Excerpt from Leaves From the City Beautiful Baby nell's christmas chautauqua junior choir song chautauqua boys' club song what can I Do for jesub? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
Excerpt from Leaves From the Life of a Good-for-Nothing As I was looking around, a fine' travelling-carriage drove along very near me; it had probably been just behind me for some time without my perceiving it, so filled with melody had I been, for it was going quite slowly, and two elegant ladies had their heads out of the window, listening. One was especially beautiful, and younger than the other, but both pleased me extremely. When I stopped singing the elder ordered the coachman to stop his horses, and accosted me with great condescension, Aha, my merry lad, you know how to sing very pretty songs. I nothing loath, replied, Please your Grace, I know some far prettier. And where are you going so early in the morning she asked. I was ashamed to confess that I did not myself know, and so I said, boldly, To Vienna. The two ladies then talked together in a strange tongue which I did not understand. The younger shook her head several times, but the other only laughed, and finally called to me, Jump up behind; we too are going to Vienna. Who more ready than I! I made my best bow, and sprang up behind the carriage, the coachman cracked his whip, and away we bowled along the smooth road so swiftly that the wind whistled in my ears. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Greek Prose Composition Part I contains, in graded lessons, the principal points of Greek syntax, the unusual and non-essential being purposely omitted. These lessons are designed for use at the beginning of the second year's study of Greek, thereby serving as a partial review of the first year's work and as an introduction to the composition work in connection with the reading of Xenophon's Anabasis. Part II contains short, simple English sentences, based on Books I - IV of the Anabasis. These should be used daily in connection with the reading of the text. Part III contains connected English prose, based on Books I - IV of the Anabasis. This is carefully graded, so that the stu dent who performs faithfully the work outlined here will be able to pass the entrance examination of any of the American colleges. The method of writing Greek at sight used in this book needs a word of explanation. It is the outgrowth of the author's personal experience in the classroom, and his belief that the best results can be obtained only by systematic practice in connection with the regular work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Anyone who has ever created a garden knows that it is a process replete with drama: there's the feverish excitement of drawing up plans and making lists of plants; the bleak depression of realizing that the plans will have to be altered; the "Eureka!" moment when a brilliant solution presents itself; the grim frustration of dealing with meddlesome neighbors and recalcitrant plants. For Beverley Nichols (1898–1983), making a new garden in a London suburb in the years just before World War II was positively operatic in its emotional trajectory. Fans of Beverley Nichols will find in Green Grows the City the same elements that have delighted them in his other books: the wit, the style, the cats, and of course Gaskin, gentleman's gentleman extraordinaire. Those new to Nichols are in for a rare treat.
Excerpt from Leaves Bid me not check my accents broken, Because, ere this, some bard has spoken All I dream, in deathless lays. You do not murmur that I live, Although the world has all I give, The inheritance of ancient days. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Leaves From the Past But there are sweet memorials here of tried and pure friendship, - these hallow my pages, while fancy or wit may adorn them, or fun amuse; but all my leaves, not lost, are gathered here, and some, unhappily for me, are lost or mislaid. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Fallen Leaves: A Novel But in the autumn of 1850, the retribution which sooner or later descends on all despotisms, great and small, overtook the iron rule of Old Ronald, and defeated the domestic tyrant on the battlefield of his own fireside. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Leaves on the Wind What Chieftain holds thy_ love? A Chieftain of the mountains Where the restless shadows move. And son of Ireland tell me The king that rules thy dreams? A king of sea and bogland Where the silver starlight gleams. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
