In this memoir, Gabriel Weisz Carrington, son of the renowned Surrealist artist Leonora Carrington, draws on remembered conversations and events to demythologise his mother and declare her not an icon or a goddess but, first and foremost, an artist.
From despair he fled, through tragedy he lived on, and journeyed to innocence. His trajectory: the stars. His companion: a computer poised at the brink of sentience. An unlikely friendship on a prototype spaceship at lightspeed towards Alpha Centauri, and redemption.
In his passionate, luminous novels, David James Duncan has won the devotion of countless critics and readers, earning comparisons to Harper Lee, Tom Robbins, and J.D. Salinger, to name just a few. Now Duncan distills his remarkable powers of observation into this unique collection of short stories and essays. At the heart of Duncan's tales are characters undergoing the complex and violent process of transformation, with results both painful and wondrous. Equally affecting are his nonfiction reminiscences, the "river teeth" of the title. He likens his memories to the remains of old-growth trees that fall into Northwestern rivers and are sculpted by time and water. These experiences—shaped by his own river of time—are related with the art and grace of a master storyteller. In River Teeth, a uniquely gifted American writer blends two forms, taking us into the rivers of truth and make-believe, and all that lies in between.
"Sandfly is a debugger. He is property. Bought and paid for by his master, a relatively benign lord in a future Earth living under sharia law. All other faiths but one have been banned. And the word of the great Imam is supreme.Sandfly just wants to debug his master's robots and avoid the mental pain shocks sent from the remote triggers owned by all the masters. But now he's been called into Earth orbit. Apparently the masters have a new spacecraft--one capable of interstellar flight. And on its maiden voyage, the only robot on board went mad and tore itself limb from limb. Why? Better question: does it pose any risk to humans? When Sandfly reviews the bot's files and replays its final moments, he perceives something unexpected. Something impossible. As Sandly pieces together clues, a trap spreads beneath his feat. If he solves the mystery, hem may doom himself. And if he fixes the robot, he may shatter the world"--Back cover.
If we lived in a liquid world, the concept of a "machine" would make no sense. Liquid life is metaphor and apparatus that discusses the consequences of thinking, working, and living through liquids. It is an irreducible, paradoxical, parallel, planetary-scale material condition, unevenly distributed spatially, but temporally continuous. It is what remains when logical explanations can no longer account for the experiences that we recognize as part of "being alive."Liquid Life references a third-millennial understanding of matter that seeks to restore the agency of the liquid soul for an ecological era, which has been banished by reductionist, "brute" materialist discourses and mechanical models of life. Offering an alternative worldview of the living realm through a "new materialist" and "liquid" study of matter, Armstrong conjures forth examples of creatures that do not obey mechanistic concepts like predictability, efficiency, and rationality. With the advent of molecular science, an increasingly persuasive ontology of liquid technologies can be identified. Through the lens of lifelike dynamic droplets, the agency for these systems exists at the interfaces between different fields of matter/energy that respond to highly local effects, with no need for a central organizing system.Liquid Life seeks an alternative partnership between humanity and the natural world. It provokes a re-invention of the languages of the living realm to open up alternative spaces for exploration, including contributor Rolf Hughes' "angelology" of language, which explores the transformative invocations of prose poetry, and Simone Ferracina's graphical notations that help shape our concepts of metabolism, upcycling, and designing with fluids. A conceptual and practical toolset for thinking and designing, liquid life reunites us with the irreducible "soul substance" of living things, which will neither be simply "solved," nor go away.
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