I think we should take it through Guatemala. A random text from a stranger inspires agoraphobic Colin to leave New York. His first stop is Brownsville, Texas, where he meets the sender, half-Mayan Luci Bolon, her ancient but feisty great-uncle Ernesto, and Miss Mango, a bright-orange Kubota tractor. Ernesto’s dream is that Miss Mango be driven to Belize and given to the family he left behind nearly seventy years ago. Colin agrees to join Luci on the long journey through Central America. In 1949, seventeen-year-old Belizean Ernesto falls painfully in love with Michaela, an American redhead nearly twice his age. Their brief but intense affair changes everything Ernesto has ever known. When she leaves, Ernesto is devastated. Determined to find her, he “borrows” a donkey from his uncle and starts off for Texas. He meets a flamboyant fellow traveler, and the three of them—two young men and the donkey they name Bee—make their way to America. The past and present unfold through two journeys that traverse beautiful landscapes. Painful histories are soothed by new friendships and payments of old debts.
After his wife’s betrayal, Mark jumps on the first flight out, heading for Central America. He soon joins Aaron, a South African dive master, and Kendal, a quirky fellow American. But their friendships get more complicated by the day. Kendal finds Mark’s needy misery a welcome diversion from her problems. Her husband, Charlie, is thirty years her senior and dying, and Kendal has sought solace in the arms of Charlie’s best friend, Aaron. Charlie may be dying, but he’s not blind, and his tickle of suspicion becomes an unbearable scratch. He’s always been Kendal’s protector, and now he must struggle with his illness and the risks of finding out the truth. Funny, heartwarming, and tragic, this poignant story is ultimately about love, survival, and redemption as Mark, Kendal, and Aaron navigate the rough seas of life.
The White Goddess is perhaps the finest of Robert Graves's works on the psychological and mythological sources of poetry. In this tapestry of poetic and religious scholarship, Graves explores the stories behind the earliest of European deities—the White Goddess of Birth, Love, and Death—who was worshipped under countless titles. He also uncovers the obscure and mysterious power of "pure poetry" and its peculiar and mythic language.
“‘Tis better to have loved and lost than never to have loved at all.” ~Alfred Lord Tennyson Admitting what didn't work can never negate the things that did work. The parts of the relationship that are beautiful and loving will always remain beautiful and loving. Love is real, even if it doesn't last, and nothing can change that. Sergio is going through it with his love kissing another guy. When he realizes he’s the problem, will he try to get Syria back, or will it be too late? A diva is the female version of a hustler. That is exactly what Rasheeda King is, a diva. She and Santo make a great fit. Santo, being afraid of love, messes up a beautiful thing before it can even blossom, leaving Rasheeda up for grabs. If only he knew Rasheeda was the one for him, but remembering Santo telling her he isn’t in the market for a relationship brings Rasheeda back to reality. Unheard cries, feelings, and love are the cause for Santo’s fear of love. His mother scarred his heart. When he assures Rasheeda that he’s ready for love, will she give him another chance, or will she fall for another man who’s willing to give her all his love? Young love does exist, especially for Saxon and Shante. Timing does nothing for the couple who has found justice for the feelings they both share. Just because love doesn’t have an age limit doesn’t mean it’ll last forever. Just when Saxon is ready to give his all, Shante finds her heart wandering elsewhere. Can Saxon prove his love is real and not a mere act to Shante before it is too late? Find out what is to come in the last installment of O’Kelly Boyz: Good Girls Love Thugs 2.
Arthur Prescott finds respite from the drudgery of his professorship in the Barchester Cathedral Library, where he researches the Holy Grail and his long-delayed guidebook for the medieval cathedral. His tranquility is shattered by Bethany Davis, a young American academic who has come to digitise the library’s ancient manuscripts. But hostility turns to affection when Arthur discovers Bethany is a kindred spirit, a Grail fanatic. They begin a quest for the lost Book of Ewolda, which could reveal secrets about the cathedral and the Grail, and their connections to King Arthur and the Knights of the Round Table. As Arthur and Bethany delve into the past, the secret history of England—from the Norman invasion to the Civil War, the Industrial Revolution and the Blitz—is revealed. A thrilling adventure for history lovers, The Lost Book of the Grail is also an ode to the joys of reading. Charlie Lovett is a writer, teacher and playwright whose books include the New York Times bestseller The Bookman’s Tale and First Impressions. He is a bibliophile and a former antiquarian bookseller. He and his wife split their time between North Carolina and the Cotswolds. ‘In his latest literary mystery, Lovett supplements his trademark meld of books, romance, and adventure with an element of (fairly English) humor and some nods in the direction of P.G. Wodehouse...There's lots of research too...but it's underpinned by a pleasing treasure hunt mixed with the romantic involvement of two genially mismatched figures. A solidly built, innocently bookish diversion with a distinct Masterpiece Theater flavor.’ Kirkus Reviews ‘Former antiquarian bookseller Lovett here does what he did so well in his debut, The Bookman’s Tale.’ Library Journal ‘The Lost Book of the Grail is for every book addict. Full of suspense, delightful twists and turns, this is a tale about friendship, love, and the purpose of life.’ Nina George, New York Times bestselling author of The Little Paris Bookshop ‘Vivid, engaging...A love story and a detective story filled with wonderful historic detail.’ Kate Alcott ‘A mystery, a history, a pleasure—and a treasure.’ Gregory Maguire ‘Lovett considers topics both contemporary and timeless: the relevance and future of physical libraries; the advantages and drawbacks of electronic documents; love, devotion and friendship; recollection and truth; setting priorities for life; and faith and belief...Lovett’s expertise in, respect for and love of old books is apparent on every page...Not only bibliophiles will be charmed by this thoroughly enjoyable tale.’ BookMooch ‘Merging medievalist erudition, literary sleuthing and romantic comedy, Charlie Lovett’s The Lost Book of the Grail is an entertaining romp the well-read will enjoy.’ Age ‘Lovett explores the nature of faith and doubt while unravelling the long history of the cathedral and its treasures...For bibliophiles, Grail enthusiasts and anyone who loves a good quest, Arthur’s story is a rich, erudite and entertaining adventure.’ Shelf Awareness ‘Charlie Lovett’s charming novel combines Arthurian legend, Christian beliefs, history and a love of books to produce a grown-up’s version of Dan Brown’s The Da Vinci Code...An engaging concoction of mystery, ancient manuscripts, secret codes, literary sleuthing, the real meaning of faith and mild romance. It will enthral those readers who love books and history.’ Canberra Weekly ‘What a fascinating book by Charlie Lovett, author of The Bookman’s Tale. Its denouement sends tingles through the body...The plot meanders through a then-and-now of glorious old books and manuscripts, the thrills of discovery and agony of obstacles. It is eminently engaging.’ SA Weekend
THIS IS FUCKING IT...the final conclusion to the KILL DA WABBOT trilogy...SAN DIEGO COMIC CON 2011 TO HALLOWEEN AND BEYOND...this book has it all...A PERFECT XXX-MAS PRESENT FOR YOUR NAUGHTY PALS