "Shaksper"; he certainly wouldn't have taken any, that's how he wrote it on his marriage license.) - After the academic world has been guessing and floundering for 150 years, the literary detective Kurt Kreiler surprises us with a book that addresses this subject after years of sound and thorough academic research. This is definitely the leading book on this subject. Chapters 1 and 2 explain why Will Shaksper from Stratford-upon-Avon was not an author. In chapter 3, ten works of the author William Shakespeare will be analysed with a view to determine what criteria the author must have had in order to write the works in question. Which foreign lands had the author visited? What historical references have been made? When were the pieces written? Chapter 4 examines the social perspectives of the "Author of the plays". Chapter 5 examines what Shakespeare's literary contemporaries knew about him, with whom did they associate him, what qualities did they attribute to him? An analysis of the Harvey-Nashe-Quarrel show us that they both agree that the author "Master William" was the creator of the figure Falstaff and that this author was Eduard de Vere, Earl of Oxford. Chapter 6 deals with the first part of the biography of Eduard de Vere. Chapters 7 and 8 show that the the profile of the Author that was developed in chapters 3-5 correlates logically and universally with the biography of the Earl of Oxford. Chapter 9 is a continuation of the biography of the writer and spear shaker "William Shake-speare" up to his death in 1604. Chapter 10 shows why, how and for whom the dramatist Ben Jonson went about the task of procuring the nom de plume Shake-speare. By using the coincidental similarity between the names Shake-speare and Shaksper, Jonson posthumously set up a marionette to claim authorship of the Shakespearian works. Kurt Kreiler (b. 23 June 1950) is a German author and dramaturg. He read philology and philosophy at university, his studies culminating in a doctoral thesis on the short lived Bavarian Republic of People's Councils (1918/19). In 1983 he began his work as a writer for television and radio. In 2009 Insel Verlag published Kreiler's: "The Man who invented Shakespeare"; a book that caused a considerable stir in Germany."
Author: Francis Meres
Publisher:
Published: 1973
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Miriam Gilbert
Publisher: Manchester University Press
Published: 1996
Total Pages: 166
ISBN-13: 9780719046247
DOWNLOAD EBOOKThe study of Shakespeare's plays as scripts of performance in the theater has grown in recent years to become a major interest for may university, college and secondary-school students and their teachers. In this play, it must be confessed that there are many passages mean, childish, and vulgar; and some which ought not to have been exhibited, as we are told they were, to a maiden queen.
Author: Louis B. Wright
Publisher: Associated University Presse
Published: 1978-07
Total Pages: 324
ISBN-13: 9780918016553
DOWNLOAD EBOOKAuthor: Camille Wells Slights
Publisher: University of Toronto Press
Published: 1993-01-01
Total Pages: 316
ISBN-13: 9780802029249
DOWNLOAD EBOOKChallenging the traditional view that Shakespeare's early comedies are about the experience of romantic love and constitute a genre called romantic comedy, Camille Wells Slights demonstrates that they dramatize individual action in the context of social dynamics, reflecting and commenting on the culture in which they originated. Shakespeare's Comic Commonwealths sheds new light on ten Shakespearean comedies: The Comedy of Errors, The Taming of the Shrew, The Two Gentlemen of Verona, Love's Labor's Lost, A Midsummer Night's Dream, The Merchant of Venice, The Merry Wives of Windsor, Much Ado about Nothing, As You Like It and Twelfth Night. In a diversity of comic forms - from rollicking farce to tragicomedy - these plays offer varying perspectives on the forces that make and mar human communities. Dramatizing tensions between savagery and civilization, autonomy and dependence, and isolation and community, Shakespeare's comedies both reflect and comment on the society that produces them. Slights eschews viewing these comedies as endorsements of the prevailing ideologies of sixteenth-century England or as subversions of that hierarchical, patriarchal culture. They can be most fruitfully understood as imaginative forms that present cultural practices, institutions and beliefs as human constructions susceptible to critical scrutiny. While exposing the injustice and brutality as well as the assurances and satisfactions of social experiences, Shakespeare's comedies represent people as inescapably social beings. By combining historical scholarship with formal analysis and incorporating insights from social anthropology and feminist theory, Shakespeare's Comic Commonwealths offers new readings of Shakespeare's early comedies and analyses the interaction between the plays and the social structures and processes of early modern England.