The Late Romantic Era treats the period bounded by the 1848 revolutions and the outbreak of World War I. It examines several musical dimensions of the bourgeois cultural ascendancy of the second half of the 19th century - the growth of independent institutions of music-making, the consolidation of a standard classical repertory and the emergence of increasingly specific repertories of popular music, professional and amateur. Single chapters on particular countries or regions are framed by pairs of chapters on Vienna, Paris and the German cities. In an opening chapter Dr Samson places the later geographical surveys within a thematic context which embraces social and economic change, political ideology and the climate of ideas.
Brazilian Railway Culture examines the cultural relationship Brazil has had with its railways since tracks were first laid by British, American and French engineers in the nineteenth century. ‘Railway’ and ‘Brazil’ are words not often found in the same sentence. Yet each year over seven hundred million passengers are carried by train in the major urban centres, and tens of thousands of visitors enjoy heritage steam rides at over a dozen restored lines and museums. Brazilian Railway Culture starts from the premise that Brazilian society and culture is not just samba, football and sex. The book takes a journey through Brazilian cultural output from 1865 to the present day, examining novels, poetry, music, art, film and television, as well as autobiographies, written histories, and museums to uncover ways in which the railway has been represented. This interdisciplinary study engages with theories of informal empire and postcolonialism, Latin American studies, cultural studies, film and television studies, literary criticism, art history and criticism, museum and heritage studies, as well as railway studies. This is a supplementary text for use by students on both undergraduate and postgraduate courses. It will also be of interest to academics, researchers, and railway historians across a range of disciplines.
Winner, 2012 Book Award, Society for the Study of Early Modern WomenHonorable Mention, Literature, 2012 PROSE Awards, Professional and Scholarly Publishing Division of the Association of American Publishers In her award-winning, critically acclaimed Women’s Writing in Italy, 1400–1650, Virginia Cox chronicles the history of women writers in early modern Italy—who they were, what they wrote, where they fit in society, and how their status changed during this period. In this book, Cox examines more closely one particular moment in this history, in many ways the most remarkable for the richness and range of women’s literary output. A widespread critical notion sees Italian women’s writing as a phenomenon specific to the peculiar literary environment of the mid-sixteenth century, and most scholars assume that a reactionary movement such as the Counter-Reformation was unlikely to spur its development. Cox argues otherwise, showing that women’s writing flourished in the period following 1560, reaching beyond the customary "feminine" genres of lyric, poetry, and letters to experiment with pastoral drama, chivalric romance, tragedy, and epic. There were few widely practiced genres in this eclectic phase of Italian literature to which women did not turn their hand. Organized by genre, and including translations of all excerpts from primary texts, this comprehensive and engaging volume provides students and scholars with an invaluable resource as interest in these exceptional writers grows. In addition to familiar, secular works by authors such as Isabella Andreini, Moderata Fonte, and Lucrezia Marinella, Cox also discusses important writings that have largely escaped critical interest, including Fonte’s and Marinella’s vivid religious narratives, an unfinished Amazonian epic by Maddalena Salvetti, and the startlingly fresh autobiographical lyrics of Francesca Turina Bufalini. Juxtaposing religious and secular writings by women and tracing their relationship to the male-authored literature of the period, often surprisingly affirmative in its attitudes toward women, Cox reveals a new and provocative vision of the Italian Counter-Reformation as a period far less uniformly repressive of women than is commonly assumed.
THE STORY: The widower Harpagon, so cheap he'd swipe the pennies off a dead man's eyes, rules his roost with a tight, iron fist. His unhappy, rebellious children, Cléante and Elise, are afraid to tell him of their romantic attachments: Cléante has
Written in the form of a diary, England have my Bones narrates events from 3rd March 1934 to the 3rd March 1935. The author fishes, hunts, shoots ducks, learns to fly a small aeroplane, and keeps a snake as a pet. He does these things one at a time and obsessively, being the sort of person who needs to be the best at everything he tries. An essential read for the keen or just curious country sportsman or woman.
Sister Josepha is a popular tale by Alice Dunbar Nelson which tells the story of a woman caught between her will to live freely but as a Nun or, to live grudgingly as somebody's wife. Musaicum Books presents to you this meticulously edited collection of Alice Dunbar Nelson's famous short stories that made her an important African-American writer of her day. Content: Sister Josepha The Goodness of Saint Rocque Tony's Wife The Fisherman of Pass Christian M'sieu Fortier's Violin By The Bayou St. John When the Bayou Overflows Mr. Baptiste A Carnival Jangle Little Miss Sophie The Praline Woman Odalie La Juanita Titee
The United Nations definitive report on the state of the world economy, providing global and regional economic outlook for 2019 and 2020. Produced by the Department of Economic and Social Affairs, the five UN regional commissions, the United Nations Conference on Trade and Development, with contributions from the UN World Tourism Organization.
