"It has been seventeen years since you went missing, princess. It has been twenty-five years since you were born. There have been too many Christmases without you ..." In the summer of 2000, schoolgirl Sarah Payne went missing from a beach where she played with her siblings. The nation waited with her whole family as the search for the little girl touched the hearts of everyone in the country. After Sarah's body was found, abducted and murdered by convicted pedophile Roy Whiting, her mother, Sara, spoke of how she had survived those terrible times. Now, seventeen years later, Sara wants to tell the full story of how she coped then, and how she has survived. Through a series of letters to her beloved daughter, she takes the reader on a heart-breaking but uplifting journey through every parent's worst nightmare in a moving account of the ultimate emotional survival. It is a story for the little girl who was taken, but a reminder to us all that hope never dies - and love never ends.
Even when the bond with an adult brother or sister is extremely close, it seems that the ones who get the bulk of the concern after a sibling dies are the spouse and children (and the parents, if still living), not the brother or sister. When Anne McCurry's sister Sara died of breast cancer at age 54, Anne was devastated at losing her hero and best friend. She found little help or information anywhere in dealing with the overwhelming grief of adult sibling loss. Adding to the anguish of losing her only sister was the bewildering behavior of Sara's husband of 24 years, which included a total absence of grief and an immediate search for a new woman. Anne had a terrible need to "talk" to Sara about her paralyzing grief and about her brother-in-law's surprising behavior. She began writing letters to Sara, which became the basis for this non-fiction book. Interwoven throughout the letters is the story of Sara's illness, as well as discussion of numerous aspects of grief such as anticipatory grief, the stages of grieving, anniversary grief, survivor's guilt and the universality of grief. The letters also reveal Anne's dogged attempt to solve the mystery of her brother-in-law's hurtful behavior. In the end, she does. Written with poignancy, insight and some humor, Letters to Sara is a must read for anyone who has lost a much loved sibling.
"Excellent. This is a fine, and unusual, collection of literary Americana."--Atlantic "Fine comic moments of truth."--New York Times Book Review "An invaluable source of literary history."--Publishers Weekly This is the story of one of the most famous literary "sets" of the twentieth century. Gerald and Sara Murphy were at the center of a group including Ernest Hemingway and his wives, F. Scott and Zelda Fitzgerald, John Dos Passos, Archibald MacLeish, Dorothy Parker, Alexander Woollcott, Robert Benchley, Phillip Barry, and many others. They personified the jazz age and the lost generation. The Murphys have been viewed primarily as cult/pop figures. In this book Miller shows, through a sequential interweaving of letters from several correspondents, that they actually were the nucleus without which the group as we know it would not have stayed together. Miller allows the individual correspondents to tell their own stories, providing new insights into their lives and this era. It is the best sort of eavesdropping. Gerald and Sara Murphy married on December 30, 1915. Both families were moneyed and cosmopolitan. Their attraction to each other was in part based on their desire to escape the routine and predictable social rounds in which their families were immersed. Against their families' wishes, they and their three children left for Europe in 1921. They remained in France for over a decade, and quite naturally socialized with the expatriate set. They were, in part, models for Dick and Nicole Diver in Tender Is the Night. MacLeish wrote poems about them, their friends paid tribute to them and relied on them day to day and in correspondence, and their own letters are worth reading for their liveliness and because they so well preserve a record of the twenties and thirties. Miller provides nearly every extant letter between the Murphys and their friends during those decades. Most of them have not been published previously, and of course, they have never been presented collectively. Together, they constitute an epistolary "novel" of peculiar power and authenticity about a remarkable era. Linda Patterson Miller is associate professor of English at Pennsylvania State University at Ogontz.
I must have been drunker than I realized because all I remember is how well he tied his cravat and how perfectly his coat fit him… London, 1815: where magic can be purchased at convenience, and the fashionable and wealthy descend for the start of the social Season. But 25-year-old Gavin Hartford finds the city intimidating when he arrives, alone, to his family’s townhouse. The only company he seeks is in his beloved books and weekly letters to his sister, Gerry. Then dashing man-about-town Charles Kentworthy gallantly rescues Gavin from a foolish drunken mishap and turns his life upside-down. With Mr. Kentworthy, Gavin finds himself discussing poetry and magic, confessing his fears about marriage, expanding his social circle to shocking proportions — and far outside his comfort zone. When family responsibility comes knocking, Gavin’s future looms over him, filled with uncertainty. As he grapples with growing feelings for his new friend, Gavin will need to be honest with Mr. Kentworthy — but he’ll need the courage to be honest with himself first. This epistolary Regency romance is the first in a historical fantasy series, Meddle & Mend. Perfect for readers of Alexis Hall and S.O. Callahan.
Letters to Sarah is a rock autobiography with a difference. In addition to the exceptionally honest and endearing voice of Corky chronicling the ups and downs of his life, there are excerpts from dozens of letters (out of the c. 200) that Corky wrote to his mother, Sarah, between the years 1963 and 1997. She had saved them all. The letters were a way for Corky, away on the road for years on end, to keep in touch with his mother and also, to make sense of his life. This continues in Letters to Sarah, as Corky relives the first 50 years of his life, up until his mother's passing in 1998.
