Shakespeare and the Legacy of Loss

Shakespeare and the Legacy of Loss

Author: Emily Hodgson Anderson

Publisher: University of Michigan Press

Published: 2020-03-06

Total Pages: 262

ISBN-13: 0472902369

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How do we recapture, or hold on to, the live performances we most love, and the talented artists and performers we most revere? Shakespeare and the Legacy of Loss tells the story of how 18th-century actors, novelists, and artists, key among them David Garrick, struggled with these questions through their reenactments of Shakespearean plays. For these artists, the resurgence of Shakespeare, a playwright whose works just decades earlier had nearly been erased, represented their own chance for eternal life. Despite the ephemeral nature of performance, Garrick and company would find a way to make Shakespeare, and through him the actor, rise again. In chapters featuring Othello, Richard III, Hamlet, The Winter’s Tale, and The Merchant of Venice, Emily Hodgson Anderson illuminates how Garrick’s performances of Shakespeare came to offer his contemporaries an alternative and even an antidote to the commemoration associated with the monument, the portrait, and the printed text. The first account to read 18th-century visual and textual references to Shakespeare alongside the performance history of his plays, this innovative study sheds new light on how we experience performance, and why we gravitate toward an art, and artists, we know will disappear.


The Birth of Modern Theatre

The Birth of Modern Theatre

Author: Norman S. Poser

Publisher: Routledge

Published: 2018-09-20

Total Pages: 305

ISBN-13: 0429820038

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The Birth of Modern Theatre: Rivalry, Riots, and Romance in the Age of Garrick is a vivid description of the eighteenth-century London theatre scene—a time when the theatre took on many of the features of our modern stage. A natural and psychologically based acting style replaced the declamatory style of an earlier age. The theatres were mainly supported by paying audiences, no longer by royal or noble patrons. The press determined the success or failure of a play or a performance. Actors were no longer shunned by polite society, some becoming celebrities in the modern sense. The dominant figure for thirty years was David Garrick, actor, theatre manager and playwright, who, off the stage, charmed London with his energy, playfulness, and social graces. No less important in defining eighteenth-century theatre were its audiences, who considered themselves full-scale participants in theatrical performances; if they did not care for a play, an actor, or ticket prices, they would loudly make their wishes known, sometimes starting a riot. This book recounts the lives—and occasionally the scandals—of the actors and theatre managers and weaves them into the larger story of the theatre in this exuberant age, setting the London stage and its leading personalities against the background of the important social, cultural, and economic changes that shaped eighteenth-century Britain. The Birth of Modern Theatre brings all of this together to describe a moment in history that sowed the seeds of today’s stage.


The Familiar Letter in the Eighteenth Century

The Familiar Letter in the Eighteenth Century

Author: Howard Peter Anderson

Publisher: University Press of Kansas

Published: 1966

Total Pages: 350

ISBN-13:

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With the growth of efficient postal service in England and the stimulus of a growing tradition of informal prose among eighteenth-century men of leisure, the intimate letter reached unprecedented literary heights as the exemplary form of the period. Considered here are the striking and diverse qualities both of the art and the personalities of the great letter-writers: Swift, Pope, Lady Mary Wortley Montagu, Richardson, the Earl of Chesterfield, Johnson, Sterne, Gray, Walpole, Burke, Cowper, Gibbon, and Boswell.


Boss Ladies, Watch Out!

Boss Ladies, Watch Out!

Author: Terry Castle

Publisher: Routledge

Published: 2013-09-13

Total Pages: 336

ISBN-13: 1135225281

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A new collection of essays on literature and sexuality by one of the wittiest and most iconoclastic critics writing today.


The Cambridge History of Literary Criticism: Volume 4, The Eighteenth Century

The Cambridge History of Literary Criticism: Volume 4, The Eighteenth Century

Author: H. B. Nisbet

Publisher: Cambridge University Press

Published: 2005-12-08

Total Pages: 978

ISBN-13: 9780521317207

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This is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.


Hannah More

Hannah More

Author: Anne Stott

Publisher: Oxford University Press, USA

Published: 2003

Total Pages: 432

ISBN-13: 9780199245321

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This is the first substantial biography of More for 50 years and the first to make extensive use of her unpublished correspondence.