Sabrina's down on her luck, just when she needs it most--until she finds a magic spell that promises to change her old rabbit's foot into a real lucky charm. Suddenly everything's going her way! But Sabrina forgot to read the fine print in the spell book--and now she'll have to pay the price before her luck runs out.
Like it. Like it. YES, I DO. Rock & roll saved my life. (Fact: Kiki does not speak or write in hyperbole. When she makes a statement like this, it's the truth, pure & simple.) For Kiki rock & roll is not just great music, but a state of being that saved her (Praise Jesus) from an ordinary, soul-stifling, errand-running life. Kiki has never been ordinary (read: conventional). Rock & roll gave her a place to go and to be. From The Beatles to Bruce Springsteen, beyond, and before she experienced a world of Thrills & Chills, laughter & cheers, adventures in botany, better living (and dying) through chemistry, and a lot of TROUBLE and sex. Don't forget the sex. STOP. Disregard this back cover prattle. Kiki is a FAN, pure & simple. Her story includes a very funny satire of a standard rock & roll concert. BONUS: The lyrics to four songs, none of which could or should be set to music. Running through her story is a thoughtful (but still funny) commentary on the state of disrepair in American culture, politics, government, economics, AND why Kiki ran from the synagogue and never looked back (I'm sure going to Hell for this one.) Except for 10 years (they call it 'higher education.' I call it getting my ticket punched) and 18 months (being born, being a baby, toddling toward the terrible twos), Carolyn Kiki Cummings has lived in Houston, a city in the great State of Texas. She has practiced clinical psychology for the past 30 years (because they didn't teach me how to do it in school and because I'm a slow learner.) For the past 16 years, she has been bossed around by her cat, Miss Chloe. Kiki does not like writing about psychology. Miss Chloe stopped listening to me years ago. She says, 'If you want to yap, get a dog.' Recounting people's pain and suffering is no fun. Anyway, that's what singing the blues is for. ON BEING: A Rock & Roll Fan is Kiki's very funny account of her life. You can either laugh, cry, shoot somebody, or shoot yourself. I don't want to go to jail. I don't want to die just yet. I hate crying. There's nothing left to do but laugh. LOUDER!
Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.
The New Cowatas By: Chester Britton This work of fiction about the establishment of a new future society combines relevant issues of history, politics, war, economics, religion, and ethnicity. Throughout this gripping novel, a central theme shines through: Don’t underestimate what people can do when they are willing to share their talents and abilities with others.
The four books comprising this novel, each covering a decade in South Africa's history, are interlinked with the developing stories of its characters. The book tells the real story of who saved South Africa from itself in the final turbulent decades of the last century, revealing Rupertheimer, the political mover and shaker behind the scenes who secretly and single-handedly steered his country to an embryonic democracy. Picturesque and provocative, brash and funny, this book does for South Africa what Catch-22 did for World War II.
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There's a double robbery in two identical apartments, rented but hardly ever used by a Pittsburg drug dealer who's clean with the law. A young woman is found shot dead on the street. She can't be identified, but her murder has all the appearances of a professional hit. The mayor is near hysteria, and he smears the case all over Balzic, who not only has to solve the murder but teach his nosy new boss the not-so-plain facts of police work.
This oral history of television sitcom writing offers the perspectives of 22 of the best and most prolific early comedy writers. How they broke into the business; how they wrote scripts (and where they got their ideas); what it was like to work on hits--and on flops; what the sitcom actors were like; how they collaborated with other writers and producers; and why they retired are just some of the topics they speak to. The book documents insider knowledge and gives the reader a better understanding of what makes great television comedy. The writers' observations about the changes that took place during their long careers help explain why television comedy has evolved so greatly in recent years.