Lost in Transition

Lost in Transition

Author: H. Rosi Song

Publisher:

Published: 2016

Total Pages: 212

ISBN-13: 9781781383988

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This book examines contemporary recollection of Spain's transition to democracy in the late 1970s and its connection to the country's current political, financial and cultural crises through fiction, film, and television.


Lost in Transition: Constructing Memory in Contemporary Spain

Lost in Transition: Constructing Memory in Contemporary Spain

Author: H. Rosi Song

Publisher: Liverpool University Press

Published: 2016-05-06

Total Pages: 224

ISBN-13: 1781384606

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This book examines contemporary recollection of Spain’s transition to democracy in the late 1970s and its connection to the country's current political, financial and cultural crises through fiction, film, and television.


Performing the Transition to Democracy

Performing the Transition to Democracy

Author: David Rodríguez-Solás

Publisher: Taylor & Francis

Published: 2024-08-08

Total Pages: 196

ISBN-13: 1040109098

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This book examines troupes, plays, festivals, performative practices, and audiences active during the final years of the Franco dictatorship and the beginning of the transition to democracy. This period, spanning 1968 to 1982, is considered the historical moment that most directly shaped contemporary Spanish politics and society. The dominant narrative of the Transition has long portrayed it as a normalized, non-confrontational, and consensual process steered by political elites. But the world of Spanish theater tells a very different story - one in which ordinary Spaniards played a vital role in the transition to democracy. The chapters of this book draw on censorship files, photographs, audiovisual and textual material, and the author’s own interviews with more than a dozen audience and troupe members. Using these sources, David Rodriguez-Solas examines the notable experimentation during this period with theatrical performance and music; the establishment of performing spaces and festivals; the development of touring networks as a way to evade censorship; and the creation of networks of support that opposed diverse forms of violence and repression. This study will be of great interest to students and scholars interested in theater and the cultural and political history of Spain in the 1960s and 1970s.


Women Political Prisoners after the Spanish Civil War

Women Political Prisoners after the Spanish Civil War

Author: Ruth Fisher

Publisher: Liverpool University Press

Published: 2020-11-24

Total Pages: 269

ISBN-13: 1782847022

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At the end of the Spanish Civil War the Nationalist government instigated mass repression against anyone suspected of loyalty to the defeated Republican side. Around 200,000 people were imprisoned for political crimes in the weeks and months following 1st April 1939, including thousands of women who were charged with offences ranging from directing the home front to supporting their loved ones engaged in combat. Many women wrote and published texts about their experiences, seeking to make their voices heard and to counteract the dehumanising master narrative of the right-wing victors that had criminalised their existence. The memoirs of Communist women, such as Tomasa Cuevas and Juana Doña, have heavily influenced our understanding of life in prison for women under franquismo, while texts by non-Communist women have largely been ignored. This monograph offers a comparative study of the life writing of female political prisoners in Spain, focusing on six texts in particular: the two volumes of Cárcel de mujeres by Tomasa Cuevas; Desde la noche y la niebla by Juana Doña; Réquiem por la libertad by Ángeles García-Madrid; Abajo las dictaduras by Josefa Garcia Segret; and Aquello sucedió así by Ángeles Malonda. All the texts share common themes, such as describing the hunger and repression that all political prisoners suffered. However, the ideologically-driven narratives of Communist women often foreground representations of resistance at the expense of exploring the emotional and intellectual struggle for survival that many women political prisoners faced in the aftermath of the Spanish Civil War. This study nuances our understanding of imprisoned women as individuals and as a collective, analysing how women political prisoners sought recognition and justice in the face of a vindictive dictatorship. It also explores the women's response to the spirit of convivencia during the transition to democracy, which once again threatened to silence them.


Fictional Portrayals of Spain's Transition to Democracy

Fictional Portrayals of Spain's Transition to Democracy

Author: Anne L. Walsh

Publisher: Cambridge Scholars Publishing

Published: 2017-08-21

Total Pages: 140

ISBN-13: 1527500454

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This manuscript looks at a selection of narratives published in Spain during the transition to democracy and compares them with more recent publications. The main focus here is how fiction brings an extra dimension to the recreation of the past, by adding imagination to historical fact. One effect of this is to challenge readers or spectators to question the effect the reliability of the narrator has on conviction about the events told. By using a specific moment in time, Spain’s Transition, it will be seen that memory, history and imagination all blend together to create very different stories, but all are linked with the idea that the past will always haunt the present and actions from the past will have far-reaching consequences. Texts analysed here include work by Javier Cercas, Eduardo Mendoza, Manuel Vázquez Montalbán, Rosa Montero, Arturo Pérez-Reverte, and Gonzalo López Alba, as well as episodes from two popular TV series, Cuéntame cómo pasó and Protagonistas de la Transición.


