The dime novel and dude ranch, the barbecue and rodeo, the suburban ranch house and the urban cowboy—all are a direct legacy of nineteenth-century cowboy life that still enlivens American popular culture. Yet at the same time, reports of environmental destruction or economic inefficiency have motivated calls for restricted livestock grazing on public lands or even for an end to ranching altogether. In Let the Cowboy Ride, Starrs offers a detailed and comprehensive look at one of America's most enduring institutions. Richly illustrated with more than 130 photographs and maps, the book combines the authentic detail of an insider's view (Starrs spent six years working cattle on the high desert Great Basin range) with a scholar's keen eye for objective analysis.
The bigger they are, the harder they fall-in love. Rough Riders, Book 7 Soldier Cameron McKay has found his niche, and it ain't ropin' steers and wearin' spurs. His deputy sheriff job-and the injuries that ended his military career-keep him right where he wants to be: off the ranch and away from his family's pity. His darkest war memories are on lockdown, leaving him skeptical he'll ever find a woman that wants a man who's less than whole. Orphaned in the Ukraine at age eleven, Domini Katzinski has had to control every aspect of her life since emigrating to the U.S. Watching others' relationships crumble has convinced her to focus on the short-term-and find a take-charge man to whom she can relinquish total sexual control. Cam fits the bill: gorgeous, with a brooding vulnerability no one else seems to see. Once Cam gets over his surprise that sweet, shy Domini wants to be dominated, he's back to issuing orders. Their passion burns as hot as a rocket-propelled grenade-and if Domini has her way, it'll be a one-shot deal. Cam is ready to launch a full-out sensual assault to make her his, but when tragedy strikes, he'll have to keep their past demons from blowing their future together all to hell...
Kevin Costner: America's Teacher examines the role of Costner in educational settings domestically and abroad. Costner’s career over the past 35 years has seen ups and downs: his movies grossed 2 billion dollars in ticket sales worldwide and he has he won/been nominated for several Academy Awards but he also experienced critical and box office failures. Through the films in his oeuvre, Costner has been teaching audiences around the world about the United States--its history, people and culture. Some viewers and scholars recognize this as positive, others as problematic. This book serves as a place for teachers and scholars to explore ways in which Costner may be tapped for research and teaching purposes at all levels of education. It is organized around three large themes: Costner’s baseball films and their connection to Americana; Costner’s films through the more critical lenses of gender and new western scholarship; and Costner’s teaching of teachers, the pedagogical possibilities of his work.
“Thompson-Hernández's portrayal of Compton's black cowboys broadens our perception of Compton's young black residents, and connects the Compton Cowboys to the historical legacy of African Americans in the west. An eye-opening, moving book.”—Margot Lee Shetterly, New York Times bestselling author of Hidden Figures “Walter Thompson-Hernández has written a book for the ages: a profound and moving account of what it means to be black in America that is awe inspiring in its truth-telling and limitless in its empathy. Here is an American epic of black survival and creativity, of terrible misfortune and everyday resilience, of grace, redemption and, yes, cowboys.”— Junot Díaz, Pulitzer prize-winning author of This is How You Lose Her A rising New York Times reporter tells the compelling story of The Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities. In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration. The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings--Kenneth, Keenan, Charles, and Tre--for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph. The Compton Cowboys is illustrated with 10-15 photographs.
Humorous, Inspirational Story That All Will Love Meet six-year-old Tommy Johnson, Super Cowboy and Super Story-teller. Want to build a box to capture wild cats that roam the farm? How about tips on catching a greased pig at the fair, or teaching a stubborn lamb to avoid being trampled by angry milk cows? From the first paragraph, when Tommy explains why a boy needs a dog for a pet instead of a cat, he wins us over with his down-to-earth and humorous view of the world. Once Tommy begins school, however, things get complicated. He gets picked on by teachers and mocked by classmates. And then tragedy strikes. In the process of dealing with his grief, Tommy learns the meaning of true friendship. This is a book even reluctant readers will enjoy. Boys, girls, and adults have all enjoyed this fun book. Some Reviews The little boy, Tommy, reminds me of Calvin from the "Calvin and Hobbs" comic strip by Bill Watterson because of his mischievousness. It is such a fun book to read!" -- Celese Sanders (syndicated columnist of "Little Bits Of Life") "Super Cowboy Rides" reminds me of when I was a boy and we would visit my grandparents' farm in Utah where my cousins would try, in a loving way, to kill me. It has a ring of authenticity that could only be accomplished by growing up on a farm or ranch. I loved each chapter, but once I reached the end of the book I realized I had been taught some important lessons. This is a book that boys will love as well as girls who look for the good in everyone. -- Jack Weyland (Author of "Charlie" and other Y.A. novels.) "This is the perfect family trip 'read out loud' book. You are on the edge of your seat the entire time wondering what this little cowboy will do next! We laughed so hard, and my 8-year old kept begging me to not stop reading. This book reels you in from the first page. We will be adding this fantastic book to our home library." -- Stephanie Ashcraft (New York Times best selling author)
Journeys Westtraces journeys made during seven months of fieldwork in 1935 and 1936 by Julian Steward, a young anthropologist, and his wife, Jane. Virginia Kerns identifies the scores of Native elders whom they met throughout the Western desert, men and women previously known in print only by initials, and thus largely invisible as primary sources of Steward's classic ethnography. Besides humanizing Steward's cultural informantsrevealing them as distinct individuals and also as first-generation survivors of an ecological crisis caused by American settlement of their landsKerns shows how the elders worked with Steward. Each helped to construct an ethnographic portrait of life in a particular place in the high desert of the Great Basin. The elders' memories of how they and their ancestors had lived by hunting and gatheringa sustainable way of life that endured for generationsrichly illustrated what Steward termedcultural adaptation. It later became a key concept in anthropology and remains relevant today in an age of global environmental crisis. Based on meticulous research, this book draws on an impressive array of evidencefrom interviews and observations to census data, correspondence, and the field journal of the Stewards.Journeys Westilluminates not only on the elders who were Steward's guides, but also the practice of ethnographic fieldwork: a research method that is both a journey and a distinctive way of looking, listening, and learning.
