Refugee flight, settlement, and repatriation are not static, self-contained, or singular events. Instead, they are three stages of an ongoing process made and mirrored in the lives of real people. For that reason, there is an evident need for historical and longitudinal studies of refugee populations that rise above description and trace the process of social transformation during the "full circle" of flight resettlement, and return home. This book probes the economic forces and social processes responsible for shaping the everyday existence for refugees as they move through exile.
Refugee flight, settlement, and repatriation are not static, self-contained, or singular events. Instead, they are three stages of an ongoing process made and mirrored in the lives of real people. For that reason, there is an evident need for historical and longitudinal studies of refugee populations that rise above description and trace the process of social transformation during the "full circle" of flight resettlement, and return home. This book probes the economic forces and social processes responsible for shaping the everyday existence for refugees as they move through exile.
Jason's going to have the summer of his life — as long as he doesn't lose Joe's place. Sixteen-year-old Jason is looking forward to spending the summer in the big city with his friends Don and Ferguson. They've convinced their parents to let them sublet Jason's older brother Joe's apartment in Toronto. All they have to do is pay the rent each month and not, under ANY circumstance, put Joe in jeopardy of losing his lease. Easier said than done. What they didn't count on was dealing with Joe's eccentric landlord, Mr. Plotnick, or his strange friend, Rootbeer. And they certainly weren't expecting Joe's Camaro to be mistaken for a stolen car and get towed away. One crisis after another conspires to ruin their summer, but with Gordon Korman's trademark wit the journey is guaranteed to be both inventive and hilarious.
As Ruskin suggests in his Seven Lamps of Architecture: "We may live without [architecture], and worship without her, but we cannot remember without her." We remember best when we experience an event in a place. But what happens when we leave that place, or that place no longer exists? This book addresses the relationship between memory and place and asks how architecture captures and triggers memory. It explores how architecture exists as a material object and how it registers as a place that we come to remember beyond the physical site itself. It questions what architecture is in the broadest sense, assuming that it is not simply buildings. Rather, architecture is considered to be the mapping of physical, mental or emotional space. The idea that we are all architects in some measure - as we actively organize and select pathways and markers within space - is central to this book's premise. Each chapter provides a different example of the manifold ways in which the physical place of architecture is curated by the architecture in our "mental" space: our imaginary toolbox when we think of a place and look at a photograph, or visit a site and describe it later or send a postcard. By connecting architecture with other disciplines such as geography, visual culture, sociology, and urban studies, as well as the fine and performing arts, this book puts forward the idea that a conversation about architecture is not exclusively about formal, isolated buildings, but instead must be deepened and broadened as spatialized visualizations and experiences of place.
From an award-winning writer and linguist, a scientific and personal meditation on the phenomenon of language loss and the possibility of renewal. As a child Julie Sedivy left Czechoslovakia for Canada, and English soon took over her life. By early adulthood she spoke Czech rarely and badly, and when her father died unexpectedly, she lost not only a beloved parent but also her firmest point of connection to her native language. As Sedivy realized, more is at stake here than the loss of language: there is also the loss of identity. Language is an important part of adaptation to a new culture, and immigrants everywhere face pressure to assimilate. Recognizing this tension, Sedivy set out to understand the science of language loss and the potential for renewal. In Memory Speaks, she takes on the psychological and social world of multilingualism, exploring the human brainÕs capacity to learnÑand forgetÑlanguages at various stages of life. But while studies of multilingual experience provide resources for the teaching and preservation of languages, Sedivy finds that the challenges facing multilingual people are largely political. Countering the widespread view that linguistic pluralism splinters loyalties and communities, Sedivy argues that the struggle to remain connected to an ancestral language and culture is a site of common ground, as people from all backgrounds can recognize the crucial role of language in forming a sense of self. Distinctive and timely, Memory Speaks combines a rich body of psychological research with a moving story at once personal and universally resonant. As citizens debate the merits of bilingual education, as the worldÕs less dominant languages are driven to extinction, and as many people confront the pain of language loss, this is badly needed wisdom.
Whether it's a significant other or a summer share, this book takes a practical approach to potential problems, with tips on deciding what stays, what goes, and what goes where; how to enjoy each other's company and stay out of each other's way; and organizing a shared space without stress, strain, and arguments.
What is it like to lose your front porch to the ocean? To watch saltwater destroy your favorite fishing holes? To see playgrounds and churches subside and succumb to brackish and rising water? The residents of coastal Louisiana know. For them hurricanes are but exclamation points in an incessant loss of coastal land now estimated to occur at a rate of at least twenty-four square miles per year. In Losing Ground, coastal Louisianans communicate the significance of place and environment. During interviews taken just before the 2005 hurricanes, they send out a plea to alleviate the damage. They speak with an urgency that exemplifies a fear of losing not just property and familiar surroundings, but their identity as well. People along Louisiana's southeastern coast hold a deep attachment to place, and this shows in the urgency of the narratives David M. Burley collects here. The meanings that residents attribute to coastal land loss reflect a tenuous and uprooted sense of self. The process of coastal land loss and all of its social components, from the familial to the political, impacts these residents' concepts of history and the future. Burley updates many of his subjects' narratives to reveal what has happened in the wake of the back-to-back disasters of Hurricanes Katrina and Rita.
NEW YORK TIMES BESTSELLER • A deeply affecting coming-of-age memoir about family, love, loss, basketball—and life itself—by the beloved author of The Prince of Tides and The Great Santini During one unforgettable season as a Citadel cadet, Pat Conroy becomes part of a basketball team that is ultimately destined to fail. And yet for a military kid who grew up on the move, the Bulldogs provide a sanctuary from the cold, abrasive father who dominates his life—and a crucible for becoming his own man. With all the drama and incandescence of his bestselling fiction, Conroy re-creates his pivotal senior year as captain of the Citadel Bulldogs. He chronicles the highs and lows of that fateful 1966–67 season, his tough disciplinarian coach, the joys of winning, and the hard-won lessons of losing. Most of all, he recounts how a group of boys came together as a team, playing a sport that would become a metaphor for a man whose spirit could never be defeated. Praise for My Losing Season “A superb accomplishment, maybe the finest book Pat Conroy has written.”—The Washington Post Book World “A wonderfully rich memoir that you don’t have to be a sports fan to love.”—Houston Chronicle “A memoir with all the Conroy trademarks . . . Here’s ample proof that losers always tell the best stories.”—Newsweek “In My Losing Season, Conroy opens his arms wide to embrace his difficult past and almost everyone in it.”—New York Daily News “Haunting, bittersweet and as compelling as his bestselling fiction.”—Boston Herald
