Collected here for the first time are over 40 writings that Weeden, under the pseudonym "Flake White", contributed to the Presbyterian Christian Observer and other papers between the years 1866 and 1896.
First they came for the land, later they came for the stars and the moon; all found themselves against the glorious backdrop of the Tennessee Valley. Legendary Locals of Huntsville chronicles the story of Rocket City, a sleepy, Southern cotton town that weathered the Great Depression with its mill villages, gained national attention with Redstone Arsenal, blossomed into the center of aerospace development, and became the home of the largest arts center in the Southeast. Notables include pioneer John Hunt and founding father LeRoy Pope; aerospace engineer Wernher von Braun; world-renowned portrait artist and poet Howard Weeden and cobweb artist Anne Clopton; internationally known soprano Susanna Phillips; Professional Football Hall of Fame member John Stallworth; performing arts pioneers Helen Herriott and Loyd Tygett; and entrepreneur and philanthropist Mark C. Smith. The stories herein celebrate just a handful of the many people who have made a memorable impact on this community and who continue to propel Huntsville forward through leadership by example.
This collection of poems by Maria Howard Weeden is written in the regional black dialect of Alabama and includes Weeden's own watercolors of formerly enslaved people.
Few themes have been as central to sociology as 'class' and yet class remains a perpetually contested idea. Sociologists disagree not only on how best to define the concept of class but on its general role in social theory and indeed on its continued relevance to the sociological analysis of contemporary society. Some people believe that classes have largely dissolved in contemporary societies; others believe class remains one of the fundamental forms of social inequality and social power. Some see class as a narrow economic phenomenon whilst others adopt an expansive conception that includes cultural dimensions as well as economic conditions. This 2005 book explores the theoretical foundations of six major perspectives of class with each chapter written by an expert in the field. It concludes with a conceptual map of these alternative approaches by posing the question: 'If class is the answer, what is the question?'
The Before Columbus Foundation 2018 Winner of the AMERICAN BOOK AWARD Tommy J. Curry’s provocative book The Man-Not is a justification for Black Male Studies. He posits that we should conceptualize the Black male as a victim, oppressed by his sex. The Man-Not, therefore,is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of Black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines. Curry argues that Black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including Black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerability play in the deaths and lives of Black males. Curry challenges how we think of and perceive the conditions that actually affect all Black males.