The Sot-Weed Factor
The Sot-Weed Factor

Author: John Barth

Publisher: Deep Vellum Publishing

Published: 2016-01-12

Total Pages: 737

ISBN-13: 1628972009

DOWNLOAD EBOOK

This is Barth's most distinguished masterpiece. This modern classic is a hilarious tribute to all the most insidious human vices, with a hero who is "one of the most diverting...to roam the world since Candide." "A feast. Dense, funny, endlessly inventive (and, OK, yes, long-winded) this satire of the 18th-century picaresque novel-think Fielding's Tom Jones or Sterne's Tristram Shandy -is also an earnest picture of the pitfalls awaiting innocence as it makes its unsteady way in the world. It's the late 17th century and Ebenezer Cooke is a poet, dutiful son and determined virgin who travels from England to Maryland to take possession of his father's tobacco (or "sot weed") plantation. He is also eventually given to believe that he has been commissioned by the third Lord Baltimore to write an epic poem, The Marylandiad. But things are not always what they seem. Actually, things are almost never what they seem. Not since Candide has a steadfast soul witnessed so many strange scenes or faced so many perils. Pirates, Indians, shrewd prostitutes, armed insurrectionists - Cooke endures them all, plus assaults on his virginity from both women and men. Barth's language is impossibly rich, a wickedly funny take on old English rhetoric and American self-appraisals. For good measure he throws in stories within stories, including the funniest retelling of the Pocahontas tale -revealed to us in the "secret" journals of Capt. John Smith - that anyone has ever dared to tell." —Time Magazine

Southern Writers
Southern Writers

Author: Joseph M. Flora

Publisher: LSU Press

Published: 2006-06-21

Total Pages: 498

ISBN-13: 0807131237

DOWNLOAD EBOOK

This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-first century. What constitutes a "southern writer" is always a matter for debate. Editors Joseph M. Flora and Amber Vogel have used a generous definition that turns on having a significant connection to the region, in either a personal or literary sense. New to this volume are younger writers who have emerged in the quarter century since the dictionary's original publication, as well as older talents previously unknown or unacknowledged. For almost every writer found in the previous edition, a new biography has been commissioned. Drawn from the very best minds on southern literature and covering the full spectrum of its practitioners, Southern Writers is an indispensable reference book for anyone intrigued by the subject.

Andrew Jackson, Southerner
Andrew Jackson, Southerner

Author: Mark R. Cheathem

Publisher: LSU Press

Published: 2013-10-07

Total Pages: 392

ISBN-13: 0807151009

DOWNLOAD EBOOK

Many Americans view Andrew Jackson as a frontiersman who fought duels, killed Indians, and stole another man's wife. Historians have traditionally presented Jackson as a man who struggled to overcome the obstacles of his backwoods upbringing and helped create a more democratic United States. In his compelling new biography of Jackson, Mark R. Cheathem argues for a reassessment of these long-held views, suggesting that in fact "Old Hickory" lived as an elite southern gentleman. Jackson grew up along the border between North Carolina and South Carolina, a district tied to Charleston, where the city's gentry engaged in the transatlantic marketplace. Jackson then moved to North Carolina, where he joined various political and kinship networks that provided him with entrée into society. In fact, Cheathem contends, Jackson had already started to assume the characteristics of a southern gentleman by the time he arrived in Middle Tennessee in 1788. After moving to Nashville, Jackson further ensconced himself in an exclusive social order by marrying the daughter of one of the city's cofounders, engaging in land speculation, and leading the state militia. Cheathem notes that through these ventures Jackson grew to own multiple plantations and cultivated them with the labor of almost two hundred slaves. His status also enabled him to build a military career focused on eradicating the nation's enemies, including Indians residing on land desired by white southerners. Jackson's military success eventually propelled him onto the national political stage in the 1820s, where he won two terms as president. Jackson's years as chief executive demonstrated the complexity of the expectations of elite white southern men, as he earned the approval of many white southerners by continuing to pursue Manifest Destiny and opposing the spread of abolitionism, yet earned their ire because of his efforts to fight nullification and the Second Bank of the United States. By emphasizing Jackson's southern identity -- characterized by violence, honor, kinship, slavery, and Manifest Destiny -- Cheathem's narrative offers a bold new perspective on one of the nineteenth century's most renowned and controversial presidents.

A Companion to the Literature and Culture of the American South
A Companion to the Literature and Culture of the American South

Author: Richard Gray

Publisher: John Wiley & Sons

Published: 2008-04-15

Total Pages: 672

ISBN-13: 0470756691

DOWNLOAD EBOOK

From slave narratives to the Civil War, and from country music to Southern sport, this Companion is the definitive guide to the literature and culture of the American South. Includes discussion of the visual arts, music, society, history, and politics in the region Combines treatment of major literary works and historical events with a survey of broader themes, movements and issues Explores the work of Edgar Allan Poe, Mark Twain, William Faulkner, Zora Neale Huston, Flannery O'Connor and Eudora Welty, as well as those - black and white, male and female - who are writing now Co-edited by the esteemed scholar Richard Gray, author of the acclaimed volume, A History of American Literature (Blackwell, 2003)

A New Literary History of America
A New Literary History of America

Author: Greil Marcus

Publisher: Harvard University Press

Published: 2010-01-23

Total Pages: 1129

ISBN-13: 0674265815

DOWNLOAD EBOOK

America is a nation making itself up as it goes along—a story of discovery and invention unfolding in speeches and images, letters and poetry, unprecedented feats of scholarship and imagination. In these myriad, multiform, endlessly changing expressions of the American experience, the authors and editors of this volume find a new American history. In more than two hundred original essays, A New Literary History of America brings together the nation’s many voices. From the first conception of a New World in the sixteenth century to the latest re-envisioning of that world in cartoons, television, science fiction, and hip hop, the book gives us a new, kaleidoscopic view of what “Made in America” means. Literature, music, film, art, history, science, philosophy, political rhetoric—cultural creations of every kind appear in relation to each other, and to the time and place that give them shape. The meeting of minds is extraordinary as T. J. Clark writes on Jackson Pollock, Paul Muldoon on Carl Sandburg, Camille Paglia on Tennessee Williams, Sarah Vowell on Grant Wood’s American Gothic, Walter Mosley on hard-boiled detective fiction, Jonathan Lethem on Thomas Edison, Gerald Early on Tarzan, Bharati Mukherjee on The Scarlet Letter, Gish Jen on Catcher in the Rye, and Ishmael Reed on Huckleberry Finn. From Anne Bradstreet and John Winthrop to Philip Roth and Toni Morrison, from Alexander Graham Bell and Stephen Foster to Alcoholics Anonymous, Life, Chuck Berry, Alfred Hitchcock, and Ronald Reagan, this is America singing, celebrating itself, and becoming something altogether different, plural, singular, new.