Like few other works of contemporary literature, Elena Ferrante’s Neapolitan novels found an audience of passionate and engaged readers around the world. Inspired by Ferrante’s intense depiction of female friendship and women’s intellectual lives, four critics embarked upon a project that was both work and play: to create a series of epistolary readings of the Neapolitan Quartet that also develops new ways of reading and thinking together. In a series of intertwined, original, and daring readings of Ferrante’s work and her fictional world, Sarah Chihaya, Merve Emre, Katherine Hill, and Juno Jill Richards strike a tone at once critical and personal, achieving a way of talking about literature that falls between the seminar and the book club. Their letters make visible the slow, fractured, and creative accretion of ideas that underwrites all literary criticism and also illuminate the authors’ lives outside the academy. The Ferrante Letters offers an improvisational, collaborative, and cumulative model for reading and writing with others, proposing a new method the authors call collective criticism. A book for fans of Ferrante and for literary scholars seeking fresh modes of intellectual exchange, The Ferrante Letters offers incisive criticism, insouciant riffs, and the pleasure of giving oneself over to an extended conversation about fiction with friends.
Once upon a time, there was a girl. Let's call her Rapunzel. A modern-day version. Abandoned. Alone. Waiting for her hair to grow and dreaming of a way to escape from her tower. She was trapped, you see. Not in the conventional fairy-tale way—this was the dreaded after-school Homework Club. A desolate place, where no gum could be chewed, and where Rapunzel sat day after day, cursing the evil spell that had been cast over her father. The doctors called it something else, but a true heroine can smell an evil spell a mile away. So when a mysterious letter addressed to P.O. Box #5667 falls into her hands, she knows she's found the pea under her mattress. But since when is finding happily ever after as simple as Just Writing Back? Winner of the Ursula Nordstrom Fiction Contest, Sara Lewis Holmes's enchanting debut novel is a breath of fresh air. Told through letters, with a liberal sprinkling of fairy dust, Rapunzel's quest for a happy ending gives every reader something to believe in.
This collection of letters chronicles the personal lives of founding father John Jay and his wife, Sarah Livingston Jay, in the tumultuous times during and after the American Revolution. The letters showcase Sarah as a devoted wife and mother, who welcomed friends and government officials into her home and helped further her husband's political career. Her intelligence, powers of observation, social skills, political savvy and more than competent management of family affairs, including finances, during her husband's frequent absences, are clearly reflected in her letters. The book includes essays on the Jay and Livingston families, family trees, a chronology of John Jay's life, and information about the character and appearance of both husband and wife. Importantly, there are bridges between the letters where necessary and essays on several topics--the mail, health and medicine, education, religion and slavery--which provide an 18th century context for the reader. The correspondence reveals the abiding love of husband and wife, their concern for their children, the dangers and difficulties of travel, descriptions of the lands they visited and events they witnessed, as well as a sense of the effort it took to survive in the era even with the buffer of wealth. Illustrations include several portraits, the signatures of John and Sarah, the Jays' wax seal and a period map of New York Harbor.
Sarah Hutchinson has never been much more than a name, though a name connected with some of the greatest in English literature. The sister of Mrs. Wordsworth, and a member of the Wordsworth household for thirty years, Coleridge's beloved Asra to whom many of his poems were written, Southey's friend and Lamb's, and a guest of the Arnolds at Rugby, she was a member of an interesting circle. For her intimate relations to Wordsworth and Coleridge it has long been apparent that we should like to know her better. Now her letters to members of her family and to friends demonstrate how worthwhile it is to know her for herself as well. The letters come from the family and from the Wordsworth collection at Dove Cottage and are here printed (almost in full) for the first time. They show a lively and amusing woman, kind, forthright to the extent of bluntness, especially when she takes up the cudgels in the cause of what she considers truth or justice or human kindness. Coleridge describes her in one apt and characteristic sentence: 'If Sense, Sensibility, Sweetness of Temper, perfect simplicity and unpretending Nature, joined to shrewdness and entertainingness make a valuable Woman, Sara Hutchinson is so.' Such qualities certainly make a delightful letter-writer.
A brilliant, lost feminist classic that is equal parts domestic drama and international intrigue. Shirley and Coenraad’s affair has been going on for decades, but her longing for him is as desperate as ever. She is a Toronto housewife; he works for an international organization known only as the Agency. Their rendezvous take place in Tangier, in Hong Kong, in Rome and are arranged by an intricate code based on notes slipped into issues of National Geographic. He recognizes her by her costume: a respectable black dress and string of pearls; his appearance, however, is changeable. But something has happened, the code has been discovered, and Coenraad sends Shirley (who prefers to be known as “Lola Montez”) to Toronto, the last place she wants to go. There the trail leads her through the sites of her impoverished immigrant childhood and sends her, finally, to her own house, where she discards her pearls and trades in her basic black for a dress of vibrant multicolored silk. Helen Weinzweig published her first novel when she was fifty-eight. Basic Black with Pearls, her second, won the Toronto Book Award and has since come to be recognized as a feminist landmark. Here Weinzweig imbues the formal inventiveness of the nouveau roman with psychological poignancy and surprising humor to tell a story of simultaneous dissolution and discovery.