Inhabiting the In-Between

Inhabiting the In-Between

Author: Sarah Thomas

Publisher: University of Toronto Press

Published: 2019-05-09

Total Pages: 255

ISBN-13: 1487531095

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Although children have proliferated in Spain’s cinema since its inception, nowhere are they privileged and complicated in quite the same way as in the films of the 1970s and early 1980s, a period of radical political and cultural change for the nation as it emerged from almost four decades of repressive dictatorship under the rule of General Francisco Franco. In Inhabiting the In-Between: Childhood and Cinema in Spain’s Long Transition, Sarah Thomas analyses the cinematic child within this complex historical conjuncture of a nation looking back on decades of authoritarian rule and forward to an uncertain future. Examining films from several genres by four key directors of the Transition – Carlos Saura, Antonio Mercero, Víctor Erice, and Jaime de Armiñán – Thomas explores how the child is represented as both subject and object, and self and other, and consistently cast in a position between categories or binary poles. She demonstrates how the cinematic child that materializes in this period is a fundamentally shifting, oscillating, ambivalent figure that points toward the impossibility of fully comprehending the historical past and the figure of the other, while inviting an ethical engagement with each.


The Ghost in the Constitution

The Ghost in the Constitution

Author: Joan Ramon Resina

Publisher: Liverpool University Press

Published: 2017-06-30

Total Pages: 342

ISBN-13: 1786948109

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A book that offers new directions in the study of memory in Spain, written by one of the world's leading scholars of contemporary Spanish culture.


Featuring Post-national Spain

Featuring Post-national Spain

Author: Andrés Zamora

Publisher: Oxford University Press

Published: 2016

Total Pages: 216

ISBN-13: 1781383146

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In the last quarter of the twentieth century a considerable number of Spanish films were involved in the task of essaying the nation, that is, of attempting to make it or make it over, of trying to reshape a national identity inexorably dictated by General Francisco Franco up to his death. The book explores four major issues in this regard: 1) the filmic negotiations of the borders of the nation, focusing particularly on the debated and controversial development of Basque cinema vis- -vis the films produced in the rest of Spain; 2) the persistence of the old obsession with violence, thought of as an inescapable native trait, in a large amount of post-dictatorial films; 3) the newfound insatiable appetite for cinematic travelling, for going out and coming in through all possible variations of the road and travel movie genres; 4) and the vindication of the mother qua a benign emblem of the land and its people, of the nation. There is a narrative in Spanish cinema, taken as a collective discourse, which ties together these four cinematic topoi and proposes a nation whose specificity must be precisely its impurity-difference within as essence-a hybrid nation located in temporal and spatial rendezvous of past and present, tradition and novelty, centre and margin, inside and outside, on and beyond.


Dramatized Societies: Quality Television in Spain and Mexico

Dramatized Societies: Quality Television in Spain and Mexico

Author: Paul Julian Smith

Publisher: Liverpool University Press

Published: 2016-11-29

Total Pages: 256

ISBN-13: 1781383723

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The first study of contemporary quality TV drama in two countries – Spain and Mexico -- where television has displaced cinema as the creative medium that shapes the national narrative


Feeling Sick: The Early Years of AIDS in Spain

Feeling Sick: The Early Years of AIDS in Spain

Author: Dean Allbritton

Publisher: Liverpool University Press

Published: 2023-04-15

Total Pages: 224

ISBN-13: 1802076409

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The earliest traceable accounts of the AIDS outbreak in Spain began to emerge during its political transition to democracy, with small clusters of cases appearing as early as 1981. HIV/AIDS would go on to shape Spain throughout its pivotal period as a fledgling democracy, underpinning the cultural explosions of the Movida, a sharp rise in intravenous drug use, and the struggles of a coalescing LGBT+ community. Feeling Sick: The Early Years of HIV/AIDS in Spain examines the cultural history of these early years of HIV/AIDS in Spain as it has been told through television and print media, ephemeral products of visual culture, fiction film, and the so-called risk groups that lived through the epidemic. The book draws on the work of Raymond Williams to characterize this emergent period within a structure of “feeling sick” and thus defined by discordant voices, disagreement, and meaning-making in a period of history in formation. Through close readings of Spanish visual culture and media alongside analysis of historical and medical documents, it asserts that a structure of feeling sick begins to coalesce around the emergence of HIV/AIDS and traces out a distinctive sense of living through history as it unfolds. By critically evaluating a selection of cultural materials, this book claims that the earliest years of the HIV/AIDS epidemic in Spain reveal common fears about global connectivity, the proliferation of vulnerable ties to others, and the potential of cultural and physical contaminations. Ultimately, Feeling Sick challenges the dominant narratives in which life and disease are seen as separate and unequal, and in which illness is only destructive and devastating. An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM.