Letter Of Christopher Columbus To Rafael Sanchez, Written On Board The Caravel While Returning From His First Voyage has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
This is a critical edition of the essays that J. Hector St. John de Crèvecoeur (1735-1813) wrote in English but did not include in Letters from an American Farmer. First published in 1782, Letters from an American Farmer is an eighteenth-century cultural masterpiece. Written in English by a French-born immigrant, it is a collection of semiautobiographical writings in epistolary form that describe daily life along the northern frontier during the days leading up to the American Revolution. Conveying the attitudes, beliefs, aspirations, and conflicting loyalties of common settlers, Letters has helped subsequent generations to grasp the ethos of a nascent America. More than a century after Crevecoeur's death, three bound manuscript volumes surfaced that included not only the original handwritten texts of most of Letters but also the twenty-two similar writings that now make up More Letters from the American Farmer. Those manuscript volumes are now housed in the Library of Congress. Five of the pieces in More Letters are previously unpublished; the others were first published in 1925-26 but were so inconsistently and arbitrarily edited as to misrepresent the author. This edition has been awarded the emblem of the Modern Language Association's Committee on Scholarly Editions. It is based on an examination of all available relevant textual sources and includes extensive textual and historical contextual information. Rather than modernizing Crevecoeur's capitalization, punctuation, and spelling, Dennis D. Moore has preserved the original texts as closely as possible. Thus, More Letters marks the first appearance of these twenty-two writings as Crevecoeur composed them. In his general introduction, Moore discusses the various personae through which Crevecoeur speaks in these essays and notes the stylistic and topical similarities and variations between these writings and those collected in Letters. Pointing to Crevecoeur's evident influences and interests, Moore discusses recurrent themes and images related to medicine, law, religion, classicism, enlightenment philosophy, nationalism, agrarianism, aggression and war, and the cults of sensibility and domesticity. Revising and expanding what we thought we knew about Crevecoeur and his lifelong absorption in America and Americanness, More Letters also makes a significant contribution to the study of early American culture.
Over the centuries, biographers of Thomas More have always praised him and made him an example for their own times. He was a man for all seasons. Truly, he was a Renaissance man with the contradictions such praise imposes on a towering figure. In Richard Marius's authoritative and engaging portrait, Sir Thomas More, the martyr and brilliant public figure, is a lesson for our season.