"Nelson plaits her narrative with Western lingo and homespun similes. . . . James' painterly oils swirl with energy, visible daubs creating the dusty, monumental landscape and equally monumental horses and humans. . . . A champion indeed." —Kirkus Reviews (starred review) The true tale of a cowboy's epic rodeo ride from acclaimed author Vaunda Micheaux Nelson and Caldecott Honoree Gordon C. James. In 1911, three men were in the final round of the famed Pendleton Round-Up. One was white, one was Indian, and one was black. When the judges declared the white man the winner, the audience was outraged. They named black cowboy George Fletcher the "people's champion" and took up a collection, ultimately giving Fletcher far more than the value of the prize that went to the official winner. Award-winning author Vaunda Micheaux Nelson tells the story of Fletcher's unlikely triumph with a western flair that will delight kids—and adults—who love true stories, unlikely heroes, and cowboy tales.
A cowboy and his trusty rhinocerous try to prove themselves at the Double R Ranch, where the Slim, Hardtack, and Rancher Rose doubt Calliope's potential, but Boyd believes in her.
A down-and-out rodeo champion follows a mysterious woman on the run with half a million dollars back to the bright lights of Las Vegas in the sequel to Hey, Cowboy, Wanna Get Lucky? “Baxter Black is Mark Twain served up with a little Groucho Marx.”—The Weekly Standard Two years after he won the average at the Las Vegas National Finals Rodeo by riding Kamikaze, the world’s most unridable bull, Lick is down on his luck, working on a ranch in the remote Nevada desert with Al Bean, an ornery old cowboy. Then into their lives crashes Teddie Arizona—T.A.—a woman of mystery who crawls out of the wreckage of her plane with a $500,000 secret. When T.A.’s “husband,” F. Rank Pantaker, dispatches his henchmen to retrieve the money—and the girl—Lick and Al find themselves trying to outrun the bad guys and protect a damsel in distress. Is T.A. out to cheat her cheatin’ husband, or is she really just trying to stop an illegal scheme cooked up by F. Rank and the infamous Ponce de Crayon, Vegas’s most glamorous tiger tamer? Is she playing Lick—or is it love? Will Al Bean’s cockeyed schemes, an able assist from Cody, Lick’s cowboy sidekick, a brigade of old-time rodeo reunioneers, and twenty miles of duct tape be enough to stop F. Rank’s nefarious schemes, reform a career party girl, and change the hearts and minds of ten of the world’s most thrill-seeking billionaires? Can Cody keep Lick from climbing onto raging bull Kamikaze’s back one more time? Can true love triumph over shoot-outs at the not-so-okay corral and close encounters with white tigers? With its colorful cast of characters, rip-roaring humor, and inventive language, this caper will have you riding high long after it gallops to a thunderously satisfying conclusion.
A street-smart tale about a displaced teen who learns to defend what's right-the Cowboy Way. When Cole’s mom dumps him in the mean streets of Philadelphia to live with the dad he’s never met, the last thing Cole expects to see is a horse, let alone a stable full of them. He may not know much about cowboys, but what he knows for sure is that cowboys aren’t black, and they don’t live in the inner city. But in his dad’s ’hood, horses are a way of life, and soon Cole’s days of skipping school and getting in trouble in Detroit have been replaced by shoveling muck and trying not to get stomped on. At first, all Cole can think about is how to ditch these ghetto cowboys and get home. But when the City threatens to shut down the stables-- and take away the horse Cole has come to think of as his own-- he knows that it’s time to step up and fight back. Inspired by the little-known urban riders of Philly and Brooklyn, this compelling tale of latter -day cowboy justice champions a world where your friends always have your back, especially when the chips are down.
